NaissanceE is a first person exploration PC game developed on UDK by Limasse Five with the participation of Pauline Oliveros, Patricia Dallio and Thierry Zaboitzeff.The adventure takes place in a primitive mysterious structure and the game mainly consists to explore and feel the deep and strong ambiance of this atemporal world but...
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Дата на излизане: 13 февруари 2014

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Закупуване на NaissanceE

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“NaissanceE’s world is an interactive Carceri, powerful beyond description.”
8/10 – GameSpot

“It’s an unusual, singular game that uses the normal tools of first-person shooter design (UDK) to make something plainly weird. I’d give it some kind of gold star for just being different.”
Rock, Paper, Shotgun

“Limasse Five’s creation, NaissanceE, is loneliness. It’s an exploration of the self. It’s a test of will. It’s discovering your personal solace.”
Indie Statik

Относно тази игра

NaissanceE is a first person exploration PC game developed on UDK by Limasse Five with the participation of Pauline Oliveros, Patricia Dallio and Thierry Zaboitzeff.

The adventure takes place in a primitive mysterious structure and the game mainly consists to explore and feel the deep and strong ambiance of this atemporal world but platforming and puzzles areas will also enrich the experience.

NaissanceE is a game, a philosophical trip and an artistic experience.

The game is constructed along a linear path punctuated by more open areas to freely explore, some puzzles to solves and some more experimental sequences.

Going deeper and deeper in a primitive zone from “Naissance” world, the player will meet entities or mechanical systems. Whether those entities are life forms or pure machines, they react to player presence, to light and shadow and they may open access to the following.

If most parts of the journey will require only curiosity and logic, a good control and coordination on running, breathing and jumping actions will help to go through rare but exigent sequences, as an homage to old school die an retry games.

The main idea behind the game is to make the player appreciate the loneliness, the feeling to be lost in a gigantic unknown universe and to be marvelled by the beauty of this world. A world which seems to be alive, leading the player, manipulating him and playing with him for any reason.

Imagination is an important key to enjoy and understand NaissanceE. Walking in an undiscovered abstract structure brings questions about the nature of this world, about the meaning of this trip. Evocating and symbolic, the architecture and events will lead player’s imagination to find an answer, if it only matters.

Warning! This game is not recommended for people with epilepsy.

Системни изисквания

    • ОС: Windows XP SP3 or Windows Vista
    • Процесор: 2.0+ GHz multi-core processor
    • Памет: 3 GB памет
    • Видеокарта: NVIDIA 8800 gts or similar graphics card
    • DirectX: версия 9.0c
    • Устройство за съхранение: 2 GB достъпно пространство
    • ОС: Windows 7
    • Процесор: 3.0+ GHz multi-core processor
    • Памет: 4 GB памет
    • Видеокарта: NVIDIA 460 gtx or higher graphics card
    • DirectX: версия 9.0c
    • Устройство за съхранение: 2 GB достъпно пространство
Рецензии от клиенти
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Много положителни (23 рецензии)
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Наскоро публикувани
Punkah auf Sri Lanka
( 0.5 изиграни часа )
Публикувани: 29 юни
Ehm okay.. After reading all the positive reviews about this game, I really looked forward to play it.
But when I started it I sadly had to realize that the SOUND OF THE GAME IS ♥♥♥♥ING CRAZY in a NEGATIVE way!!!!!!
After 2 minutes of play time I already got the headache of doom and the wish to end this game as fast as possible...
I really expected a chilling exploration game. But what I got is more a horror/psycho wtf is this ♥♥♥♥ing noise ♥♥♥♥ :(

If you don't want to get crazy or mad, then either play the game without sound or don't buy it...
Полезно? Да Не Забавна
( 6.0 изиграни часа )
Публикувани: 28 юни
walking sim with occasional puzzles
Полезно? Да Не Забавна
[Lynx] Resfenol
( 12.2 изиграни часа )
Публикувани: 26 юни
For a moment, I thought it was a terror game. It's simply awesome! I loved the dark ambient and deep sounds that took me even more on the game, the mystery places and a lot of different puzzles. One of the best games I ever played for sure.
Полезно? Да Не Забавна
( 1.0 изиграни часа )
Публикувани: 25 юни
its a meh for me but give it a try if you want
Полезно? Да Не Забавна
( 6.7 изиграни часа )
Публикувани: 25 юни
It reminds me of those very intense fever dreams, quite literally. But I mean that in a good way, because it's very hard to make any sense of, but these developers made it possible to experience it while being fully awake.
However, I would not get this at full price. Get it on sale.
Полезно? Да Не Забавна
( 5.2 изиграни часа )
Публикувани: 25 юни
NaissanceE is visually awesome. It drops you without explanation in an environment that is strange yet coherent enough to convey the feeling of being stranded inside the megastructure of an alien civilization - or at least that is what happens during the first half of the game. There are wide gaps in the narrative, which players may (unintentionally) fill however they can. In my head, I made two associations: (a) First, with the movie 'The Signal' (2014), and I'll not develop the point as to avoid spoilers; and (b) I thought this setting would work well to represent the Combine Homeworld in a Half Life 3 game, if it was ever to be made (a man can dream, can't he?). So the sheer scope and size of the structures you navigate through is intimidating, oppressive, and eerie in a 'Lovecraftian' way - as you're left to wonder: What race of ancient god-beings built this? And are they still around? (distant alien noises indicate they might well be).

The second half of the game gets much more abstract and feels sort of disconnected from everything you've experienced previously: it's like the developers created a series of visual experiments in order to test the limits of 'Unreal Engine 3', and then stitched all of them together because - why the hell not? Still visually amazing, but less compelling as an experience because you just get teleported from one 'room' to another, so that 'coherence' which made the first part of the game so interesting is lost.

If I had to complain about ONE aspect of the gameplay, I'd aim straight for what can only be described as 'Half-Life-1-worthy first-person platform-jumping puzzles'. They were annoying back in the late 90s, and they are annoying today. Valve certainly learned that lesson early and refrained from using plaftorm jumping puzzles in Half-Life 2 and its expansions. In NaissanceE, thankfully, they don't occur all that often - but when they do, the location of checkpoints could definitely be improved: You cannot quick save (which I guess is in keeping with the game's minimalist style), so it only adds to the annoyance when you have to retrace your steps through the same corridors for the 10th time before you can have another go at the bloody platforms.

All in all, despite all the platform jumping and the game's loss of structure in its second half, I found NaissanceE to be more than worth the time it took me to complete it, which was about 4 hours. It's just aesthetically impressive, deeply atmospheric and bewilderingly bizarre. Me likes.
Полезно? Да Не Забавна
( 2.6 изиграни часа )
Публикувани: 25 юни
A strange and unique experience for the senses, but less so a game for the fingers.
Полезно? Да Не Забавна
( 7.8 изиграни часа )
Публикувани: 24 юни
House of Leaves the game meets Blame! the game
would be perfect without last two chapters but still absolutely worth the money!
Полезно? Да Не Забавна
Graham Peters
( 3.3 изиграни часа )
Публикувани: 20 юни
Whether you like this game or not will be extremely subjective. Some people will love it, some will hate it. While the style, music and overall atmosphere of the game are amazing, and it has significantly more gameplay than would be expected from a walking sim, the game can get frustrating at times, and what is there may just not be what floats your boat.

First off, the style is amazing. The world looks incredible and eerie, rarely straying from a monochrome colour palate, which gives the world a strong surreal, alien quality. Add to that a soundtrack that alternates between beautiful and tense and you have a game with an atmosphere few games hope to achieve. This atmosphere IS the game, it's the star attraction and if it's not you're thing you aren't going to like the game.

Another important thing to note is that, while this isn't a horror game, it feels like one at times. It can make you feel very, very uncomfortable, and while you are rarely in danger, the game makes you feel as if you're being stalked by... something.

The story is threadbare in the traditional sense of the word. You are a girl lost in a world that clearly isn't your own. You're running away from something. This is all that is obvious, although the world itself does a decent job of telling a story of its own.

Finally, I feel that, unlike other Walking Sims like Gone Home or Mirror Moon EP, it is completely justified to call this a game. The gameplay is a combination of first person platforming, that rarely becomes irritating, and a few atandars puzzles. However, despite the added gameplay over other similar titles, I can't stress enough that it is the atmosphere that makes NaissanceE. The eerie feeling of being alone in a world that may or may not be hostile is incredible.

The best example I can think of is, if you have played and enjoyed a game like Riven, and it was the atmosphere that really got to you, you will probably enjoy NaissanceE. If not, look elsewhere.
Полезно? Да Не Забавна
( 4.5 изиграни часа )
Публикувани: 15 юни
Looking back ages after I played it, I really liked this game.
Would recomend
Полезно? Да Не Забавна
Най-полезни рецензии  През последните 30 дни
10 от 10 човека (100%) сметнаха тази рецензия за полезна
10.9 изиграни часа
Публикувани: 7 юни
A niche title. If you want an atmospheric journey which conveys a feeling rather than a story, this is your game.

If you don't, give it a miss.

Saying anymore will give too much away, go in blind if you can. You'll know from the trailer if this is a game for you.
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4 от 4 човека (100%) сметнаха тази рецензия за полезна
1 човек намери тази рецензия за забавна
8.7 изиграни часа
Публикувани: 8 юни
Absolutely amazing game. For me, an easy 9.9/10 (minus 0.1 for the extremely annoying white or black rooms with flickering lights at the end of the game where I almost lost my sight). What sold it to me at first was the bit about exploring super massive structures...And waow I was not disappointed. I had never played a game like this ever before. In fact it was quite an experience at times. The really bizarre feeling of wandering among huge abandoned structures was really something. It's like living in a Kafka's novel. Plus the soundtrack (unfortunately not available) is very very good. Fits perfectly the game. A great bunch of alternative/indie artists !
I'd highly recommend this game to whoever wants to experience something different. Hats off to the developers (Limasse Five) for offering such a great bit of indie game. I hope they're working on a sequel.
Беше ли полезна тази рецензия? Да Не Забавна
7 от 10 човека (70%) сметнаха тази рецензия за полезна
2 човека намериха тази рецензия за забавна
5.4 изиграни часа
Публикувани: 31 май
Cool art game that makes you feel feels.
Беше ли полезна тази рецензия? Да Не Забавна
3 от 3 човека (100%) сметнаха тази рецензия за полезна
1 човек намери тази рецензия за забавна
7.8 изиграни часа
Публикувани: 24 юни
House of Leaves the game meets Blame! the game
would be perfect without last two chapters but still absolutely worth the money!
Беше ли полезна тази рецензия? Да Не Забавна
Най-полезни рецензии  Общо
248 от 267 човека (93%) сметнаха тази рецензия за полезна
8.0 изиграни часа
Публикувани: 12 февруари 2014
Thirty minutes in:
So I'm about thirty minutes into NaissanceE and it's as atmospheric and otherworldly as you might have hoped. The environments are expansive, monolithic, not in terms of being open to exploration but in terms of sheer scale. You feel small, lost and utterly alone in this world. It's a world that feels alien and weird, not in the twisty Escher-esque sense that Antichamber had, but like you just don't belong in this place. Even though it isn't a horror game, there's a distinct feeling of tension and apprehension of the unknown, and the unsettling sound effects add to this. It's been a linear journey so far, but I don't mind that. It's a world I want to venture further into and discover more about.
Two hours in:
2 hours into the game and it continues to impress. There have been a few challenging platforming sections interspersed between the traversal and light puzzle solving, but for the most part, it's all about the experience. Some might say it's boring, too much walking, but if there's one thing the game has excelled at since the start, it's making you feel small, insignificant within the massive alien spaces. That has been the highlight for me, just traveling through this mysterious complex. You exit from a narrow corridor into a gargantuan space that makes you tense just looking over the edge, and then you realize you have to find a way down. The game doesn't hold your hand, doesn't direct you where to go, besides the visual environmental cues. The game is certainly linear, don't expect a sprawling world, but you do have to find your way and it's easy to get disoriented, lost, turned around. The game has a fantastic atmosphere: mysterious, engaging, ominous, otherworldly.

As for negatives, there's one mechanic that at the moment feels more extraneous than integral to the overall experience. It complicates a simple action, and while it kind of feels almost Receiver-esque in the sense that you have to focus on an action that is usually automatic, I don't think it has really added anything to the gameplay yet. One platforming section was quite frustrating and I ended up just turning up the gamma to complete it. Also I found some checkpoints can be bit too spread out, but that's only been an issue two or three times.
Three hours in:
The developer said that the game's four to five hours long, but I'm thinking that's only if you know exactly where to go, how to go there, not die (repeatedly). I'm still on the second chapter. Probably should shave about twenty minutes of my overall play time, because I got stuck on a puzzle with a solution that was annoyingly obvious once I figured out what I was overlooking

My gripe about the checkpoints still stand. Some of them are just too spread out. You'll do some difficult platforming, get a safe area, start another difficult section, die, and then the checkpoint is back at the start of that first section. While you're just traveling and exploring, it's not an issue, but once you're dealing with sections where you can die because of a missed jump after making some progress, it can be frustrating.

But despite this issue (or at least I consider it an issue), the game has not lost any of its luster or mystery. I think the world in this game is by far one of the most alien and atmospheric I've experienced. It's not alien in the way that Avatar's world was, but alien in the unsettling sense that this is truly not a place made for or by humans.

New mechanics are introduced, mainly to offer interesting platforming and puzzle scenarios. It's great when you just have to stop and admire some cool sight, and NaissanceE has had moment after moment like that so far. The sound effects are as well great, really adding a sense of place and tone.
Seven hours in:
Yeah, 7 hours and I finally reached Breath Compression. I guess me, first person platforming, and keyboard/mouse controls don't mix well.

But I'm still absolutely loving this game. It does something very well, that I've usually only experienced in sprawling open world games and it's the feeling of seeing something interesting in the distance and then after 10, 15, 20 minutes of traveling, turning the corner and seeing that landmark before you. NaissanceE accomplishes that so well, enticing the player with weird and intriguing architecture and structures far away and then later, you exit a corridor and you're there.

It's a great feeling, that makes the game seem less like a linear adventure and more a journey where you're discovering the path. You never feel pushed or pulled in a direction, the game never takes control of your camera to direct you or tell you to head that way or in this direction. It's masterful in that aspect, subtly driving the player forward not through objective markers or compass arrows but with cues in the environment and the reward of exploration and discovery.

Now while the game is linear, it's certainly not tight corridors. Many areas have surprised me with how open they are, and all have been interesting to explore and just be in. Beside the exploration aspect, the gameplay seems to favor more platforming over puzzles, with a few light based puzzles and several challenging platforming areas.
Беше ли полезна тази рецензия? Да Не Забавна
77 от 84 човека (92%) сметнаха тази рецензия за полезна
4.8 изиграни часа
Публикувани: 14 февруари 2014
I want to recommend this game. Aesthetically, it's perfect. A dark, forbidding, brutalist world to explore. I've lost count of the times I've just been stunned by the game's architecture, and stopped to look around.

Unfortunately, here are some other things I've lost count of:
The amount of times I've died and thought 'Really? There hasn't been a checkpoint for THIS LONG?'
The amount of times, a few seconds after I respawn or load in, the game has frozen for a second (this happens every time).
The amount of times I've been able to see through walls while moving quickly - and come on, this shouldn't happen in a game with textures this simple, should it?
The amount of times I've been killed because of how poorly the character movement controls and how short a drop can kill you in this game.
The amount of times I've foolishly tried to use the Steam overlay, which crashes the game for me every single time.

Aside from actual glitches which I hope will be ironed out in an update, the gameplay itself simply doesn't help. The proportion of the game spent trying to complete absurd platforming challenges instead of being allowed to explore this fascinating environment is unbearable. As for the puzzles, they're essentially fine, but as previously mentioned, falling off a ledge halfway through them is pretty un-fun. And then there's the weird breathing mechanic, which frankly adds nothing to the game.

What ultimately stopped me from wanting to continue with the game at all was a section where the player is expected to walk along a lengthy pipe, parts of which are rotating, others of which move up and down - in what appears to be a wind tunnel. In the particular part of the pipe I was up to, you first have to walk along a series of moving, floating cubes to reach the next section. Then you have to run past some rotating obstacles. Then you have to run along another section with a series of cubes being thrown at you which instantly kill you if you are hit. Then you have to run along some beams that move up and down. Then you die, because a gust of wind has at some point during the aforementioned series of challenges, picked you up and blown you away. Why does this happen? Not sure. How is the player expected to know when the wind is going to become dangerous to them? Don't know. What is the player supposed to do to survive this? No idea. Sometimes the wind simply blows you into a wall, which doesn't hurt, but the wind seemingly never stops once it begins, so you're forced to re-load a save anyway.

If I'm missing something blindingly obvious here I apologise, but at the moment I have to treat this game as simply being broken.

I can't emphasise enough how much I love the way this game looks and sounds. It really makes you feel small, and the abstract electronic music complements that feeling perfectly. It's just a shame that a game so seemingly great should be so keen with its gameplay to stop me from playing it ever again. NaissanceE is a beautiful art game trapped inside an alpha-release standard puzzle-platformer.

UPDATE: So with this review climbing up the store page a bit, felt it was worth updating. I've played a bit more of the game since my initial review, having FINALLY managed to progress beyond that awful platform section. Apparently, the fan automatically blows you away after a certain amount of time, not just at random. I don't know how you're supposed to know this, but there it is. I made it through the area in time, EVENTUALLY.

Anyway, the couple of levels after that have actually been fairly simple and enjoyable (and, it goes without saying, aesthetically impressive). I got up to the desert section and haven't played more since, but at this point, the game is no longer throwing ♥♥♥♥ in my face constantly, so I feel like I will continue and finish the game when I have time. For this reason, and a couple of others, I'm changing my review to a cautious recommendation.

The other reasons are that 1: the developer has announced plans to fix bugs and include more checkpoints in the next patch, which would be a great improvement, and 2: the developer has made clear that the platforming sections were 'old-school' and difficult by choice, not accidentally. And if it's a design choice, I can't exactly treat the game as broken.

So it's a reserved recommendation - if you're a fan of atmospheric exploration games, pick this up but be aware that there'll be some real challenges (hopefully more reasonably checkpointed in future) to struggle through unless you're a master platformer. And if you're looking for a hardcore platformer, maybe pick this up but be aware there's a lot of wandering around lost in-between.
Беше ли полезна тази рецензия? Да Не Забавна
63 от 66 човека (95%) сметнаха тази рецензия за полезна
1 човек намери тази рецензия за забавна
3.6 изиграни часа
Публикувани: 25 септември 2015
Do you remember the feeling you got when you saw the strange, grand architecture of Cloud City in The Empire Strikes Back? Or the impossibly huge geometry of V'ger in Star Trek: The Motion Picture? Or the cityscape in Blade Runner? Well, NaissanceE will bring back that feeling with incredible intensity.

No other game does grand environments like this, I promise you. It's mind-bogglingly huge and familiar and alien all at once, and when you start moving around it you realize that yes, you can get to that bright point on the horizon, it's not just scenery. It's a linear game but the city-type environments are surprisingly open, with optional paths to find here and there. The sound design does an amazing job of supporting the atmosphere, bouncing you between slack-jawed wonder and a creeping unease.

The catch is that's only about half the game.

The other half is split between claustrophobic halls and cubist nightmares. There are a lot of surreal, nonsensical rooms to run through that don't really mesh all that well with the cityscapes they break up. Chapters 5 and 6 (the game is broken into seamless Half-Life-style chapters) seem to double down on the weirdness, which was a little disappointing because of how much I enjoyed the city bits. The puzzles are also rather hit or miss, generally being rather easy and not very clever. I will say that there are some jumping puzzles in Chapter 4 that were pretty frustrating in how little sense they made, and an eye-searing puzzle in Chapter 5 that almost made me quit the game entirely.

The second-to-last chapter is pretty interesting and very wide open. It makes me think there's even more to find in the game, though there's no real payoff for exploration besides seeing what other weirdness the world contains. The last chapter is a little frustrating until you figure out what it wants you to do and the ending is pretty blah. I think there's something deep going on with the story but I haven't picked up on it. I just feel like there's something there. I honestly think the atmosphere is good enough to justify the purchase, but be aware there are more than a few flaws.
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69 от 78 човека (88%) сметнаха тази рецензия за полезна
3 човека намериха тази рецензия за забавна
37.3 изиграни часа
Публикувани: 7 ноември 2014
NaissanceE was one of those undiscovered gems on steam. Hidden in the loud and ever-changing steam library, this beauty rests. Unlike most games that I play, NaissanceE was one of the first that moved me. It truly shows how digital experiences like NaissanceE are becoming an art.
First things first, NiassanceE is absolutely beautiful. French game developer Mavros Sedeno has a great eye for design, style and lighting. The numerous worlds you explore in NaissanceE are absolutely amazing, and it is obvious that the developer put a lot of time into creating them. The music choices and sound design in NaissanceE are two of the main components of the game’s dark atmosphere, making the experience much more immersive. The strange machine universe of NaissanceE feels so...alien. I always wonder why things were built and the absence of life. But for some reason, this feeling of loneliness is almost comforting. The long sterile hallways or the enormous underground cities can create a calming atmosphere when pared with the subtle instrumental soundtrack. The experience still sticks in my mind even when finishing the game a long time ago. The story isn’t very direct. Everything that takes place in NaissanceE is really up to your imagination, The experience could be different for everyone. I personally think that the world of NaissanceE is a version of hell, and that the fragments of human civilization could relate to memories of the protagonist. I mean, the name of the game means “birth” in french, so the game’s ending could mean the escape of hell into life once again. I just feel like the story is very phycological. I am not religious at all, so I don’t know many of the stories, but it could be a re-creation of one too.
NaissanceE isn’t a game for everyone. The type of storytelling in NaissanceE is very subtle and ambiguous, containing no dialogue or characters to lead the way (Very much like LIMBO). Personally, I really enjoy this way to tell a story since the experience can be much more interesting when your imagination tells the story. There isn’t really anything in NaissanceE that is mature, only that when you get hurt blood lines circle your vision for a period of time. The game does simulate intense themes, such as insanity, but nothing really direct. NaissanceE also has a haunting feeling at times, but only to create a better atmosphere. Although, you need a very powerful PC to play it, so just a heads-up to the people who have one. I really want the developer to get the support he deserves for creating such an amazing game.
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67 от 79 човека (85%) сметнаха тази рецензия за полезна
9.8 изиграни часа
Публикувани: 12 февруари 2014
NaissanceE hits the ground running – or rather, its protagonist does. The opening moments serve as a compressed summary of all that the player is about to experience. Disoriented, panting, lungs pumping air like every moment could be their last. Rows and rows of identical hallways swoosh past. Are the walls really shrinking in on us or is it just a trick of the camera? A glimpse of the assailant giving chase causes the pace to quicken, accentuated by a sickening electronic noise trill. Before long, we come face to face with the creature just moments before falling into a pit that carries us to safety. Safety being relative. As the world we’re introduced to is anything but friendly and familiar.

In a way it’s the older brother of Kairo, one who transitioned from Eno to Lucier while attending college. Second cousin twice removed to Antichamber, losing almost all of its puzzle genes while retaining the mind-twisting level design. NaissanceE stands proudly next to other modern takes on the puzzle adventure. Progression, while linear, always fits within the massive scope of any particular area. You’ll get lost in the larger maps, poking around in the corners feebly in hopes of finding direction or a sign of life. What plot there is to be told is presented entirely through the environmental clues left behind by whoever came before you. There’s no dialog to be heard, no monologuing audio diaries or scraps of paper to pick up. The only text ever seen is the chapter titles and the main menu options. Everything remains a mystery.

Most of the time is spent simply navigating the large maps with occasional platforming segments to break things up. A breathing mechanic comes into play while sprinting for a short time. Every few seconds while sprinting, a circle will appear on screen. Hitting the right button (defaults to Mouse 1) while the circle is there will make your character take a breath and they will continue running a little longer. Fail to do so and they become winded and slow down drastically. Not something you want happening in the large maps or while jumping from cube to cube. On the note of platforming, I found some of the sequences to be irksome. Some involving awkwardly shaped landing areas and altered physics took me out of the moment if only briefly. I feel like the game could have been better off without those or with a little more care taken with them. You’ll also get to play with some cubes that are sensitive to light sources for a few puzzles, but none of them are particularly difficult.

NaissanceE expertly grasps the concepts behind what makes lonesome wandering compelling. The lights are on but nobody’s home. An expansive view of an area could show thousands of lit windows though you never get the sense that anyone is ever sitting behind them. A few poorly spaced checkpoints and unintuitive platforming segments annoy but don’t detract from the overall experience. As challenging of a play as it is a listen, your hand is never held in the labyrinth. The atmosphere is stifling, mysterious, beautiful. I felt compelled to explore as much as I could even if I knew there was a dead end ahead. In the 5 hours it took me to reach the incredible last moments I remained entranced.

Though, I don’t really know what it all means.

And it terrifies me.
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47 от 49 човека (96%) сметнаха тази рецензия за полезна
6.8 изиграни часа
Публикувани: 14 ноември 2014
Short, wonderful game. Takes place in a beautiful and threatening brutalist city of indeterminate size and age built out of ambient occlusion. Reminiscent of the art of Piranesi and Tsutomu Nihei.
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