A text adventure game of the mid Tang Dynasty, where players can experience the story of a lonely city in the Western Regions during the Tang Tibetan War in the 13th year of Jianzhong by the 'bound barbarians'. Witness the growth and helplessness of characters and the rise and fall of the age.
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Release Date:
Q1 2025

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Planned Release Date: Q1 2025

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About This Game

The official contact channel for 'In Anxi Fields' is:

 

Official QQ: 253625455

Bilibili: @ Sharewedo Studio

Tiktok: @ Sharewedo Studio

 Little Black Box: @ Sharewedo Studio Official

Weibo:@ Sharewedo Studio

Tieba: @ Furongren Bar/@ Furongren Tang Jianzhong Thirteen Bar

ACFun: @ Sharewedo Studio

 

The game took place in the eighth year of Zhenyuan in the Tang Dynasty (792 AD). After the battle of Beiting, Liuzhongcheng in Xizhou, today's Turpan Basin.

 

Tubo was the Protectorate of the Northern Court, and the Anxi Road was cut off. The people of Duxi Prefecture were still the governors of the Tang Dynasty

 

The Uyghur Khanate, which originally sheltered the local area, was previously defeated by Tubo, and the Tang Dynasty's fiefdoms in the Central Plains were numerous, making it impossible for them to return to the Western Regions. The military and civilians in Xizhou had to do their best to find their own way out.

 

Until the ninth year of the Zhenyuan reign of the Tang Dynasty... last year, Xizhou fell rapidly

 

……

 

After the outbreak of the An Lushan Rebellion, the Tang court was powerless and deployed troops from Anxi to quell the rebellion. The various forces in the Western Regions had ulterior motives, and the long planned Tubo launched an offensive. The war lasted for decades. Two years ago, in the Battle of Beiting, Tibet won a great victory, and Liuzhong City became the last stronghold of the Tang army in Xizhou, and also the last nail on the local military map of Tibet. In order to remove this thorn from their eyes, Tubo summoned a large army to attack Liuzhong. In the city, Captain Li Yan worries day and night about the food and horses, while the Grand Historian Wen Qinli is still thinking about how to endure all of this with the teachings of the sages and the rules of etiquette and law; Li Si'an, the second son of Li Yan, runs around the city every day, hoping to find a foothold for himself and lead the people through this disaster. However, his sister Yun'er is trapped by her forgotten mother and often cold father. At this moment, a ragged old man of a different race pulled a young girl and fled into this city. Everything was surging in the midst of it. Where would the fate of this city go?

 

Li Yan: As the commander-in-chief of Puchang Zhechong Prefecture, at the age of 47, he was defeated by the invasion of Tubo and eventually retreated to Liuzhong City, preparing to defend. However, facing the deteriorating situation of the river and river, he was more interested in finding a way out for the people in the city than defending a city for the Tang Dynasty.

 

Wen Qinli: Pu Chang was appointed as the Chief Historian of Chongfu, and served in the Ming Dynasty during the reign of Emperor Suzong. At the age of fifty-three, he not only dealt with various documents, but also devoted himself to education, striving to preserve the cultural foundation of the Han people with all his might. He constantly worried about the collapse of his thoughts, hoping that the sage's ideas could eventually save this city from fire and water.

 

Zhao Shangwu: A lieutenant under the Puchang army, at the age of eighteen. His father was saved by Li Yan and he was also his confidant. I am extremely grateful for Li Yan's kindness and loyal, but at the same time, I am also a good friend of Li Sian, and they face difficulties in both aspects of their family affairs.

 

Qixin Er: The captured Tibetan priestess, according to her, was never welcomed in Tibet. Her thoughts are diverse, and she has unique perspectives on the times and human nature in her eyes. Buddha's words: Bodhi mind is the cause, sorrow is the root, and convenience is the ultimate goal.

 

Li Sian: Li Yan's second son, at the age of eighteen, is currently studying under Wen Qinli. He is both dissatisfied and fearful of his father, but also hopes to be recognized by him. His elder brother, who died in battle, became an unavoidable knot in his heart. Now he is running around the city, trying his best to do something, but it seems that nothing can be changed?

 

Li Yun'er: Li Yan's eldest daughter, the third in the family and the last child of Li Yan. She is fourteen years old and has been weak and sickly since childhood. She realizes that her mother passed away because of her, and her father's avoidance of this has made her increasingly curious about all of this. She is curious about her mother and her father, and even more curious about how all of this actually developed to this point. However, these questions have not yet been answered.

 

Liu Yue'er: A young girl who was caught in the city while gasping for breath in the war. She claimed to be the daughter of an old friend of Li Yan, at the age of sixteen, but seemed to hide a different identity and motive. The current situation is complex and intricate, and she is equally enigmatic.

 

……

 

We have adopted a unique style in art design,

 

Combining traditional Chinese ink painting with Western art techniques and Japanese anime style.

 

Formed a unique charm, an organic combination of freehand and realism.

 

Vibrant and full of ancient charm.

 

Rigorously studying the clothing, architecture, and environment of the Tang Dynasty, supplemented by modern aesthetic processing, striving to achieve a balance between restoring historical atmosphere and aesthetics.

 

We focus on visual communication design in games such as UI/UX,

 

Adopting a large number of innovative designs, while retaining the traditional Galgame/AVG game UI interaction logic,

 

Introduced many modern interface designs and interaction logic to provide players with a better interactive experience as much as possible.

 

In the visual design of the game UI, we extensively use ink wash styles that are in line with the game's art, further enhancing the immersion of the game.

 

We have attempted to introduce more personalized settings features at the UI level, such as adjusting dialogue text boxes and fonts, adjusting notification bubbles,

 

I hope to meet the different preferences of players.

 

Our music production philosophy is extremely unique,

 

Taking the atmosphere of the times represented by different era names of the Tang Dynasty as a clue,

 

Integrating historical elements and characteristics of the times, expressing our understanding and emotions towards history through music.

 

As futurists who know the full picture of history, we naturally understand to some extent the implications of the crisis that has already emerged in this prosperous era of the Tang Dynasty,

 

So in music, we also try our best to express what we feel.

 

The music extensively uses traditional Chinese instruments from the Central Plains and Western Regions, combined with modern electronic music as embellishments, reflecting a unique atmosphere.

 

The music tracks are rich and grand, striving to bring players an excellent experience.

 

We have also invested a lot of effort in game sound effects,

 

Implemented full sound effects for UI interaction and prompts, reaching an excellent level.

 

In terms of plot sound effects, it is also extremely rich, striving to provide players with the best gaming experience.

 

We have added dynamic effects to important CG and scenes,

 

Make the form of expression not limited to static, providing players with better visual effects.

 

[Production Team]

 

Production team: Thinking Studio Production team for "Bound Rongren: Tang Jianzhong Thirteen Years"

 

Main creators: LInk, Resher, xbm

 

Editor in Chief Drama: LInk

 

Associate Screenwriter: XBM

 

Project Manager: Resher

 

Business: Resher

 

Project Operations: XBM

 

Quality verification: XBM

 

Program: LixWorth

 

Character artwork: Yakami

 

Scene original painting: Kejinghua

 

CG original artwork: Yakami, Kejinghua

 

Appreciation original painting/some posters: Spicy Hot Pot

 

Surrounding art: Selah

 

Music/Sound Effects: Flower Forest, Fruit Forest

 

Vocal music: An Yujie, Liu Jiasen

 

PV animation: Chai Jinzhi

 

Dynamic effect: Full moon

 

Performance: Resher/xbm

 

UI/Meixuan: Resher

 

Promotion copy: LInk

System Requirements

Windows
macOS
SteamOS + Linux
    Minimum:
    • OS: Windows7及其更高版本
    • Processor: 2.0 GHz Core 2 Duo
    • Memory: 2 GB RAM
    • Graphics: Intel HD Graphics及其更高性能的显卡
    • DirectX: Version 11
    • Storage: 5 GB available space
    • Additional Notes: 机械硬盘以及固态硬盘
    Recommended:
    • OS: Windows10及Windows11
    • Processor: Intel Core i3 8100 或 AMD Ryzen3 1200以上性能的处理器
    • Memory: 6 GB RAM
    • Graphics: NVIDIA GeForce GTX1050及其更高性能的显卡
    • DirectX: Version 11
    • Storage: 10 GB available space
    • Additional Notes: 推荐使用固态硬盘
    Minimum:
    • OS: macOS 10.6+
    • Processor: 2.0 GHz 64位英特尔兼容(苹果silicon系列使用Rosetta 2支持)
    • Memory: 2 GB RAM
    • Graphics: Apple M1的集成显卡 或 Intel HD Graphics及其更高性能的显卡
    • Storage: 5 GB available space
    • Additional Notes: 机械硬盘以及固态硬盘
    Recommended:
    • OS: macOS12Monterey及其更高版本
    • Processor: Apple M1 或 Intel Core 6100U以上性能的处理器
    • Memory: 8 GB RAM
    • Graphics: Apple M1的集成显卡 或 Intel Iris Plus650及其更高性能的显卡
    • Storage: 10 GB available space
    • Additional Notes: 推荐使用固态硬盘
    Minimum:
    • OS: Ubuntu 16.04+
    • Processor: 2.0 GHz 64位英特尔兼容
    • Memory: 2 GB RAM
    • Graphics: Intel HD Graphics及其更高性能的显卡
    • Storage: 5 GB available space
    • Additional Notes: 机械硬盘以及固态硬盘
    Recommended:
    • Processor: Intel Core i3 8100 或 AMD Ryzen3 1200以上性能的处理器
    • Memory: 6 GB RAM
    • Graphics: NVIDIA GeForce GTX1050及其更高性能的显卡
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