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Somebody reported the fire 14 minutes before it started.

That is one case. There is no dialogue wheel and no lockpicking, you question
the evidence by writing a line of code, and the records answer back.

_____________________________

You are writing real code

SQL is the language databases speak, behind every search box, bank statement and
spreadsheet you have ever used. Here it runs for real: your queries hit a genuine
database built from the case's own evidence files, and nothing is scored on
keywords. The rows you produced are compared against the rows the answer
produces.

• Knowledge that leaves the game. The same clauses you would write at
  work on Monday.
  
• The database's errors, translated. The game tells you what is actually
  wrong with your line, and underlines the word that broke it.
  
• Results you can keep. Read them, chart them, pin them to the wall and
  carry on querying.

Start knowing nothing

Every case briefs you before you touch it: a thing that happened becomes a row, a
row has columns, and columns are what you ask for. Then it teaches the language
while you are already solving it — one idea per checkpoint, introduced and used
before the next one is named. A reference card fills in behind you as you earn
each piece.

_____________________________

A casebook that keeps growing

Fires, deaths, missing money, machines that lied. Every case is its own crime and
its own evidence files, and each one leaves you holding a clause you did not have
before. More are on the way.

Printed, not rendered

Newsprint forensics, assembled as a physical collage: torn paper, masking tape,
pushpins, red thread, highlighter and marker redaction, photographed on graph
paper. Nothing on the desk is perfectly straight.