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Built on dread, isolation and the slow, inevitable crawl of something watching you.

You are the sole operator of radio station 23, deep in the mountains.
Your job is simple: monitor the storm, log transmissions, and report your findings.

Then a signal cuts through the static.
Not yours. Not local. Not possible.

A voice whispers your name.
The static shifts.
You should stop listening.

Somewhere across the lake, a house still waits for someone who never left.

The storm devours the mountains. Peaks vanish beneath rolling clouds.
And you are completely alone.
Or so you thought.

A Minimalistic Psychological-Horror Mystery

The Last Transmission is a short, first-person psychological horror game built around isolation, atmosphere, and slow, creeping dread.

You play a radio operator trapped in a remote station, using a radio, phone, and typewriter to make sense of unfolding events as reality gradually unravels. The horror is subtle and narrative-driven, focused less on shocks, and more on the quiet realization that something is deeply wrong.

Your Tools

• The Radio – Track storms. Tune forgotten frequencies. Intercept transmissions that shouldn’t exist.

• The Typewriter – Log the weather. Log the voices. Log what’s happening, before it starts logging on its own.

• The Phone – Your only link to the outside world. Unless it’s been lying.

Your World

• The Station – A remote outpost buried in silence.

• The House – Abandoned across the lake. No lights. No footprints. And yet, someone turned on that lamp.

• The Storm – Unnatural. Alive. Something is inside it, and it’s getting closer.

• The Mountains – Vast, cold, and empty. An endless alpine wilderness... with a single red light glowing far in the distance.

A Horror That Listens Back

You listen.
You log.
You follow the signals.

The logs already have your voice.

The calls do not stop.
Someone has been listening.