As part of this year's Smissmas celebrations - it's a thing - Team Fortress 2 has received a new way to play it. It's called Mannpower Mode, and it features grappling hooks.

Merry Smissmas, one and all!

Mannpower Mode is very much a beta offering, being used to test the water for a bunch of different mechanics, including the grappling hooks. Because there are grappling hooks in it.

Currently you can play the capture the flag-alike Mannpower on modified versions of the Ctf_foundry and Ctf_gorge maps, and as well as the grappling hooks (did I mention those?) there are a few other tweaks and features added.

Nine power-ups, including strength, resistance, haste and warlock, are currently available, though there are more on the way. Each... well, powers you up, obviously, just in a different way for each of the nine.

There's also a grappling hook! Wait, I said that a couple of times already. But the fact is, grappling hooks are brilliant and should be in all games - so it's great to see them added for all classes in Mannpower Mode.

Accessing it is as simple as this: "Click on Play Multiplayer, enable Play Beta Maps checkbox, and then choose Mannpower Mode."

Grappling hooks!

Holy. Shit.

I've watched a lot of Source Filmmaker stuff over the years. I've seen the trailer for End of the Line about a hundred times. But now the full thing is out, and it's good. It's really good.

The community film was directed by James McVinnie, and releases alongside an End of the Line themed TF2 community update—containing hats, a new weapon and some new unusual effects.

I'd give a summary of the film, but why ruin the surprise? It's got a train in it, if that helps. It's also got a very distinct tone. The zanier edges of the TF2 roster have been sanded away, leaving a relatively dramatic piece that nevertheless contains more than its fair share of comedy.

Set aside 15 minutes and enjoy one of the best SFM films we'll likely see for a while.

Last month, Valve launched a promotional contest for the game Lara Croft and the Temple of Osiris. The studio asked their community creators to submit TF2 items related to the Tomb Raider series. In that post, they wrote the following sentence:

If you've been waiting for your chance to put the heavy in short shorts, this is it. (Please don't do this.)

There was only one possible outcome.

"You might remember we specifically told you not to make Heavy short shorts," wrote the TF2 team last night. "However, once we actually glimpsed the majesty of Heavy short shorts, we saw the error of our ways."

In addition to the Jungle Booty, other winning items include the Crown of the Old Kingdom hat and the Tomb Readers sunglasses. All items are now available to those who pre-order Temple of Osiris, and will eventually make their way to the MannCo store along with an additional three runner-up items.

What's the best stealth class in Team Fortress 2?

No, you're wrong.

It's not the Spy. You can't be the best stealth class if you've got a watch that literally makes you invisible. That's cheating.

The best stealth class in TF2 is the Scout. And he is a stealth class. He's frail, but fast quickly killed by a Heavy's minigun or an Engineer's sentry, but able to retreat and reposition for a different approach.

There are two things, specifically, that I love about the Scout. The first is the way he moves. I adore games that offer interesting methods of locomotion. The Scout is fast, and has a double-jump that lets you change direction mid-air. This makes slipping past, around or away from enemies feel great. It's no longer good enough for me to get where I need to go. I need to get there with style.

Stealth is an important part of this. A great Scout will, to the enemy team, appear to be everywhere at once: on their control points, patrolling their corridors and running full bore into their front line. Battles are about the constant flow of position—of where you are relative to everyone else, and of where you need to go in order to be where they least expect. It's not just that you can outrun your opponents; it's that you can outmaneuvere them. This challenge is why I've spent 300+ hours in TF2, and almost 50 hours as its annoying, scrawny shotgun wielder.

The second thing I love about the Scout is that he's a jerk. The Scout's job is to be annoying. There are specific feelings for being killed by each of TF2's classes. Being killed by a Heavy or Pyro feels like the continuation of some natural order. They are forces of nature (or, at least, of fire and meat). Being killed by an Engineer, Spy or Sniper is more cerebral. It's a tactical death—a specific and immediate punishment for a mistake. Being killed by the Soldier or Demoman is annoying, because you'll swear it was a fluke, and also because deep down you'll know that it wasn't.

Being killed by a Medic is, for the most part, humiliating. It's the Medic. The clue is in the name.

Being killed by the Scout is infuriating. The level to which it's infuriating is the result of a complicated formula based on a) how much you are currently sucking, b) how much your team are currently sucking, and c) if the Scout has a Force-A-Nature equipped. I have been specifically and graphically told how infuriating it is in hastily typed strings of four-lettered anger.

I should come clean here: I'm not just a Scout, I'm an unreformed Scout. The abuse is perverse positive feedback. It's how I know I'm credit to team.

For me, both of these loves combined into a single, terrible playstyle when Valve introduced King of the Hill mode, and specifically the maps Nucleus and Sawmill. Both are small—filled with side-routes and escape points. More importantly, both are covered in traps.

A scenario: a Heavy is capping Sawmill's centre point. An opposing Scout is running directly at his back. The opposing Scout has a Force-A-Nature equipped. He gets in close, fires, and watches as the shotgun's knockback flings the Heavy into the spinning buzzsaws. Do you know how angry the Heavy player feels in that moment? Conversely, do you know how elated the Scout player feels?

Based on his abilities, Valve's portrayal of the Scout is perfect. He is a jerk, through attitude as well as deed. It's not just a hint as to how he's best played, but a reward to anyone who manages to kill him. As fun as it is to kill with him, I recognise the catharsis for those who get revenge. In this way an uneasy balance is achieved.

November 16th, 2004 was a red letter day on both sides of the screen. The original Half-Life had redefined the FPS as an immersive experience instead of merely a series of missions, and no-one expected its follow-up to do anything less. Few were disappointed. In City 17, Valve created one of the most coherent and ambitious worlds ever seen in gaming—and if it looks a little primitive now, it s because so many since have followed in its footsteps. BioShock Infinite s opening for instance works almost entirely to Half-Life 2 s now dog-eared playbook, offering greater fidelity and a more exciting city, but recognizably the same style.

What Half-Life 2 really brought to the industry wasn t new ideas… though it absolutely had them… but demonstration after demonstration of how things both could and should be. Alyx Vance for instance was an effective sidekick and a fun character, but it was her ability to make a connection with the player through things like eye contact that elevated her above her others—something shared by fellow Source engine game Vampire: The Masquerade: Bloodlines, especially with characters like Jeanette and your pet ghoul Heather. She could shoot a worried look. She could smile, and have the smile go further than her lips. She could go directly from being your wing-woman to interacting with the world, from having conversations to fixing something, all as smoothly as Half-Life managed to never break perspective as you went from random lab geek to savior of two different worlds. She d even climb and vault over things instead of simply walking around the old fashioned way, easier as that would have been to script.

That sense of flow is what really defined Half-Life 2—sequences bleeding into one another to create the feel of an unbroken journey (give or take a loading screen). It was a game of smooth traversal around the maps, of combat bleeding into story, and each major section, most famously zombified Ravenholm, casually experimenting with the formula. Every cool bit offered something new and most left us wanting more, even if the radical shifts did take away much of the original Half-Life s thematic consistency. Every not-so-cool bit, like the dull start of Sandtraps (a vehicle section that paled in comparison to what Valve was able to pull off by Episode 2) was short enough not to be that big a deal, and something else was always on its way. While admittedly the story sequences are interminable by modern standards, the action was all about peaks and troughs that allowed both intensity and time to savor the craft.

On top of that came the details; a hundred things designed to be absorbed rather than directly noticed. The soundscape for instance, with the Combine announcements using medical terminology to describe uprising—Gordon Freeman as a staph infection —or the Combine s logo—an outreached claw almost, but not quite, absorbing a small world. It s a subtle detail, but one of many told through level design rather than audio logs or cutscenes. Others include visiting rusted playgrounds of a world without children, and seeing the empty seas that have left ships high and dry—the terraforming inflicted on the natural world mirroring the shift from old and human to new and alien that you see throughout City 17.

One of the most subtle, though much borrowed since, is the way that Valve tends to show new mechanics off three times—first with no pressure, then some pressure, and then for real to be sure the player has grasped and understood it, before it becomes an assumed skill. The gravity gun for instance. First you just move a solid box into position to meet Alyx. Then her robot Dog throws other boxes at you for you to catch. Then, it s zombie fighting time.

Speaking of fighting zombies, we can t overlook the physics engine—used in Ravenholm to let you hurl sawblades. Half-Life 2 was one of the first FPS games to go big on physics, for two basic uses. The first was, honestly, showing off. They were a novelty then, which came through in a lot of puzzles like pushing barrels under a platform to be able to cross it. Looking back, they re a little eye-rolling. At the time though, they were pretty cool. It s no secret that Half-Life 2 was at least in part a demo of Source, with these bits standing out even at the time as largely the equivalent of early 3D card lens flare effects. Cool, but gimmicky. When it showed them off, or put us in a vehicle, it was at least partly saying Look what we can do!

The big benefit though was creating a world that felt right, in stark contrast to the largely static worlds of the previous generation; of games like Return To Castle Wolfenstein and Medal of Honor. Again, yes, it s a bit showy to have a guard at the start insist you pick up and throw a cup into a trash can just to shout PHYSICS! What mattered though was that from there you both feel the benefit of them in every interaction with the world, big and small, and immediately start bemoaning their absence in any game that doesn t have them. The rolling and floating of flaming barrels in water. Debris flying off as it felt like it should.

It all added, in much the same way that the original Half-Life s responsive skeletal animation system instantly made conventional frame-based animations intolerably stiff. When Valve called its behind-the-scenes book Raising The Bar, it wasn t kidding. Half-Life 2 was an amazing game, but its crucial, lasting influence was less about the new things it did (as important as they ve been) as showing how the familiar deserved to be done.

Unforeseen consequences

Which of course brings us to its shining achievement—Steam. To sum up Steam s unpopularity in 2004 would leave no words left to describe ebola, lawyers, or Piers Morgan. And not without cause. It was buggy, it was ugly, there was no missing that Valve was outright forcing it down our throats out of nowhere, and the much crappier bandwidth of the day made being told to download games of this size almost offensive in its arrogance. It would be a long, long time before Steam even got close to the service that at least most of us know and love today, instead of its name just getting tacked onto the words ing pile of shit.

But. With Half-Life 2, Valve had a game that managed to get the necessary traction to create the service we know today, and while nobody would claim it s perfect, nothing else has done so much to legitimize and make digital distribution work. Much as it took Apple to break the music industry s obsession with DRM on MP3 files, it took Steam to show the whole industry that the game had changed. The idea that you d be able to redownload your games in perpetuity for instance was heresy to companies that at best wanted that to be another service. Being able to download them onto any machine instead of them being locked to a single PC, or maybe three, or five? That just wasn t done. Valve was the first major company to build a digital download service that people actually wanted to use, that made the experience of buying games online better. Without Half-Life 2 though, who would have used it? Without that audience, who would ever have agreed to let a competitor sell their games? Half-Life 2 didn t just give the FPS a shot in the arm, it changed the entire industry.

It wasn t a perfect game. It was far more a series of cool things than Half-Life s journey, it was heartbreaking to be taken out of City 17 almost immediately in favor of being consigned to the countryside, the story was primitive and a few of the set-pieces dragged on far too long. It held up pretty well for years, but looking back, yes, it s now a bit long in the tooth. Few games though have had a more lasting impact in so many ways, or can be deservedly held up as both paragon and pioneer. Fewer still have done it so well, they re still being copied a decade later.

Now then, Valve, about that Half-Life 3…

Look, I'm going to level with you: it's a slow news day.

I mean, I could use this time to tell you that a game has outsold another, earlier game in a specific territory. But do you care? I don't care.

Then I saw this, on Kotaku, who themselves saw it on Reddit. And you know what, yeah. This I care about.

I like to think it's what Nicolas Winding Refn would create if he were forced, at gunpoint, to make a machinima about a woodworker.

Link us to your favourite Source Filmmaker video in the comments. Together we can procrastinate this day away.

Update: Holy shit, this guy's channel is amazing.

Every year, the month of November is notable for two events. The beginning of the month is marked by people muttering to themselves "Oh my God, it's November already?" and the end, in the U.S. at least, is celebrated by surrounding ourselves with cousins whose kids' names we can't remember and eating food until we explode.

This particular November is also notable for a milestone in PC gaming: the 10th anniversary of the release of Half-Life 2. This will no doubt inspire many nostalgic replays of Valve's landmark FPS, and Mod of the Week is here to make a suggestion about how best to walk another mile in Gordon Freeman's boots.

There's no shortage of full-conversion mods for HL2, and many of them are great and well worth your time, but today we're looking at mods that keep the original story intact as opposed to providing an entirely new experience. Enhancement mods, in other words. What's actually out there to improve the game?

Our first stop was to pay a visit to the simply named "Update" mod. Half-Life 2: Episodes One and Two provided a bit of a graphical upgrade over the original game, mostly in the form of better textures and slicker effects, but Valve never bothered to retrofit HL2 with these improvements. Modder Filip Victor took it on himself, but unfortunately, when HL2 was moved over to SteamPipe, it wound up breaking the mod. A fix, while promised in 2014, has yet to materialize. 

There were also rumblings about an ENB for HL2 that was sadly never released by the modder who did the same for the original Half-Life. No luck there. I also installed this ENB that purports to add depth-of-field and SSAO, but despite following the instructions I wasn't able to activate it in-game. Hurm. I'm zero for three.

That leaves us with pretty much a single option for souping up HL2 graphically: FakeFactory's Cinematic Mod. The name probably sounds familiar: it's been around for a while and there were a lot of complaints that it went too far: not just adding higher resolution textures, advanced HDR, new props, and dynamic shadows, but replacing the game's character models with new, completely different looking HD versions and adding music from the new Batman films.

While I agree that most of the new character models are tremendously off-putting and the music is a baffling choice, it's important to point out that Cinematic Mod is almost ridiculously customizable. You can run the mod without the replacement character models, leave out the new music, and tailor the look and even the difficulty of the mod to a high degree.

In fact, I'd recommend turning off a few things. The enhanced bloom is a bit much, and the head-bob made me nauseous (and I can't ever recall getting motion-sick from an FPS before). I enjoyed playing with the new weapons: a laser-dot pistol and some meatier machine-guns are fun, and iron sights and weapon recoil adds a bit more of a shooty feeling to the shooting (again, you can choose to play with the standard weapons as well). As far as the new models go, I actually liked the new Combine metrocops and soldiers the mod adds: they're bulkier and more dangerous looking without being a major departure from the originals.

As for the overall look of the mod, I liked a lot of it. It's slicker and shinier, and many of the new textures are fantastic. It does still go a bit far: I don't really need video screens flashing the word OBEY to get the idea that I'm in a dystopia, and some of the new graffiti textures are hardly subtle. Still, for the most part, it's very impressively done.

If you decide to use it, be prepared for a hefty 10 gig file, and torrent it or else you'll have to download it as sixteen separate .rar files (ugh). You can find it here, and here's a video detailing installation and configuration.

What else can you do to spice up your visit to City 17? Well, if you don't mind going full-on wacky, you can always try two previous Mod of the Week picks. There's Crylife (actually a submod for the high-octane SMOD), which gives Gordon Freeman the nanosuit from the Crysis games, and there's also gmDoom (actually an addon for Garry's Mod) that lets you play HL2 with weapons and monsters from Doom. You'll still be able to enjoy the story beats of the original game while spawning cyberdemons or running around with your cloak engaged.

Ultimately, though -- and I realize this is an odd conclusion for a mod column to reach -- I'd recommend replaying Half-Life 2 without any mods whatsoever. Yes, it's been ten years, and sure, the game is definitely beginning to show its age. But this mod enthusiast is happy to admit that some games just don't need improvement. 

Last week, Valve reactivated TF2's five previous Halloween parties, and now the main event—the sixth—has gone live. Scream Fortress 6 adds a spooky carnival map, an evil hypnowizard controlling it, plenty of Halloween gear and achievements, oh and bumper cars, because why not. You have until the 12th of November to make the most of it, at which point TF2 will return to its regular, sadly bumperless self.

The new Carnival map is based on Doomsday, and contains a cornucopia of activities seen over by the wizard Merasmus. If you're wondering why you're fighting those dastardly blue/red guys there, you'll want to read the event's prequel comic. To cut a long story short: Merasmus forgot to build his carnival on top of an ancient burial ground, so he's hoping to create one with our corpses. A strongman, spells, curses, copious amounts of urine, and bumper cars feature heavily in his plan.

Valve have made big changes to the way gifts work in this latest Halloween event: you'll now receive a bag of items just for logging in, with the chance to earn a second during the event. You can read the reasoning behind this decision here, but it's basically an attempt to inject some fun back into proceedings.

For more information, check out this poster for the event, or, y'know, log in to Team Fortress 2.

More Valve; more Halloween. Team Fortress 2 feels more suited to the festivities than Counter-Strike: Global Offensive, and already has a back catalogue of five previous scream-filled events.

In preparation for the sixth, the TF2 team are now reprising these events. "If we threw you into the 900-mile-an-hour hellride we've got planned this year without warming you up first, you'd essentially be going from an idle state of terrorlessness to a shrieking nightmare of solid 100% terror almost instantly," write Valve, who write this sort of thing. "It would be the equivalent of going from seeing zero skeletons to seeing a thousand skeletons at once."

As a result, you can now Quickplay any of the five previous events—providing easy access to terrifying scares comedy bosses. Expect details of TF2's sixth Halloween event to surface later this month.