It has been a bizarrely busy week for Wolfenstein 3D mods. In the past six days, there’s been three impressive total conversions released for the great grandaddy of the modern FPS, two of which are entirely standalone. We’ve got pirates in The Golden Parrot, we’ve got vampires in Project X: Insurrection and we’ve got a bizarre tribute to an even more bizarre DOS game in Nitemare: Hugo’s Revenge. It’s proof that if you give fans the right tools, they’ll keep hammering away until the cows come home, leave and then come home again. Take a peek at the three games below.

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For a series built around the deconstruction of Aryan bodies, it s taken a long time for players to take the hint that Wolfenstein s ubermensch William Blazkowicz is Jewish.

That hesitation betrays our definitions of Jewish identity as old-fashioned, and also reflects that the few prominent Jewish characters in games play into and reinforce stereotypes. While Blazkowicz is the most high profile character to break the mold, what does it say about games that the most diverse representation of a Jew we ve seen is simply whiter than most? (more…)

Well done, everyone. Between the festival of catharsis that was Wolfenstein 2: The New Colossus and Call Of Duty’s return to World War 2, we’ve officially put shooting virtual fascists back on the menu. Jolly good show.

Still hungry to grind some more into kibble? Here’s a couple of free treats to keep you going until Wolfenstein 3. Granted, the goose-stepping villains in Doom mod Shadow of The Wool Ball and its sequel Rise Of The Wool Ball are cats>, but they’re pretty villainous, and unless you’re happy with the Planet Of The Adorable Hedgehogs being ground up into kitty litter, you’re going to have to shoot a few.

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Have You Played? is an endless stream of game retrospectives. One a day, every day of the year, perhaps for all time.>

I’ve been trying to remember whether I had some sense when I first played Wolfenstein 3D that I really, truly was playing the future of videogames. It did seem landmark, but back then, age 12 or 13, every new game seemed landmark to me – each was a brand new experience, both because I was so young and because so were videogames.

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