I think it's fair to say it provides the most varied and sophisticated cleaning gameplay we've yet seen in the genre, and it's certainly worth a play to my fellow post-dad game enthusiasts.

I'm always drawn to innovative game design, and the way Crush House gamifies the process of exploiting millenial ♥♥♥♥♥♥♥♥♥ is quite interesting.

There have been many games that have tried to bridge the gap between cozy gaming and traditional action stuff, but I think Dungeons of Hindenburg successfully straddles that particular sex swing.

Some of that 80s/90s nostalgic English television vibe will be lost on people who aren't very specifically me but hopefully the surreal adult swim-style physical humor will keep the rest of you around

The real question is: 'Is Prodeus a Doom clone that eclipses its primary influence, the way Shakespeare eclipsed Chaucer; the way Hemingway eclipsed a great big bucket of whiskey?'

As with most games from the Hotline Miami stable, the fast-paced gameplay can be uvula-pummelingly frustrating while you're struggling and chesterfield sofa-buggeringly satisfying when you succeed.

It never stops being janky and unrefined, but once I settled into the combat groove, I became aware of an upsetting sense that I was having fun against my will.

Braid's excellent gameplay makes up for its pretentiousness. The flaws are irrelevant, because you have to play it for the utter uniqueness alone.

I liked piecing together the ♥♥♥♥♥♥-up background of this strange opulence that surrounded me, the hideous machinations of the boss characters masking their deeply flawed humanity, and I liked Yi.

There was once a time when Ubisoft made games that weren't ♥♥♥♥. Believe it or not, there was once a time when they made quality artistically-driven single-player games, like this.