Welcome to January’s development update!

We hope everyone had a lovely New Year’s Eve and 2019 so far. Like always the team’s been super busy working on the game and we’ve even managed to get a few short live-streams out in the meantime.



For January we prioritized the integration of pre-alpha content and worked closely together on our tasks. After many laughs and frequent cheer, the future is bright and the team has never been more excited about the project!

As detailed in the following post, we’ve made great progress on core systems and are incredibly eager to get even more into the engine in early 2019.

On a different note, however, we’re happy to confirm that all eligible backers have been included in the credits! There’s a lot of names but we’re quite confident that everyone’s in there.







As we mentioned, this month we put considerably more work into the game’s core mechanics and visuals, as opposed to past months, so we are incredibly happy to be able to include such a lengthy programming section in this post. Get ready for a read and the occasional eye-candy!


We can finally say: “I own an island”! The flat, small, square test terrain was bound to get old so we decided to put our focus into creating our first island: complete with smooth and rocky shores, mountain chains and flat plateaus to build on!

While the level itself isn’t completely finished as we still have to fully figure out plant and water placement, we felt that we’ve brought the game’s graphics to a complete enough stage to be showcased in the devlog.

Please note that position of foliage is temporary! We’ll be increasing the vegetation variety as well as fine tuning its displacement across the island.








Not to mention our brand new water shader actually looks like water and runs incredibly well.





To coincide with our brand new island and terrain shader we’ve also overhauled the ambient lighting system by incorporating volumetric lighting, clouds and fog into the game.



Our colours for day and night are far more dynamic and transition well together (unlike a certain demo!) – not to mention how deliciously fluffy our clouds look.


En garde! Our spectacular systems programmer Matt has been working super hard on our fencing system and we’re blown away by the results!

To provide players with maximum creative flexibility we’re offering three placement modes; Freeform, Curved and Arc. Combined with the additional development efforts of Mau, Nathan and Byron to add polish, new fences and sounds, we’re very pleased with the outcome. Please note that trees have been disabled for clearer presentation purposes. Enjoy!

https://youtu.be/wBudkthijhs


Terraforming is finally here! Super performant and incredibly smooth, we’ve finally come to a solution that ultimately works better for the game as a whole.

https://youtu.be/_1VE4aIT6II

As you might have noticed, we’ve decided to not integrate a voxel terrain system into Prehistoric Kingdom. Beyond the creation of caves and arches, there was no guarantee that pathfinding would have been able to navigate successfully nor did it significantly impact gameplay beyond the tools that are available to players now.

Our new terrain system is far more performant and ideal for the game we’re making, so we hope that you understand our choice.


Between our busy programming development we managed to briefly begin work on our new animal shader.



There’s a lot of work that needs to be done in order to fit our requirements, but we’re pleased with the results so far. Ensuring that our animals look as good as they should is one our priorities!


A lot of our time this month has been spent getting assets into Unity and making them both look, feel and sound polished. Some temporary but rather lovely looking shaders help give structures so much more life and fidelity than what was last seen in the demo.




Overall we’ve added 16 new structures to the game in January – complete with LODs, foundations, personalized sounds/music and even animations for specific structures like the Gift Shop and Ranger Station.

https://youtu.be/PbDKReFvCuw

They’re not quite ready to be shown off yet, but Matt is also making some great strides with setting up the monorails, too. The track, pillar, and train assets will be updated in the future to meet a higher graphical standard.



Even though it’s still a work in progress, all these little things have started to really come together; the perfect park is almost within our reach!






For the past month Nathan has focused on creating new structure assets, as well as revamp old, outdated ones for an overall higher quality.


The wooden stable is a large, basic shelter designed to hold a variety of animal sizes.


Perfect for the modern zoo aesthetic, the iron bar fence takes cues from a handful of city zoos to help make any park look more refined.


The reinforced metal fence is the most secure way to enclose large animals in Prehistoric Kingdom. Enormous in both size and electrical consumption, this fence is capable of holding most sauropods.


Holding up to 1000 visitors, the Grand Hotel is the largest building in Prehistoric Kingdom. Its design is sharp and modern, including a tennis court, decking and a pool.


In order to get old assets up to scratch with recent additions, Nathan has provided some fantastic updates for us!


The Gazebo Shelter received some big changes to its colour and materials, making the overall structure feel way more rustic and grounded in the park.


The Restroom was remade with a new mesh that allows for a far more detailed appearance along with crisp textures and additional signage.


The Fast Food Kiosk was altered to encompass a slightly larger area, fit more detail into its texture and change some of the materials of the building. Its unique blue roof provides great contrast to other structures in the park!


Initially appearing quite similar to the original Ranger Station, the building was retextured to make better use of the available space. With an additional animated antenna on the tower, the Ranger Station is one of our favourite structures!


As you might have noticed, a much larger amount of work has been put into the gameplay side of the game this month compared to previous months, which leaves less time to art, in contrast. Due to this, this month’s animation reel comes as a result of a joint effort between our two animators (Mau & Nathan), who have been taking turns at giving our ceratopsian rig its much needed attention. A 5 star attraction, Triceratops moves with surprising agility for its majestic and imposing nature.

https://www.youtube.com/watch?v=70TSsSVvDo4



Along with producing a variety of new interaction and environmental SFX (over 50 unique sounds across all placement modes!), Byron’s been busy composing new tracks for the game.


Genesis is a new ambient track that’s quickly become one of our favourites amongst the team. Contextually we think it’s going to work great as a calm background piece to play amongst your dinosaurs and we hope that you agree!

https://soundcloud.com/byronmckay/genesis

Defenders is the fifth introduction track to be revealed – this time for our large armored and horned dinosaurs such as Triceratops and Ankylosaurus.

https://soundcloud.com/byronmckay/defenders




Cindy started our year off strong with the completion of some familiarly long-necked creatures. Please enjoy a look at the new skins for Plateosaurus engelhardti, Diplodocus carnegii, Brachiosaurus altithorax and Argentinosaurus huinculensis.






Now that our gentlest of titans have their alternate skins done we think it’s only appropriate to show off our Sauropodomorpha in all their glory:



Next stop; theropods!



European and African dig sites in Early Access include a handful of classic animals from the Mesozoic.





With an incredibly large list of animal species ready to be available at launch, we’re posed with the interesting conundrum of handling the early game roster in challenge mode.


Animal selection is performed at the very start of a new challenge game via the world map. Sharing the same appearance as our Fossil Hunting menu, it is here that players will select up to four species from any digsite to begin their park with.



Creatures with a rating above three stars are unavailable in the starting roster when playing on Normal or Hard difficulty settings.




Prehistoric Kingdom is a game with an extremely large roster of animals that lend themselves to an extended variety of park designs and exhibits. For us, we didn’t like the idea of having preset animals or randomising them without the option of player input. The beginning of a game can greatly impact the choices a player might make when building their park so it was only natural that we try to lean into that when designing the system.

Technically, yes, providing choice may create an easier or unbalanced experience depending on what creatures are chosen. Despite this, we feel that this was the right choice for our Challenge Mode and we hope to make the early game as balanced as possible over time.


Star ratings determine the popularity of an animal and often reflects its pricing within the Nursery. To create an even-scale between all creatures, our choices were developed under the following criteria:

• Size.
  
• Appearance.
  
• In-universe popularity (not real world) with vague pop-culture influence.
  
• Gameplay balance.

Animals affected by albinism will automatically gain an additional star.

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Thank you for reading January’s Devlog!

2018 has been one hell of a year and we are ever so hopeful that 2019 has got great things in store for the community! Personally we believe that we’re off to a great start and cannot wait to continue delivering content for all of our backers and fans!

- The PK Team

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If you would like to check out our past blog posts, you can head to the official one here!

Welcome to the 12th devlog for Prehistoric Kingdom, officially marking one year from the release of the first content-filled, monthly progress blog post! Coinciding with this festive period, this post will celebrate our successes and accomplishments as a project, while also serving as a reminder of what’s yet to come.

Since this is a special month, we decided to skip over the ‘State of Development’ chart, replacing it with a year-round inclusive review of what has been done so far, right towards the end of this post.

That being said, we hope you’ll enjoy seeing more gameplay than post months. We are ready to start talking progress!




This month we put a lot of focus into making our building system feel and sound polished. Our second SFX designer (Byron) worked closely with our gameplay programmer (Mau) to ensure that every piece of player interaction had some sort of feedback for the player.

https://youtu.be/Q_Q-Cuxw2uM

Compared to the demo, we put a lot more into making Prehistoric Kingdom feel responsive and sound great. Through many revisions, we are super happy with how the core elements are shaping up.


It’s hard to believe that we first created our scaffolding system all the way back in October of 2016! A lot has happened since then so it’s only natural for us to try and overhaul its performance and aesthetic.

https://youtu.be/b6_VQ7LTHDY

This system had a lot of unsolvable issues which led to some pretty hefty performance hits whilst also not looking all that great, either. To remedy past problems our team looked at small real world construction sites to create brand new assets and find a much less taxing way of implementing a runtime scaffolding effect. Below is the result we found most satisfactory, please keep in mind the ground is part of a simpler test level.

https://youtu.be/9NWwlRsQygQ


In Early Access we’ll be introducing a simple and easy way to select multiple objects. To achieve this, simply hold the left mouse button down and drag the selection box over all structures and decorations that you might to move, duplicate, or delete.



Additional items can be added to the selection by holding shift and clicking on the desired building. Think of it like manipulating files on your desktop; pretty easy, right?




What good is any business without clientele? To top October off, we continued producing assets for our visitors, with the middle age group in mind this time. The adults will serve as the ‘mainstream’ category in Prehistoric Kingdom, being the most common guests in the park with the most well-rounded needs of any group.




To respect the tradition set last month, Nathan has been hard at work producing wholly new animations for the medium-sized theropod rig. While the showcase video features Allosaurus in particular, you can expect these animation to apply to animals such as Yutyrannus and Ceratosaurus, albeit slightly changed in order to better fit the target animal.

https://www.youtube.com/watch?v=rLUIkHL8CGc




Much like what’s been done for our dinosaurs, mammals will also be getting their own introduction tracks. Primigenius has a larger emphasis on drums, winds and horns than what is usually found in our music.

https://soundcloud.com/byronmckay/primigenius-mammal-theme

In addition to this, Byron also finished up an old breakout piece; Tantrum-o-saurus rex. Filled to the brim with familiar orchestration and Prehistoric Kingdom motifs, this track is sure to set in some nostalgia and panic as a hungry theropod runs rampant through your park.

https://soundcloud.com/byronmckay/tantrum-o-saurus-rex




Small access buttons on the corner of the screen offer a handful of various tools and shortcuts for important management views in addition to features like screenshot mode or the park map.



A global list of all recently bred animals is also accessible so that players don’t need to head back to the Nursery when populating their park.




This month we started working on our notification popups – something that we’d like to be mostly out of the way and provide clear contextual information. Certain actions like unlocking new animals will be a bit more exciting, however, as seen in our work in progress animation below.





All popups can be disabled in the options menu.


As a fitting departure to 2018, our animal and building information panels have reached a final pass before moving onto UI implementation within the game itself.



All UI elements and icons will have tooltips when hovered over.



After a long process of iteration, it’s satisfying for us to finally put down the concept stage for these elements and say “This is it. This is the one.”


Screenshot mode got some pretty major reworks to allow for a far greater degree of flexibility when trying to get that perfect shot. We considered implementing the Ansel tool but decided on creating our own system due to compatibility issues with AMD cards in addition to some new features like time of day and fog settings.



We’ve opted for a vertical redesign reminiscent of third party solutions that’ll be more out of the way than what we had previously.




The end of the year brings a bunch of new fully realised alternate skins to life. As our holiday treat, please enjoy the finished alt skin sets for Edmontosaurus regalis, Parasaurolophus walkeri, Iguanodon bernissartensis, Allosaurus fragilis and Megaloceros giganteus!











In addition to the other three creatures, our Tyrannosaurus has received remakes of the Blackbeard and Ginger designs. To better fit a more contemporary feathering on T. rex, we’ve adjusted the location of feathers on the Ginger skin to remove excess fluff.







In the past we have talked about our plans for the general fossil system, but since so much time has passed since then, we felt it was a good idea to revisit our design in more detail, helping you visualize it with even more interface art.


Fossil formations are located all around the world, featuring dozens of unique extinct fauna. Like in past games, this is where players will find the remains of 50 different prehistoric creatures at launch.

South America, for example, features the Ensenada, Huincul, and La Colonia formations:



Example of our South American sites at launch.




Once a team has been assigned to a dig site they’ll send their findings back to the player at the end of each designated site’s digging timer.

However, if waiting around isn’t your cup of tea-rex, the Fossil Market is perfect for you! Donated from private collections, auctions and museums alike, the catalogue refreshes every month with new animals and specimens each yielding varying degrees of DNA.



It’s a little pricier than traditional digging though it offers the benefit of hand picking creatures and instantly adding to their total DNA viability.


Once a creature has reached 50% of its true genome it can be bred within the Animal Nursery. It’s important to note that anything created in this state will have a weaker immune system and lower fertility chance.

Despite this, additional coloration and physical alterations still need to be unlocked by acquiring 100% of the DNA. Certain creatures like Thescelosaurus and Tyrannosaurus can even have their integument changed depending on which genetic skin has been unlocked.



Alternate skins are unlocked in challenge mode by completing genetic milestones for each animal.



2018 was a big year for us as a team; a colossal year. Between planning, drafting, designing, redesigning, and working on different facets of the game, it’s been a huge year.


This year began with the strong partnership between Shadow Raven Studios and our publisher Crytivo. With them we’ve been given many new opportunities such as convention showcases and access to additional resources like the lovely Martin Fyris who helped conceptualise many of our buildings during production.

Officially, we started development on Prehistoric Kingdom in late March of this year after releasing the Jurassic Patch for our public demo. We would’ve liked to have started sooner but were held back by the short term nature of the codebase and implementation of new features like better AI and implementing new assets including animals and fences.


Even before Kickstarter, we had a very clear idea of where the project should head and what its direction would entail for our creative process. We knew we wanted to approach production through the aid of 3 well-defined development stages, delineating the progress of the game clearly: creation, management, and progression. In the 9 months since we started working on what is eventually going to be the released game, we were able to create an enormous quantity of art assets needed for all 3 phases. Never in the history of the project have we had so many ‘props’ to fill our game world with, and we are incredibly proud of that.

When it comes to gameplay, there’s been the expected ups and downs. While we have revamped every creative aspect present in our 2017 demo, effectively putting our past work to shame, we also had to depend to some extent on third party assets that would improve upon the engine we are using, allowing us to truly create the product we wish to publish. As such, we weren’t yet able to complete the first phase we set, but considering the work put in it thus far and the technical complexity that comes with it, we definitely feel like we’re on the right track, albeit slowly so. On a practical standpoint, we have the following:




Celebrating our accomplishments for this year, we realize that it’s also time to think about the future. 2019 is the year we’re gonna start seeing true, substantial leaps in progress, with one or more phases of our alpha plan possibly seeing completion during this time-frame. As we stated in past blog posts, our top priority right now is bringing the ‘creation’ phase up to speed by developing all the tools necessary to unleash every player’s creative potential.

Early on in the year, we are gonna make it a point to complete our level design so that we can start bringing all our systems together to create polished and user-friendly builds. We are going to finish our fence and path systems, and delve into fleshing out our animals, from the animation system, to the AI that drives all their actions.

Sounds complicated? That’s because it is, quality takes time. With that in mind, we think that at this pace the other 2 phases should take far less development time. One way or another, we will definitely have something to show for our work in the year to come, and we know you are gonna love it!

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Thank you for reading December’s Devlog!

2018 has been one hell of a year and we are ever so hopeful that 2019 has got great things in store for the community!

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If you would like to check out our past blog posts, you can head to the official one here!

November’s Devlog is here!

For our eleventh (yes, eleven already!) monthly progress post, we prepared some more in-game sneak peeks, as well as long awaited reveals, so let’s just jump straight into it!



Keeping on the trend started last month, we’re going to present charts expressing development progress for each respective month. In November, our programmers got more involved in furthering the important systems needed to complete the ‘creation’ phase of the game.

Not only did we begin polishing our building system and create the necessary interface layouts for it, but we also started cracking down on more complex construction features, such as fences and paths, which we are going to show more for in the months to come. Our intent for this late part of the year and the early part of next year, is to keep developing and polishing our creation mechanics in sight of the first pre-alpha build completion.






Like we mentioned earlier, all our programmers got more involved in the game-making process, resulting in an increased progress pace all across the board. While we still have a long way to go before our creation systems are completely finished, here’s a sneak peek at our early building system. In the near future, we would like to add more visual indication of building placement; you can count on particle effects and even construction site effects. Moreover, the building models themselves will get more love: plants, custom path foundation and even their own animations (e.g. a full restaurant would be buzzing with guests).

Please keep in mind these clips were recorded on a test level and are NOT representative of final graphics.

http://prehistorickingdom.com/blog/wp-content/uploads/2018/11/BuildingTest.mp4?_=1

Obviously the building system wouldn’t be much without proper demolition and selection, so here’s a reminder of the mechanic vision we’re going for when it comes to these two features. In the next couple of months our 3 programmers are going to be busy with bringing these concepts to life, dividing their workload in 3 main tasks: fence/path making (Matt), building, selection, demolition and assorted visuals (Mau) and finally level design and shader work (Victor).




As we explain in more detail in the ‘Audio’ section of this blog post, we have gone great lengths into adding audio features to the growing game. Here’s a short video to illustrate:

http://prehistorickingdom.com/blog/wp-content/uploads/2018/11/RestaurantSoundscape-1.mp4?_=2


Our gameplay programmer has finally gone ahead and turn all those lovely GUI concepts into actual, functional game interface. It might not look like much progress from the demo, but the quality increase is definitely there, compare and contrast.

http://prehistorickingdom.com/blog/wp-content/uploads/2018/11/UISFX.mp4?_=3



As always, our art staff has been super busy with asset creation. It’s actually kinda scary how quickly they are cycling through their assignments: soon enough, we’re gonna run out of cool things to show.


This month would oversee the completion of 67% of the buildings bound to appear in the Early Access release. As such, we are excited to show more of the park’s future scenery, as well as some fences and other important structures.


A variety of lamps and light posts can be used to decorate your pathways during storms and night time.


A classic staple of any zoo, players can use tables to create their own parks and sitting areas.


Sturdy and tall, the electrified metal fence is great for containing some of your most precarious creations.


The wooden cable fence is used to contain small animals and is recommended for exhibits with moats or trenches. Whilst functional, some unhappy creatures may find it easy to escape if not cared for correctly.


Akin to designs found on farms, this fence provides high visibility at the cost of lower security.


Security cameras are used to monitor and notify Park Rangers of escaped animals. Players should be conscious of their directional properties as the small security camera can only see one perspective.




The Visitor Dock allows guests to enter the park via ferry transport across the ocean. One way in and one way out – what could possibly go wrong?




Thriving with entertainment and hungry patrons, the restaurant serves as a place to eat for guests of all ages. Squint and you might just catch some easter eggs inside the top floor!


We are excited to reveal the first in a series of animation showcases, the Edmontosaurus using the Hadrosaur rig! We have been hard at work creating the base animations that are gonna help outline the animal’s future behaviour in the game, making sure the movements match not only the animal’s look, but also its size and presence. Keep in mind most of these animations will be used again for the other hadrosaurs in Prehistoric Kingdom, albeit with slight variations and adjustments. Enjoy!

https://youtu.be/7mJp70Snc6w




This month was unusual for our musical composition, as we experimented more with the game’s music pieces that add to the soundscape, but aren’t ultimately part of the main soundtrack, persay. The restaurant needed some love, so Byron thought of composing two jazzy tracks to complement the structure’s atmosphere. They are the kind of music you would expect in restaurant, lobbies, and assorted fancy places (such as elevators, they are undeniably fancy). We had a lot of fun with this experiment especially, since it allowed us to play with variations of our main theme that would otherwise not see the light of day.

https://soundcloud.com/byronmckay/a-merry-little-kingdom

https://soundcloud.com/byronmckay/jurassic-jazz


On the sound design front, we have been making progress with general SFX, preparing sound files for every part of the first alpha build. When it comes to environment, we have been breaking audio queues to fit the different climates we have, as opposed to the broader sea-plain-forest system we were using. Following comes a taste of the tropical wet sound design. Keep in mind we would like our in-game system to feature different sound zones depending on the current climate implemented.

http://prehistorickingdom.com/blog/wp-content/uploads/2018/11/PK_DevLogAmbientScape.mp3



Last month saw the last of our Early Access receive their default skins. Seeing as how that means we have no more modelled animals to reveal, we will be focusing instead on each species’ alt skins, infant skins, and genetic variations.


We have shown the new Trike designs last month, and since, our animal texture artist has been hard at work bringing those renditions to life through the revamped Triceratops! Enjoy all the 4 skins, 2 for each species!







With that in mind, we decided to give our other ceratopsians some well deserved love. Welcome the remaining alt skins for Protoceratops and Psittacosaurus, as well as a reworked 3rd alt skin for Styracosaurus!







All this new content gave us a great opportunity to take a family picture, for no less than the ceratopsian family and relatives! Enjoy Prehistoric Kingdom’s Marginocephalia!




It’s time! Like we announced in our previous blog post, we would be revealing the design for the first confirmed animal to make it into Prehistoric Kingdom after the initial 50 animals, Spinosaurus aegyptiacus! While we won’t actually start production for this animal until soon after the initial release, we are excited to present our take on this large carnivore’s design, hoping that you’ll be as fond of it as we are, and hoping that it may put some curiosities to rest.

Check its Artstation presentation for a better look at the lit and flat colored versions of the concept.


The peculiarly short-legged Spinosaurus will make for a fine addition to any park it is put in.

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Thank you for reading November’s development update!

We’re gonna continue working towards meeting all the internally set goals for our first pre-alpha over the coming months, effectively making this our #1 priority. The creation part of the game is the most challenging by a large margin, but each month we get closer and closer to the expected results. Stay tuned!
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If you would like to check out our past blog posts, you can head to the official one here!

Welcome to a very special Q&A Event!

Firstly, we’d like to thank everyone who submitted their questions to all four categories from our social media accounts. We found this level of community engagement to be highly rewarding as developers and we are extremely excited to provide answers to your burning curiosities!

While every question below is taken as a direct quote, please understand that we may have had to make some changes to encompass multiple questions.




Q: “What inspired your amazing Dinosaur designs? I mean, your Tyrannosaurus and Velociraptors look amazing, almost as if you went back in time and actually saw the animals.”
A: “Looking at modern animals and especially modern relatives of said extinct animals as a reference goes a long way when it comes to making a design feel grounded. We like us them natural looking animals (except when we go full-on wacky with our designs, we tend to do that).”
– Mau

Q: “Which animal was the hardest to design? The most fun?”
A: “The hardest to design title would probably go to any of the ankylosaurs, they are tough ones and break my spirit. As far as most fun, it would have to be the 2 newest additions to our design roster, Triceratops and redacted. Those 2 were really fun.” – Mau

Q: “How important is accuracy to you? It will be nice to finally see an accurate dinosaur tycoon-style game.”
A: “Most of us on the team are paleo enthusiasts, so accuracy is definitely high on our list of what we want. However, from a pragmatic standpoint, we can only take it so far – new theories, papers, and discoveries come out nearly every week, and if we were to follow the trends and leading thoughts exactly, we’d never finish the game!” – Cindy

Q: “How many skins per species have you planned?”
A: “TOO MANY. But to answer your question with some actual numbers and technical jargon: for most animals, they will have a default skin and two alternate skins, so three. Some animals, such as Triceratops and Tyrannosaurus, have four skins. On top of that, each animal has an albino and a melanistic – so the total is now five or six.” – Cindy




At least a couple million people asked these very two same questions, so we condensed all of those into a few lines down below:

#1 MOST ASKED QUESTION
Q: “How advanced will the AI be? Will animals have any worthwhile or interesting behaviour to look at?”
A: “Our AI-building process will be iterational, which means it starts basic and receives more additions to it as time goes along. We obviously do want to make our animals feel as alive as we possibly can, and we believe a proper looking herd and pack behaviour is going to add much to that. Add hunting, a somewhat dynamic fighting system, and breeding to the mix, and you got yourself a lively bunch of prehistoric animals.” – Mau

#2 MOST ASKED QUESTION
Q: “Will the animals be able to reproduce?”
A: “Yes, animal reproduction is something that we’d love to develop in the future. We are hoping to include basic breeding at launch if possible!” – Byron

Q: “Will theropods be possessive while eating like we can see in modern big cats?”
A: “Potentially. Animal behaviors are something we still need to ‘flesh’ out completely (haha, get it?), but you can be sure to expect some messy, aggressive eating animations for our Tyrannosaurus, that’s for sure.” – Nathan

Q: “Will albino and/or melanistic animals require special care?”
A: “Our plans regarding mutated animals aren’t solid at the moment but we feel that it’d definitely add an additional layer to animal care and management. Much like the real world, we’d like albino animals to be more susceptible to disease and weaker than other members of their species – potentially dying off at a younger age. Because of this, objects like shelters and stricter habitat requirements will be more necessary to keep albino creatures healthy. Typically, melanism has less health impairing effects than albinism so they would be easier to care for but don’t quite offer the same level of park bonuses that might be seen with albino critters.” – Byron




Q: “What about the Pterosaurs? When will we see the start of development on the Supreme Master Race?”
A: “We’ll begin working on pterosaurs and marine animals (anything that doesn’t use the current locomotion system, really) after we release our Early Access build. We’re expecting all these to be pretty time consuming, so we are leaving them for later, probably in the form of one or several big free updates.” – Mau

Q: “Will live prey, such as goats or fish, be added into the game for carnivores to eat?”
A: “Live prey has always been something we’re interested in. We always wanted to have a system where live prey has a chance to alter the aggression of animals feasting on them and also has the potential to upset visitors, but it’s much better nutritionally for carnivores and keeps them entertained as it serves as a form of enrichment. It’s something we’d like to do in the future!” – Nathan




Q: “Are there any specific features from the demo that will not be in Early Access?”
A: “Early Access is definitely meant to bring updated and overhauled systems from the demo into a far greater range of player accessibility. However, we’ve decided to move away from in-game characters to opt for more standardised notifications (though some may still be referenced through Easter eggs!). Apart from this change, there are no major demo features that are being discontinued.” – Byron

Q: “Will we be able to walk around our own park?”
A: “While not expected for launch due to the development time required, Ranger Mode will allow players to traverse and interact with their park from a third or first person perspective.” – Byron

Q: “Can we port our parks from one gamemode to another?”
A: “The ability to change the gamemode of a park is determined by however the player chooses to start their game. When starting a sandbox park, the gamemode can be freely changed along with the gameplay settings. Challenge mode parks cannot be altered as they’re made of parameters set by us to ensure a fair but difficult game.” – Byron

Q: “Will there be potential to build indoor exhibits?”
A: “Whilst we’re not planning a system specifically for building interior exhibits, it may be possible to build them nonetheless with a combination of walls and elevated paths, serving as walls and roofs respectively, then placing objects inside. Can’t really give a concrete answer for this until the game’s ready though.” – Nathan


Q: “Will there be a sustainable ecosystem?”
A: “That’s something that we would like to do and something we’ve thought about. Ecosystems really come down to balance, at the end of the day. This question is something that we can’t really answer until the game is done, or almost so. Technically, it might be possible, as animals will breed, so as long as you can keep a healthy population of animals going, an ecosystem might be possible! It’s not a priority, obviously, as this is a park building game and not a nature sim.” – Nathan

Q: “Zookeepers forming bonds with individual animals?”
A: “Bonds can be created by breeding young creatures and quickly introducing a keeper into their paddock, reducing the chance of an attack from an animal later in its life. Similar effects can be achieved by hiring workers with a higher skill level. This trait may carry over into future generations, though we’ll see!” – Byron



Q: “How do you plan on keeping the game interesting after all objectives of building a park have been completed?”
A: “That’s a very hard question to answer as this is an issue with pretty much every park building game; once the park is “finished”, what else is there to do? First of all, it’s in our best wishes that the management features that we will include in the game will prolong your journey and keep it more interesting as you work your way to 5 stars and a finished park. Once you have reached the “final goal”, we’re hoping to shift focus more on to maintenance of those 5 stars. There’s always dangers that can happen to ruin your success, for example, natural disasters, dinosaur breakouts, illness, bankruptcy and more. Additionally, we’re hoping our creativity tools and building variety will keep you imaginative enough to continue to find new ways to build plazas and unique exhibits. Another thing is the animal behaviors themselves, as we’re hoping to keep them varied enough to keep you watching for pretty extended periods of time. Animal behaviors will be especially cool once we implement the genetic traits system, as you’ll be able to have pretty diverse behaviors… imagine a hyper aggressive Psittacosaurus nipping your guests!” – Nathan

Q: “Do some animals and buildings need to be unlocked through a progression or research mechanic, or is everything available from the get-go?”
A: “In the challenge game-mode, only a handful of structures will be unlocked to start building with. You will be able to unlock more through the research feature once you gain science points… we will talk more about this in a future devlog. And of course, when it comes down to the animals, you will be unlocking them through the fossil hunting system, which we have also talked about here.” – Mau



Q: “What climate effects will be implemented in the game and how it will affect the park, visitors and dinosaurs?”
A: “‘Climate effects’, the information there is quite foggy. Bad puns aside, we do want to include thunderstorms, hurricanes and blizzards and some other minor weather types… hopefully in the EA release! These will stress out animals, damage infrastructure, injure guests and more. It’s more or less a balancing act when it comes to including weather types in the game, as we’ve got to really test what works and what doesn’t in a way to not make them simply frustrating.” – Nathan


Q: “Is there going to be mod support?”
A: “Mod support is a mixed bag. If by that you mean developing and adding specific implementations to streamline the modding experience, then not initially (though not off limits for the future!). If you are however asking whether we will prevent people from messing with the game, then definitely not. For all intents and purposes, mod away!” – Mau

Q: “I know many developers that do this with their games, but do you guys use console commands (I.e. Money cheat, Dino happiness cheat, etc.) when playtesting the game? If so, will they ever be released to the public for standard use in the game?”
A: “When developing the game we tend to set keyboard shortcuts and commands to test new systems quickly. A player will be able to edit a lot of the values and gameplay systems inside the options menu rather than a console – effectively allowing us (and you!) to “cheat” while in the correct gamemode via a much prettier interface. As you suggested, this involves things like giving yourself more money and animal happiness, for example.” – Byron



Q: “Has the release of recent dinosaur tycoon games changed any aspects or the direction of the game?”
A: “We were already pretty set and confident on the project’s general direction before they were announced, as we started distancing ourselves from the classic Jurassic experience pretty early in the game’s history. So in a broader sense, no, not really. What it did do however, was giving us a quality wake up call, encouraging us to strive for the best we can possibly do.” – Mau




Q: “Will textures and models of animals be better (higher poly) than in demo? Renders look awesome, but in engine they don’t look good.”
A: “Yes, all our demo animals are pretty old models, and we have remade some and updated others to fit the look of our newer, better models. Our animation work has also greatly improved, contributing to a better overall look. Generally, our new models will see a huge visual improvement in-game, as you can see here.” – Mau




Q: “How are the animals sound effects (being) produced?”
A: ” Traditionally, sound effects design for creatures is done by layering together several sources of sound (human, animal and/or artificial in origin) into a single artistic construction that represents a new sound all on its own. I usually take s look at the animals before I start working, so I can paint a mental picture of what they would sound like. Meticulous listening and vivid imagination is required to make the character of the sound effect match the outwardness of the animal it’s being used for.” – Aleksa

Q: “I’m getting into game dev, and I’m just curious to know of the workflow for the models.”
A: “The concept art usually doesn’t come into play up until we start working on the colors, unless there’s some unusual features in the animal’s structure, that is. We start off with a low poly blender model and pass that off to our texture artist, to be sculpted and painted in Mudbox. Once that is done, the low poly version of the model goes back in blender with all its respective maps, where it receives its ontogeny-related blend shapes, and finally gets rigged. Hope this little insight into our process may be of help!”- Mau


Q: “To each team member, what is the most enjoyable part of your job in the game?” and “… What has been the least enjoyable part?”
A: Here’s a handful of thoughts from some of our team members!

Aleksa: “When you’re working on extinct animals, you build an animal’s personality from the ground up, and take everything about it into account. I definitely love it when all the layers I’ve been digging for come together and just click. Then you know the work’s been worthwhile.”

Byron: “The community interaction and excitement around blog post time is a great payoff for the weeks we spend writing and preparing all the content. Although, trying to balance multiple roles can be tricky. Nowadays I’m often assisting in graphic design, music, blog posts, writing, and community interaction. It’s definitely a lot of work and can be stressful if not managed correctly but the delightful comments I get to read after working hard on a multitude of jobs around the game is worth it.”

Cindy: “I get to tell people I work in video games making dinosaurs and that is one of the best icebreakers at parties. Oh and I guess the satisfaction of being in a talented team making the game every paleo nerd has been dreaming of since that one Michael Crichton novel got published.”

Maurizio: “The creation process is an enticing thing, I love the idea of being able to produce something people will enjoy. In particular, I most enjoy implementing interface and shaping the user experience to its greatest. As for the least enjoyable part, it would probably have to be Nano (Byron). Nobody likes that guy.”

Nathan: “Most enjoyable part? Well, I’m pretty fond of coming up with small details to include in the designs for buildings and whatnot, as I really have to think “What would go here? Why?” and then I have to think of a good way to include said details in a way that works technically well for me. Same applies for animation, it’s quite fun to think of ways to make animals show personality in their animations and to imagine how movement would go; I can’t stress how many times I’ve ran around in my living room as a dinosaur to try and figure out how movement should work. My least favorite part is obviously putting up with Mau, that’s a given.”

Victor: “Hardest part is getting the realistic branch growth patterns of trees down within a reasonable performance budget.”

Q: “Are you all eating well? Blink twice if you need help.”
A: What is ‘food?’




Q: “What inspired a game revolving around extinct animals specifically, rather than a general animal park game?”
A: “I don’t believe there’s a single person on the team who hasn’t had some nostalgic experience with dinosaurs or management simulation games that makes them so endearing to us. Whether it was hours spent with the Zoo Tycoon series or Operation Genesis, there’s something magical about the combination of park management and extinct animals. As there hadn’t been a new entry in the genre for so many years it was only appropriate for a bunch of paleo nerds and tycoon fans to try their hand at making something they love for others to enjoy.” – Byron

Q: “How many species do you intend to add post Early Access?”
A: Keep reading to find out.


Q: “Where can Kickstarter backers talk with developers about submitting skin designs?”
A: “On Discord, of course! Please join our server and message a moderator or developer with the appropriate credentials if you were a backer above $500 (skin tier) so we can add your exclusive VIP Role.” – Byron

Q: “The $100 Kickstarter support level lists both Beta and Alpha access as part of the reward, but the Crytivo $100 level only lists Beta access but otherwise matches the Kickstarter rewards. Is this a change due to the Crytivo arrangement resulting in a loss of Alpha access or is it an error in the Crytivo reward listing?”
A: “This is indeed an error in the reward listing as Alpha is included within the tier description. Apologies for the confusion, we’ll try to have the issue resolved as soon as possible!” – Byron


Q: “Will you release the beta on Steam?”
A: “The beta is expected to be released privately on Steam via unique codes for backers and early buyers. Windows and Mac versions of the beta will be available.” – Byron

Q: “Will the extra content (like the soundtrack, ranger book, etc.) that are listed on the Crytivo page also be available for Steam?”
A: “Too early to make a definitive answer, though we’d to include them on Steam.” – Byron

Q: “Is the Recently Extinct Animals pack still being considered as something to add down the line as a paid DLC, if not a free addon?”
A: “Too early to know for sure but we’ll see.” – Byron


Q: “Ya like jazz?”
A: Yeah, it’s alright.



Once again, thank you to everyone who submitted their responses.
Over the three day submission timeline, we had a total of 375 questions – that’s insane!

Unsurprisingly, the animal category was by far the most submitted question type:



We understand that not all questions were successfully answered so be sure to keep an eye out for future events and other Q&A panels!

This past month we’ve been working extremely hard to get the game even closer to a more playable state – something that doesn’t look like a mishmash of development levels and independent functions. Because of this, we’re kind of hoping that you aren’t expecting any big news drops until the next DevLog.









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Welcome to October's development update!

It's time to get extra spooky as we delve deep into another content filled DevLog! We have some important information and updates to share this month, so get ready to read!


The only day of the year we are allowed to be edgy. We took full advantage.



We reached out to our Kickstarter backers earlier in the month to clarify the state of development and answer a few questions regarding our release.

To provide a brief summary of the discussion, we mainly focused on talking about our unfortunate reliance on third party assets and software (such as SpeedTree and Unity) to update before we can proceed with certain elements like fully integrating our new foliage rendering system.

Our progress is better illustrated on a monthly basis through a milestone graphic to maximise transparency. The graphic below will be updated every update to clearly reflect where we are with core gameplay systems so that everyone has a solid understanding of the game's overall progress. We feel that this is an honest way of presenting the current state of development and also illustrates the importance of completing certain components against other tasks.

A lot of us take on multiple jobs or responsibilities within the team, so we thank you deeply for your patience.





Sadly this month we don't have much to show on the programming front, as most of the work being done is laying the foundations for the future management systems. On the other hand, we are experimenting more and more with the spline-based path and fence systems while we are waiting on third-party assets for some terrain system fixes. All in all, progress is most definitely being made, albeit slowly.



For October the art department decided to get extra spooky and make a whole bunch of new assets!


Finally, we are down to the last few pieces of concept art for our Early Access structures.




Counting all building models shown off in the past and this month, we are currently 53% of the way through the modelling of the Early Access structures that will be included in the initial release! If you'd like to send our building modeller some love, check out his other work on his ArtStation page!



The Gift Shop allows guests to purchase an assortment of merchandise with prices that are sure to send your inner capitalist wild.


Vending machines are a great way to provide small momentary snacks to your guests around the park.


Benches! Guests know them, guests love them. Place these along the edges of paths to give visitors a place to rest. Coming in a variety of seating options, the bench is an essential part of every successful prehistoric paradise.


Guests hate dirty parks! Trash cans allow patrons to dump their rubbish into a selection of bins instead of your lovely pavement. Once full, Maintenance Workers will swiftly empty the garbage and clean any loose scraps.


Featuring four of the most iconic prehistoric creatures, the Mascot Statue is a decorative object that's perfect for any large plaza.


Let there be light! Solar panels create electricity for your park during hours of sunlight and are made less effective during periods of darkness.


The wind turbine, water pump and solar panel are the first three utility buildings to be included in Prehistoric Kingdom’s Early Access launch.

The last two animal feeders were also modelled this month in addition to a plethora of enrichment objects that will be a welcomed exhibit accessory for many animals.


The wooden and metal feeding trough is a classic staple of any zoo simulation game. All five food types can be placed inside these large containers.


Designed for animals of all heights, the tall feeder is recommended for creatures like Paraceratherium and large sauropods. Smaller creatures can graze from the vegetation at the base of the tower.


The scratching post is usable by animals both big and small. Suspended by two large concrete pillars this enrichment object will provide relief for the itchiest of animals!


The tire and log swing puts your animal's strength to the test with this interactive challenge for medium-large creatures.


Enrichment toys come in a number of options. Activity balls and sturdy allow critters to chase or gnaw on a variety of materials.


This month we began to create the first set of visitor models that’ll be wandering your park. Using a basic facial shape of six different meshes and texture sets a lot of the variation will stem from clothing items worn by guests.

Here is the first look at the youngest of our three guest demographics; the teenagers!



Younger and more full of life than their older counterparts, teenagers have a need for excitement and will more often than not insist on an abundance of attractions to visit.


Smilodon received a few of its basic locomotion movements this month and this is certainly one kitty that you don’t want to touch!







Our composer's back at it again with a finished version of the snippet shown last month! The Island is another playful track that will play in the background as players build or look over their parks. Featuring some more world instruments such as the shakuhachi, this piece takes on flourishes of colour and interest from various cultures while incorporating variations on some familiar themes.

https://soundcloud.com/byronmckay/theisland

For every piece of ambient music written for Prehistoric Kingdom an additional "ambient mix" will be created: a lighter and more minimalist version of the main track. This way we can create trigger points within a player's game that tells the music how to behave. So, for example, if it's night time or the player has a limited number of guests in their park the game will decide to play the light version of any given track. Once your kingdom is bright and bustling the complete orchestral score kicks in!



Enhancements and new iterations continue as our UI designer brings our old interface elements back up to our new post-Kickstarter standard.

The options menu received a most needed amount of loving with a new coat of paint and expansive list of togglable features.





The interface settings allows for customization over the UI scale for larger screens and colour options for the main HUD/coloured panels. For those who experience difficulty reading text, the opacity of the colour can be manually changed to suit the individual needs of a player.



We've looked into features that older games of the genre have been missing and found that many users often try to replace or add new music files from popular films and television shows. While our composer quietly sits in the corner, we're offering full flexibility over the frequency of ambient music and the ability to add brand new tracks to the game's existing playlist!


After many iterations the team finally agreed on the best way to display our expansive animal list within the Animal Nursery whilst offering a lot of flexibility for sorting or finding a certain creature.



As a standard we’ve now split every animal into distinct family groups that can be easily distinguished and identified without the need of excessive horizontal scrolling like in the demo. Players can also find a new set of parameters depending on a creature’s environmental and social needs.




Along with spooky, scary fossils, October also brings the final four species - Daeodon shoshonensis, Hyaenodon gigas, Megatherium americanum and Paraceratherium bugtiense!







After many months of hard work we’re incredibly delighted to say that every animal in our launch lineup has their model, rig, ontogeny, and default skin set done with at least half the animals having all of their alt. skins completed! Next up on our list is texturing all remaining alternate skins for our Kickstarter creatures to completely finalise every critter but until then please enjoy this render featuring every animal coming to Prehistoric Kingdom.

You can support our animal artist's hard work by checking out her ArtStation page here!




Much like our previous development updates we’ll continue to produce group renders of some our different extinct families. Although they aren’t exactly scaly murder birds, our mammals are sure to be a hit amongst your guests!


All the mammals making an appearance in the Early Access release.


Our scientists have observed new mammalian ontogeny processes in the park - most notably recording the angry piglet, not-a-hyena, sloth, and one lanky boi.







Similar to Tyrannosaurus, the equally loved Triceratops will receive a visual update since it’s one of our oldest creatures. Keeping inline with the colour palette used in some of our other iterations of Triceratops, this month we present four brand new skins given to our horridus and prorsus alternate species.

For a better look at the detailed art, you can check out each design concept individually here!





We’ll be discussing some recent additions to our game plan regarding visitors and their effect on your park, bringing in some rather exciting gameplay opportunities. If you’d like to check out our last post featuring Visitor Needs from August, click here!


Originally intended to be a purely cosmetic change, Prehistoric Kingdom features three main age demographics within its core visitor gameplay: teenager, adult, and elderly.
We felt that including different age groups would immensely add to the management experience as players work to create a park that appeals to their target audience and public perception. Whilst offering a way to make crowds look more diverse, the three age groups also come with unique gameplay variables:


Examples of differences in guest types.


Proficient park managers will be sure to regularly check the time of year to maximise their profits!

The holiday season (November-January), for example, is capable of providing huge amounts of income through guest influx around certain months. With a range of teens, adults, or elderly coming to visit the park it’s extremely important to ensure that your park has the appropriate facilities and attractions ready to facilitate their needs.



In a future development update we’ll touch on the advertising system and its effect on guest demographics!

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Taken by Barry.


Taken by il1013.


Created by X Stream Chaos.


Taken by X Stream Chaos.


Fan skins created by Lis.

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Thank you for reading October's development update!

We're hoping to make November more eventful in the programming department and of course continue chopping away at our more than extensive list of art assets as we push the game further along. It's a very big project that is going to take a lot of time but it will all be worth it over the coming months!

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If you would like to check out our past blog posts, you can head to the official one here!

Welcome to September’s development update!

It’s that time again for another look into some of the things that were worked on during the last month. Some non-project related events meant that some of our team members had other matters to tend to in September but nonetheless everyone is doing okay and we are back to show some of our exciting content. This update is a little shorter than usual, but we hope that its content more than makes up for that!



Programming has been back into full-swing after our unexpected and continued waiting on SpeedTree and some other third party tasks. While the development schedule may have shifted, we have been doing our best to continue working on other components and features in the meantime.

With some better news, however, the foliage and water painting are almost complete! Although we currently can’t import the new trees and foliage due to lack of Unity support, our programmers have been experimenting with some stock pieces and we’re blown away by the results.


In-Engine environment painting work-in-progress result using stock and old demo assets.

Please keep in mind that everything used is a placeholder development asset and will either be replaced or made far prettier in the future!


For reference, here is the foliage painting system that currently exists in the pre-alpha demo:



While it wasn’t necessarily bad, it didn’t behave as expected and resulted in players having to click over and over again. Foliage rendering caused a substantial drop in frame rate which meant that dense forests were hard to create smoothly. Thankfully, these issues have all but been eliminated.

Today, we’d like to present the foundations of Prehistoric Kingdom’s new foliage rendering system.





As you can see below the intensity of the brush can be altered, resulting in an increasingly sparse placement of trees.



And of course we couldn’t forget the ability to place individual trees by lowering the brush size to its minimum value.




Yes, it’s finally here! Eagerly awaited by fans and developers alike, the water brush is a quick and easy way to paint water directly into an exhibit.





It’s definitely taken some time to get to this stage, but we think that everyone can agree in that it was worth it purely for the results.


Now with a short and less gif-heavy update, we decided to jump ahead while waiting for SpeedTree to get started on the framework for the new and improved resource system. It’s mainly mathematics and programming at the moment but once we get some UI hooked up we’ll be ready to show it off!






The Off-Road Safari allows your guests to get up close and personal with animals by driving directly through exhibits via a set path.



Building a Restaurant is a great way to avoid queues and serve quality food to your hungry patrons. With a warm two-story design and plenty of seating options, the atmosphere is sure to light up your park’s night life. Players can rename the sign on the building in the properties window.



In the “unlikely” event of an emergency, the Large Underground Bunker is capable of holding up to 500 guests. Much like its smaller counterpart, injured guests can be treated for wounds.

Like our past buildings, any improvements or adjustments from the concept art will be made in the modelling process so everything above is sure to look even better!




In our continued efforts to improve the look and feel of the game, our UI designer has gone back and tidied up the main HUD elements.



It’s not too much of a departure from what we had previously, but it certainly helps give players more screen space when building their park – not to mention its sleeker look. New overlay and access buttons have been added to the top left of the screen, as well as some new icons for fencing and funds. As always the UI colour can be changed by players in the settings menu.




Our composer was quite busy this month but he still managed to sneak in a little preview of something he’s been working on over the past week. It’s currently unfinished, untitled, and very much a work in progress but the final version should be ready for listening in the next DevLog!

http://prehistorickingdom.com/blog/wp-content/uploads/2018/09/PK_TrackWIP2.mp3?_=1



This month brings one new creature and some alterations to an old classic. Please enjoy the new renders of some of our personal favourites; Dilophosaurus wetherilli and Ursus spelaeus – the cave bear!






In September we made some changes to our old demo animals to make them look closer to their fossilised counterparts.

Velociraptor mongoliensis first debuted in its current state back in 2016. Upon further inspection, our feathery friend had some definite anatomy issues that needed to be addressed!



One request we are often asked pertains to one species of a very well known genus; Triceratops. With some magical developer wizardry, Triceratops horridus will be joining the ensemble as an alt. species for Triceratops prorsus. Since we’ve decided to use textures to quickly swap between the two, no differences will be found in the frill or body. As for the general anatomy and body plan, we updated it to resemble more recent reconstructions of the creature.




Straight from the nursery and incubation chambers our park scientists have provided us with some more growth charts for a few new creatures. Today we’re proud to show off our geckos, fluff cubs, and lanky chicken bois.








With eight months worth of alternate skins shown since Kickstarter, we’re down to the very last one. There’s a few being saved for their eventual reveal on the model (such as a certain feathered tyrant), but we hope you’ve enjoyed waiting to see what Early Access design comes next!





All of our Early Access Thyreophora – including a new Sauropelta skin!

Believe it or not, we’re down to only three more animals that still need to be revealed. As the total number of finished animals begins to increase all future model reveals will be the alternate skin designs fully realised onto our critters. Stay tuned for next month’s exciting animal showcase as we unveil the last few remaining mammals!

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Thank you to our amazing backers and fans for continuing to support our project!

It seems like only yesterday that the Jurassic Patch was released and development on the full game began. We’re striving to make October even more productive and deliver on a tycoon experience that we can be proud of. It truly is a group effort and we couldn’t be doing what we are now without you.
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Welcome to August’s development update!

We’re back to the usual format this month with loads of prehistoric goodies for you to discover and share. If you’ve been keeping up with our Discord some will already know that we have a surprise animal announcement to be made, but you’ll have to read on to find out more!




Our shader artist has been designing our new terrain shader from the ground up to work with the voxel terrain. In its basic state the shader is already capable of producing a more detailed look than what was featured in the demo.




With the game overhaul taking place over the last few months since the release of the Jurassic Patch, one of our focus areas has been bringing asset quality up to par with our new expectations and production standards. SpeedTree 8 allows us to work with enhanced generators, wind effects and shaders that are both better and faster than previous versions of the software.

Unfortunately, however, this means that we’re currently waiting on SpeedTree and Unity to finish adding support for SpeedTree 8 and their brand new PBR materials as detailed in their blog post from GDC 2018. While they say that it’s not too far off now, the results look superb and we cannot wait for them to push the additions.

Until the technology is available, we’ll keep progressing with general development and finalise all the art assets until they can be implemented properly.



To almost no one’s surprise, the art team continues to pump out a continuous stream of lovely content that’ll be ready to get dropped in-game.




The visitor dock is one of the few ways that guests will travel to your island. With a large ferry arriving at its port, this will act as entrance and exit to your Prehistoric Kingdom.



Increasing the land value of the immediate area, the science monument stands tall as a reminder of the genetics and power of science that brought once extinct animals back to life.




Originally featured in our pre-alpha demo, the vehicle depot redesign sports a sleek and elegant modern design with vastly improved texture quality. This garage acts as the storage facility for staff transport.




The monorail station is a quick and accessible way to get your guests around your park. Build tracks at varying heights to efficiently view animals, as well as view some in-universe advertisements.


First shown off a few months ago alongside the new mediterranean island, here’s the all tropical wet foliage! We’ve made sure to select a diverse range of plants that cover the expectations of tropical vegetation and mix well with our future climates. Palms, ferns and canopy coverage; we’ve got it.



It’s worth mentioning that for the sake of visual and creative freedom, we occasionally hybridise multiple species of foliage to create a more general and unspecified look (e.g. the canopy tree and tropical palm). With mediterranean and now tropical wet out of the way, it’s time to start work on the boreal and semi-arid climates.


While not originally intended for this update, we thought we’d quickly show off the walk cycle for our Allosaurus using the medium theropod rig. Unfortunately it didn’t have enough time to render out using our usual format, but we hope that you’ll forgive us!



Compared to our larger creatures such as the Tyrannosaurus, you can see more of a bird-like posture in its movement.




A Not-So-Gentle Giant and Tooth and Sickle Claw are the brand new introductory themes/tracks for our large carnivorous dinosaurs and dromaeosaurs. The pieces present an interesting contrast between a large and foreboding yet majestic sound for our tyrant kings to a more muted and aggressive conversation between a group of instrumental raptors. Our composer had a lot of fun coming up with these, and we hope that you enjoy them.

https://soundcloud.com/byronmckay/a-not-so-gentle-giant-carnivore-theme

https://soundcloud.com/byronmckay/tooth-and-sickle-claw-raptor-theme

These motifs will continue to pop-up across the soundtrack.




This month we’ve got an assortment of new exciting animals to reveal. Without further ado, let’s get a closer look at August’s newcomers; Torvosaurus tanneri, Nothronychus mckinleyi, Coelodonta antiquitatis, and Mammuthus primigenius!






But there is, however, one more to show…



Utahraptor joins the battle! With some surprising body proportions and a terrifyingly large skull, Utahraptor ostrommaysorum makes its way into Early Access as a replacement for Deinonychus antirrhopus.



As you can see we’ve adapted the original ‘vulture’ design of the Deinonychus into an alternate skin for our big land eagle alongside its new default.

Since we wanted to update and redo our previous version of Deinonychus antirrhopus, we ultimately decided to push Deinonychus back into a later version of the Early Access game and introduce a highly requested fan favourite to fill its role as a large raptor.


August brings us an interesting look at the ontogeny of two of Cedar Mountain Formation’s residents: the elusive mango-goat and tiny freedom bird.




Alongside the two aptly named dinosaurs are the brand new versions of our hairy big-nose and hairy long-nose friends – complete with an adorable ontogeny. Please note that our rendering software loves attempting to render flat planes and mammoth tusks, so please excuse the jagged edges which won’t be visible in-game!

https://youtu.be/W0H0n8XWg5Y
https://youtu.be/bndmfd0ysyg


Our brand new Tyrannosaurus skin has been brought over into 3D and we simply love it. As you can see it’s sexually dimorphic in its colour vibrancy, and we can’t wait for you to see how the infants look, too!



We’ve shown many, many, many alternate skin designs since February but we’re almost at the end of our time for previewing the design sheets before they’re translated into 3D textures.








For this month’s gameplay discussion we’ll be talking about our current thoughts on visitor needs and how you, the park manager, will need to respond to their various requirements and preferences. It’s important to note that all information here is subject to change through development and will be tweaked in the future.


Much like your animals, each guest has a basic need that must be fulfilled by players in order to satisfy them effectively and raise your park rating.



Buildings such as Fast Food Kiosks, Restrooms, Grand Hotels and benches can be placed throughout your park in order to allow your guests to replenish their independent needs.


Animal preferences are where Prehistoric Kingdom begins to separate itself from the rest of the herd. Previously, we chose to define guests by three main categories: thrill seekers, paleo enthusiasts, and mainstream. As this is rather broad terminology and doesn’t effectively communicate what a certain guest likes, we have chosen to instead opt for animal group preferences.

Certain guests can respond better to certain animal types whereas others may not have a preference at all. For example, a visitor who favours ceratopsian means that the guest enjoys seeing animals like Triceratops interact or fight with each other and will thus receive an increased mood bonus, rewarding the player with additional park ratings.

These preferences are not mandatory and won’t punish players designing specialised parks, but it will offer support to those creating a varied and diverse prehistoric zoo.




What’s the point in making a zoo if your guests can’t see anything? Fences can have a direct impact on visibility based on their design and visual properties, meaning that players need to find the balance between comfort for their animals and viewing areas for guests.

Attractions such as viewing platforms, lookout towers and monorails allow visitors to look directly into paddocks at different elevations. If an animal feels too exposed it’ll try to hide, decreasing the mood of onlooking patrons and potentially harming the creature from starvation.


A map stand is a placeable guest object that visitors can interact with in order to take a look at your park layout and navigate to where they want to go quickly. Without checking a map stand or purchasing a map from an Information Centre, your visitors will wander and explore your park with a lack of purpose – something that could prove fatal in the event of an emergency.


Each building in the game comes with an associated value that will either add to or retract from the immediate land value of an area. Decoratives such as the Science Monument offer a high land value bonus when placed in your park, whereas “uglier” structures such as wind turbines can retract from the park’s aesthetic if placed too close to your bustling plazas.

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Another month, another development update.

Thank you so much to everyone who has been waiting patiently for our updates to come along each month. We all know that this process takes a long time, but we are incredibly glad to have such a supportive and understanding community.

Until next time. – The PK Dev Team.
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If you would like to check out our past blog posts, you can head to the official one here!

Welcome to July’s development update!

This month’s update is a little shorter than usual, but nonetheless we’ve been working on some neat things that we’re quite eager to show off. Let’s get right into it, shall we?



As it tends to do around this time of year, a few of us got caught up in family and personal matters that needed to be tended to. While we experienced some unexpected speed bumps, we’re hoping to make up for lost time by pushing out the first handful of playable builds to our VIP backers as soon as possible. Below is our updated development schedule that better reflects the current status and internal goals.





There’s not too much to show on the programming front this month as we’ve been busy working on setting up our island and integrating it with our voxel terraforming system along with a host of fancy things like water shaders and yes, improved foliage performance. Voxels can be rather experimental on the scale that we’re working with, but the team is doing its best to ensure that it all comes together in the end!



For July we took to working on transferring concepts into 3D models and developing both new and older animations to our most recent standards seen in previous blog posts.




The Sauropod House is the largest shelter available for housing animals in Prehistoric Kingdom, holding up to two-three fully grown sauropods at a time. Equipped with internal washbays and soft haystacks, your gentle giants are sure to feel right at home.

Back in March we first showed our new Nursery design which has since been updated to bring it up to scratch with our more recent building textures and style.




For July’s assignment, our animators completed the basic animation sets for the ceratopsian rig and bison (as first seen in May’s update). Meticulously watching over dozens of real world references from modern day relatives the team hoped to capture the many nuances and physical movements that are to be expected from the bison family. We’re extremely happy with how both the sets came out, and we hope you enjoy the new ceratopsian cycles!

https://youtu.be/ri76DLOOBgY

https://youtu.be/lcT07tDqbeA

Since switching over to a more generalised retargeting system, we swiftly revamped the hadrosaur animations to look far more alive with added weight and movement to their body.

Check out the new and improved run and walk cycles below (yes, we misnamed the first clip, but it’s not our fault – it’s the sneaky post-production, we swear)!

https://youtu.be/rk5b1Cpm0kI

https://youtu.be/mTFa-AkYWjU




Inspired by real world zoos, the park map features a fullscreen stylised view of your island – showcasing all structures, animals, and infrastructure within your park.



It was important for us to retain as much open screen space as possible for players to take quick screenshots with while also offering a quick way to jump to each exhibit and check its total internal area with a quick glance.



The team’s composer has written another ambient track to play along with your busy paths, various construction sites, and roaring attractions. Genetic Wonders is a musical love letter to one of our biggest influences and inspirations. Using some classic scales and techniques, fans of paleo-media should feel right at home when this piece begins to appear.

https://soundcloud.com/byronmckay/genetic-wonders

New Creatures

July reveals some of our most colourful and unique animals making their way into Prehistoric Kingdom’s Early Access. Prenocephale prenes, Tenontosaurus tilleti, Thescelosaurus neglectus, and Lambeosaurus lambei; welcome to the park!









Finally, we would like to present all of our Early Access ornithopods! Aren’t they gorgeous?



From left to right: Edmontosaurus, Iguanodon, Dryosaurus, Thescelosaurus, Ouranosaurus, Tenontosaurus, Lambeosaurus, and Parasaurolophus.

Ontogeny Sequences

After our lovely keepers have returned from their studies, we have concluded that tiny ankylosaurs are best ankylosaurs. This month we’re presenting our favourite little moss rock, chub duck, honkboi and… noodle ... face?

Alt. Skins

As we begin to approach the end of alternate skin reveals we’ve got a handful of classic creatures with some rather splendid designs.











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And to finish it all off, during July we had a small resurgence of texture mods for the pre-alpha demo thanks to KroftyFennec’s awesome Allosaurus and Triceratops skins based on the work of a certain Fred Wierum and Saurian. Neat, right?











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And that concludes this month’s DevLog! It’s shorter than our last few, but we are aiming to come back with even more news, images, and gameplay updates. We tried experimenting with cutting down on the amount of text per blog post to make it more accessible, so be sure to let us know what format you prefer.

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If you would like to check out our past blog posts, you can head to the official one here!

Welcome to June’s DevLog!

We had an absolute blast this past month with some great progress across the board. All hands were on deck during June as we continued to chug along at a steady pace, making some very exciting advancements within programming, art, and game design. Without further ado, let’s get right into the development update.



June set us up with some great progress on building mechanics and terraforming, allowing us to finally start showing off the new systems (hurray!). Please keep in mind that everything shown here is a work in progress and is subject to change throughout the game’s development!


Prehistoric Kingdom’s clever programmers have created the first rudimentary attempt at the spline-based fencing system. There’s not too much to say about it at the moment as it’s still being worked on, but the first stages of freeform and two-step placement is in.

Snapping angle and the rotation angle all works with the expected lovely curves that is made available through splines.



This progress on the fencing systems has made the team giddy at the thought of soon working on monorail building once all the kinks have been worked out…


All of the basic tools are up and running so now it’s a matter of adding and refining terrain textures as well as hooking it up to construction in order to flatten surrounding land. It’s still a work in progress, so please excuse any wonky graphical artefacts. Here’s a look at some of the tools in action:



As you can see, Prehistoric Kingdom’s terraforming allows players to freely sculpt the terrain through a variety of methods and tools; the world is quite literally your canvas.



Players are able to paint the terrain freely by selecting ground types from the Climate Painter with the option of automatically painting rock or dirt in correspondence to the height of the terrain.





A cave sculpted out of a mountain.

Create natural archways, land bridges, mountain ranges, and even “volcanoes” by digging out mountain tops!



Unsurprisingly, the art team has been working hard at bringing the assets of Prehistoric Kingdom to life. For June, we’ve got a hefty assortment of goodies to show off.


In this update we’re taking a closer look at the structures directly used by animals and guests including shelters, amenities, and attractions.



Science Monument

Placed as a decorative object, the Science Monument increases the land value of the immediate area. Key decorations and statues like Monument buildings help pretty-up your park and act as core locations for guests to hang out.



Large Wooden Shelter

The wooden shelter is a large structure capable of housing most animals throughout their life cycle. Whilst quite basic in its material, this building will appease the majority of your creatures in its modest simplicity.



Metal Viewing Platform

Harkening back to real world zoos, the metal viewing platform is a staple of any park due to its ability to get guests up close and personal with extinct creatures without getting caught in harm’s way. This beautiful attraction offers the chance to entice nearby critters to investigate the tiny mammals jumping around on the other side of the glass.




After quite a bit of anticipation, this is how the tropical wet island looks from a distance! With players being able to terraform archipelagos from the seafloor, we can’t wait to see what everyone does in the future with our creative tools and map landscapes.


16km² of pure island goodness.

As you can see by the remnants of the large crater towards the north of the terrain, this island’s origins are volcanic – sprouting a small chain of archipelagos in its wake from the seafloor. The landscape is quite versatile, featuring cliffs, mountains, flat building space, and lakes.

We’ll be sure to show off more of our vegetation for this climate very soon, but until then, make sure to keep your plants on!



Both exciting and conversely terrifying, there’s very little interface designing left to do for the game. Of course there’s going to be tweaks as the project develops, but all of the base drafts and UI sheets for the first pre-alpha are eagerly waiting to be brought to life inside Unity.

Until we begin working on the second pre-alpha (which we are extremely eager to work on!) most of the interface work is going to revolve around polish and visualising in-game features.



Two words: editable signage. Ever wanted to name and theme areas of your park with custom signs and billboards? Look no further! Much to the dismay of long time zoo building players, a lack of editable signs and decorations in past titles has been sorely felt.

In Prehistoric Kingdom, however, the Edit Properties window on select decorations such as the vertical marina banner and the horizontal banner offer a range of bespoke graphical designs that can be swapped out by the player to better match their own park. Special decorations like the editable themed sign even feature a text editor that will display whatever is written into the input field. Cool, right?



To help get players right into the action, you’ll be greeted with small popups that provide a brief description of certain game features, mechanics, and interface explanations as you progress through the game. These can be toggled off permanently at any time, so rest assured that experienced tycoons don’t require unwanted help.




Our sound designer whipped up a special new soundscape preview featuring some more familiar faces. Can you guess all the animals? Let us know on our Discord server!

http://prehistorickingdom.com/blog/wp-content/uploads/2018/06/Soundscape_-_Ice_Age.mp3?_=1


The team’s lovely and very humble composer (who is definitely not in charge of writing our devlogs) wrote a new track that will play alongside the ambience of your park’s bustling environment. Exploring the Park incorporates world instruments within our traditional orchestral setting, making use of rainsticks, bongos, congas, and African shakers to expand the sonic scope of Prehistoric Kingdom’s music. We’re super happy with how it turned out, and we hope everyone’s looking forward to hearing more from the soundtrack in the future.

https://soundcloud.com/byronmckay/exploring-the-park



This month marks the long awaited redesign of our Allosaurus fragilis in all of its fearsome Jurassic glory. Alongside our carnivorous “friend” three new animals are ready to be shown off: Coelophysis bauri, Sauropelta edwardsorum, and Guanlong wucaii!










Our laboratory hatched another four new babies this month (they grow up so fast…) and we’re not sure if seeing baby dinosaurs will ever not be completely adorable. For June, please enjoy our little spike nugget, noodle-neck, two angry lizard boys.










Much to the pleasure of our creature design concept artist, all Early Access animals finally have their alternate skin patterns, colors, stripes, and dangly bits designed for our texture artist to realize on the 3D assets.

Since there’s a total of 150 skins going into the game (excluding all genetic mutations like albino and melanistic variants), we have officially only revealed around 91 up until now and will continue to trickle them out over the next few months.















Resource management in Prehistoric Kingdom was first seen in its most basic form back in 2015 with the original tech demo and has been a staple part of our park construction and management since.

Reading about our gameplay plan isn’t everyone’s cup of tea, but with our road map laid out in our last blog post we felt that discussing one of the largest components of the game was extremely important.


The first thing to understand is that almost every map in Prehistoric Kingdom offers a gameplay challenge due to the weather patterns that correspond to the climate. Although some climates such as semi-arid don’t suffer from drastic changes, others like subpolar and tropical wet maps experience blizzards and violent seasonal thunderstorms that must be considered to effectively build the ultimate park.

One our biggest design philosophies is to ensure that players feel engaged and like they can influence the world they’re building directly. Stay on top of your park and its environment and you’ll be rewarded with efficiency and successful profits. Ignore the needs of your guests and you’re doomed to fail.




In Early Access, players will be able to construct six utility buildings that are used to generate power and water for your park:



Each of these structures offer a positive and negative trait within their role as a producer in your park, with the negatives often directly correlating to weather or their effectiveness over time as the park expands in its scope.

Due to the sheer size of maps in Prehistoric Kingdom, specialised utilities like water towers and solar panels can be placed in areas without high amounts of wind or surface water to maximise player building flexibility.




All major structures, amenities, attractions, and infrastructure require a connection to electricity and water. As the space available for building on our islands and mainland is extremely large, the second pre-alpha will introduce underground piping and cables to setup infrastructure beneath the terrain.

To avoid micromanagement and monotony, pipes are automatically constructed beneath pathways as players build and expand their park. Originally we had discussed power lines and water pipes as separate objects but felt that it would take away from the aesthetics by having large, ugly pylons decorating exhibit sides and land space.

For players who want the freedom to place infrastructure pipes separately from paths, they can be freely drawn out at anytime to connect new power sources to the grid!


So, your park is thriving and electricity production is off the charts… but you didn’t check the weather forecast.

Once a thunderstorm hits the island or mainland, structures like the wind turbine will automatically shut down to prevent damage to the rotor. Depending on how the player is equipped to respond to this situation, there are a multitude of potential outcomes that are influenced by park layout, security, and back up utility buildings. Everything you’ve worked for is suddenly at risk in the blink of an eye, but there’s still a few options to pursue during this scenario:

• Whilst not as effective in poor lighting conditions, an array of solar panels may just keep your park above water while you wait out the storm. They’re not as cheap to maintain as wind turbines, but guests are also less disappointed by the sight of them.
  
• The Water Power Plant is expensive and has a high upkeep, but allows the player to push through the rain and lightning while pumping water and electricity from one location. It’s the most expensive option, but almost guarantees consistency.
  
• Setting the park into emergency mode while the storm passes may effect ratings, but will ultimately protect guests from unexpected danger in the event of a power outage. Send your patrons to the security bunkers and hope for the best…

Remember, a cloud-free day keeps the danger away!*

*Safety on cloud-free days not guaranteed.

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And to finish it all off our good friends over at The Isle made this awesome crossover piece featuring their own animals and designs! How cool is that?



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Another month, another development update.

We’ll be back again in July to show more progress on the project. Keep an eye out for our mid-month updates, and be sure to follow us on our social media platforms if you haven’t already!

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If you would like to check out our past blog posts, you can head to the official one here!

Welcome to May’s DevLog!

This month we continued to chop away at the game’s enormous amount of art, make some great progress with the programming side of Prehistoric Kingdom, and art (as we’ve all come to expect). As per usual there’s some big topics of discussion, so let’s get right into it!



June will be extremely exciting for us as we finally and properly integrate terraforming and get started on our refined building systems. All other departments? Business as usual! We’ll be continuing to work on the same tasks listed in last month’s DevLog.




As to be expected the terraforming that we want to achieve for Prehistoric Kingdom is quite difficult as it’s untraditional to most game engines. However, while we continue cooking up the adaptive terrain shader, link up everything to the UI and work out the expected kinks, we’ll leave you with some extremely exciting and early looks at the structures that can be sculpted by players…





May has undoubtedly been an exciting and fantastic month for the art team with all the new stuff being worked on and prepared for the first pass on the building systems and animal additions that will be coming up in conjunction with our first Early Access pre-alpha for VIP Backers.


Buildings! Lots of buildings! Next to the creatures it must be said that we really love working with our concept artist and modeller to bring the architecture and structures of Prehistoric Kingdom to life. For May we took a focus on the infrastructure and guest amenities that will inhabit your park.



Gift Shop

The gift shop is your guests’ favorite place to purchase prehistoric-themed souvenirs and assorted gifts. Do not fret, as we will make sure the balloons and the dino-present statue look as cute as possible when it comes to the ingame model.



Food Stash

Coming in a variety of food groups, the Food Stash is recommended for small or medium sized creatures. Its vertical design is useful for constructing a paddock with tight spaces.





Ranger Station

Responding to emergency situations, the Ranger Station houses a car, transport truck, and helicopter to subdue escaped animals and carry guests to safety.





Central Hub

The Central Hub is a large building designed to educate guests about the park and its prehistoric inhabitants. As this structure is categorised as an attraction, it draws crowds to its rooftop theatre and viewing deck. To really push the attention of detail in Prehistoric Kingdom you’ll see a few information signs popping up around your park to breath a little more life into the world.


We’ve always wanted to take our animals just that little bit further and today we’re happy to announce that creatures will be featuring dynamic physics to better simulate fat, flesh, fur, and feathers in ways that we simply couldn’t before.



Our Brachiosaurus, for example, features a large fleshy fat deposit running down the majority of its neck. Thanks to this new system we’re able to properly simulate the unique area of the animal’s body and have it constantly react and adapt to its movement; regardless of animation.

An even better area to look at would be how feathers will move on our floofier friends such as the Gallimimus. It’s a far less rigid movement and helps to envision how we imagined these critters moving with fluffy integument.








With fifty creatures currently learning how to walk we stepped back for a moment to assess how we were going to cover such a vast range of animals in the most effective way possible. For us, this means setting up shared rigs that are built around the main family groups going into the game.

While similar species and genus will retain the same general movement style (which was to be expected even with personalised animation sets), we’re making individual changes on a per animal basis to ensure that nothing looks off or imperfect compared to related genuses. As a whole this allows us to put way more detail into base animations and ensure that they are the best they can possibly be for the project. It’s extremely important to note however that certain species may feature distinct animations and actions that are unique only to them, so there’s no need to worry about everything looking the same. Apart from that it’ll make adding future content additions that much more easier.

You can take a look at some of the newest animations for our Tyrannosaurus (large theropod rig) and Baryonyx (spinosaurid rig) below.

https://youtu.be/Zm45tnSI__s
https://youtu.be/SkJXW_F26qc
https://youtu.be/Q7r24RhE7wI
https://youtu.be/rRQI0J1j518



Nothing super crazy to show here! UI for this month was mainly focused on management, options menu, and bringing our old save/load menu up to scratch with the newer style.








This month we’ve got some classic faces appearing fresh off the back of their concept art. Give a warm welcome to Bison latifrons, Iguanodon bernissartensis, Parasaurolophus walkeri, and the fearsome Acrocanthosaurus atokensis!










Since last time you saw our favorite big cat, we went ahead and made several improvements to both the mesh and the textures of Smilodon. We worked predominantly on the feline’s face, bringing its proportions closer to what the animal probably looked like. Moreover, the model now features shape-keys (sets of geometry data that can smoothly transition to each other) that allow it to close its eyes (like all the other animals we have), but also retract its claws, yawn, show aggression, and even display pregnancy! Exciting times for mammal lovers, indeed.




May gave us some time to revisit a familiar face and incubate some new hatchlings and babies to show off to everyone. This time it’s a lizard boi, demon gecko, duck thing, teetho, and a little moo-moo. We’re proud of our naming conventions.












Much like April we focused on pumping out a wide variety of skins across a number of animals. While there’s again too many fit neatly into one post, here’s some of our favourites!



We’ve gone ahead and decided to improve our Tyrannosaurus by giving it an additional scaly design, moving the feathered Highlands look to its floofier cousin Yutyrannus.



Allosaurus also received some much needed love this month with a complete animal overhaul that will greatly improve its body proportions and overall look in the future. You will see more of the updated model in future posts.

Like we did for Tyrannosaurus and the following Acrocanthosaurus, we removed some of the feathered designs, favoring more likely scaly designs. In the case of Allosaurus, scales are all that remain, with the two previous feathered skins having left us to join feather heaven.

















Our projected release roadmap is expected to span over 2018 and 2019 to deliver a valued product to our backers and fans alike. Currently, we’re looking at the following structure for how we present and develop the game. Please note that is a rough outline and does not detail every specific item and piece of content!



Pre-Alpha 1 Creation (Q3 2018)
The first official private pre-alpha for VIP backers will set the basis for Prehistoric Kingdom’s creative gameplay. Terraforming, revised fencing/path systems, 17 animals and a brand new map provides a thorough look into the games tone and atmosphere.

Pre-Alpha 2 Management (Q1 2019)
Core and expanded management features such as visitors, finance, security, and resource management will be integrated alongside new animals and buildings.

Alpha Progression (Q2 2019)
Released to Kickstarter backers who donated to appropriate tier levels, Alpha introduces progression aspects to gameplay as well as overlay tools and shaders that will help provide information about your exhibits and park.

Beta Backer Testing (Early Summer 2019)
Beta presents itself as the very last large scale testing of Prehistoric Kingdom before being pushed to the store platforms. Featuring the majority of animals, buildings, systems, and features that will be available within the live game, we’ll be working together to squish as many bugs as possible!

Early Access Launch Public Release (Summer 2019)
Prehistoric Kingdom will be available to the public on Steam and the Crytivo store.

We want to be as transparent as possible with everyone and outline our current development plans so that all of our backers and fans can understand where we’ll be headed. If plans or the schedule changes for whatever reason, we want everyone to be on the same page so that no one feels left in the dark or like they don’t know what’s going on behind the scenes. At the end of the day, it’s a big game. Hopefully this provides a little bit more clarity, and we cannot wait to show more. Features or dates may shift back and forth but in the end it’s to bring the absolute best that we know we can!

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That’s it for May!

Thank you for reading this month’s DevLog and make sure to join us once again in June for another exciting update! Feel free to follow our social media platforms below to stay in touch and never miss an announcement.

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