Bánk, the project's writer-director gathered for us which games were especially influential in creating Chicken Police's story, world and characters. They might not come as a surprise, but the reasons are. ;) If you read the arcticle, you will become a little bit closer to the spirit of Chicken Police.
Bánk"I wanted to be a videogame developer since my childhood. Among other things, these games were the ones that eventually drove me to this fantastic journey and even played a huge role in the development of Chicken Police."
GRIM FANDANGO – For Love and Bones
Grim is everything! It was maybe the most definitive gaming experience of my childhood, and also turned out to be one of the most determinate experiences of my adulthood too. Amazing characters, endlessly exciting and insane story, simply... everything about it! For a long time I only had the demo version of the game, which I've completed about 10-15 times if not more. I didn't even understand the text completely. I learned English from video games and then I was less than a beginner. So I came back to it again and again and I understood more and more every time. Not just the text, but what the game really wants to say.
Grim taught me that no matter how great your setting and your story is, the characters are always the most important! - That's why I've created my own character generation formula (which I use ever since), and Grim, among others, made me fell in love irrevocably with the noir genre, and movies like Gilda, The Big Sleep, Double Indemnity or (the actually not even noir) Casablanca.
Oh and Manny's adventure also taught me that music is one of the most important elements of moody games like these. "Un dos tres cuatro... ta ta taaaaa!" Huge heartfelt thanks to Tim Schafer, Peter McConnell and Tony Plana amongst many others...
L.A. NOIRE – The Golden Boy
Not even a question. By the time this game came out, noir was already one of my favorite genres. L.A. Noir was not only an almost perfect story with a fantastic mood, but the definitive investigating simulator. Unfortunately the project was bleeding from a few wounds, but it still inspired us immensely. So, huge respect and thank you, Team Bondi!
POLICENAUTS AND SNATCHER – Neon lights and buddy-cop noir
Both of them are amazing detective games in Mr. Kojima's unique storytelling, featuring real, alive characters (and incredibly funny dialogues at times). Policenauts is closer to my heart because of the buddy-cop theme, which Chicken Police also borrowed in the end. Actually it's Lethal Weapon in sci-fi version, and it's hard to come up with anything cooler than that...
Furthermore these games' gameplay is similar to what we created, with dialogues and interrogation being in the focus. Cult classics, that's true, but still undeservedly ignored. (REMASTER, anyone??)
BLADE RUNNER – Do the androids dream of good videogames?
When I first saw it as a child, it made my brain explode (it still does even today, when I get back to it from time to time). It was a little bit of adventure and a little bit of action, and the "camera-photo" riddles were almost surreal, the like I've never seen again ever since. (If you know about something similar, tell me!)
It was a groundbreaking game! To be honest... I never finished it because of some sort of bug, but it was still an unforgettable experience. I also LOVE the original novel by Philip K. Dick, and the movie version is very close to my heart too, so it's a no brainer BR is in my top games. (and yes, Deckard was an andorid!)
ALAN WAKE – "Previously on Alan Wake"
Another undeservedly ignored game. It masterfully twists the literary topoi of classic pulp-horror novels and their movie versions. Simply a forgotten masterpiece. I've completed it a thousand times, and - when I'll have time to play anything -, I'm sure I'm going to reach for it again. "Previously on Alan Wake" I'm never going to get this sentence out of my head.
SAM & MAX HIT THE ROAD – Total mindfukk
Shame or not, I've only run into this game in my adulthood. I started to play with it at the insistence of our programmer, Péter, and its humour, breakings of the fourth wall and the two main characters blew my mind.
I'm still trying to recover from it, with more or less success... (probably less)
+1 BIOSHOCK - Would You Kindly?
There's Bioshock and there's everything else...Narrative design, writing, characters, setting, music, mood. Bioshock is one of a kind. Whatever game I'm working on or will be in the future, Bioshock will always affect me one way or another. I'll have to shake hands with Ken levine once.
"Maybe the most important thing is that the mood and the atmosphere must be coherent. In creating narrative games, you must pay attention to a lot of things that the player maybe won't even notice (or will be affected only subconsciously), but all in all I believe everything stands on the characters, who we'll learn to love or hate in order to be breathing with them within the world they live in.
It all depends on whether you, the player, want to know, is the character have a life outside of the game? If the answer is yes, you, as a writer, did your job well. "
- Bánk
In a later developer diary post, Bánk will elaborate on how he builds his characters and their world, and even unveil his "top secret" character generation formula.
Until then we'll be back with lots and lots of exciting developer posts, soon for example we'll talk about character animation with our animator, Alex.
Stay tuned, folks and don't forget to spread the word: The Chicken Police is coming... ;)
The Wild Gentlemen
And don't forget to Wishlist Chicken Police, folks. ;)
THE DEV DIARIES #1 - Natasha Catzenko - Making the characers
One of the most exciting aspects of game development is character design. But what's so interesting about creating a character? First of all, you need to write the background story, figure out what type of animal he/she should be, endorse the most important personality traits, find the motivations, and find the model ... moreover, in our case two models, one human and one animal, because in Chicken Police all characters are made with photo manipulation technology.
Our art director Zoli tells us how the characters were made in the first place.
"The amount of time spent with one character is difficult to determine... It can be one and a half weeks if it's not problematic. But usually it is. The NPC's which are "single-phase" characters done in several (1-2) days.
However, there are complex characters (Our two main protagonists Sonny and Marty for example), and they are especially important.
The biggest difficulty is creating a head. We used stock photos for some of the characters, but then we realized that it'd be better to use our own photos. This is where the wildlife parks and zoos came into the picture.
But it doesn't solve all the problems... The background and small depth of field are almost always inseparable from the head. Therefore, 85% of the time, I have to draw the hairs and feathers around our characters.
Zipp is full of tattoos and scars, Natasha's got an almost human look, with painted eyes. On Bubo, the glasses were built from scratch.
Combining bodies and heads is difficult. In many cases, because the neck size is very different from that of a man, believable shadows are vital for a good and natural end result.
Why did we decide on our own photography? From the above I think it's clear. Same animal for different views, right angle, depth of field, illumination, and enough size!
For me the most exciting task is to create a new creature who has never existed. Often the challenge itself is joyful. Seeing the starting material that looks hopeless but the strategies are in the head, that's how it can be solved! The greatest pleasure, finally, is to see the character in your own environment! In the game!
I am most pleased that I can work in such a team of professional people and such an exeptional project!
Stuff I use: The characters are made in Photoshop only. (on an 8 year old PC, but on a much newer and better monitor, and on a drawing tablet) I also use a Canon 5DsR camera with professional optics for the photo shoots."
- Zoli
Thank you for reading our post. Every week, we will arrive with new, exciting blog posts from the making of Chicken Police, so it's worth following us.
We added six more languages to the steam descriptions, making it available in eight languages altogether. :) (which we'll probably expand later)
Our steam site is available in: English, French, German, Brazilian Portuguese, Hungarian, Russian, Spanish and Italian.
How many languages will be exactly when the game is released? We don't know for sure... but we planning to add a minimum of 4 language at release, and to add more to the list later. :)
We are pleased and proud to inform you that our "Animal Noir Adventure Game", Chicken Police, is now present on Steam as you probably already noticed.
It's been a long journey getting this far and a way longer journey is still ahead of us.
The game is developed around the clock with expected release in the first quarter of 2020.
If you like what you see, please share it, spread the news, 'cause in this wolf-dominated world you can easily lose two roosters, whatever the size of the gun they're carrying ...