How do we construct social meaning when there is no constitutive outside, when the threat is inside us?The game forces us to choose and face the paradox

Watch Dogs summarises how we should understand identity nowadays: with a simple, apparently random, defining line. Borges meets Orwell.

Proteus perfectly depicts the experience of being a sociologist:trying to chart an ever changing territory,the social,that is always weird yet familiar

The game conveys the frightening and solitary task of knowing the unknown and mapping the uncharted. And how easily that can drive us insane.

With a meta-referential inclination so in vogue these days, The Stanley Parable is a game about video game culture and video gamer agency.

Foucault already warned us: prisons exist to administer illegalisms, not to rehabilitate inmates. Batman is simply the incarnation of the panopticon

Amnesia is a tale of how forgetting the past is as hard as remembering it. And memories, no matter how pleasant we think they are, are full of horrors.

Alan Wake is an old metaphor for Enlightenment and its monsters: light dissipates shadows as much as it casts them. Stephen King meets David Lynch.

It's a neo-Foucauldian approach to modern institutions. One without a panopticon but with today's technology of multiple oligoptica: the camera.

To The Moon is both an example of the politics of memory that are to come and how science tends to define reality retrospectively