Its strongest aspect is its fluidity - seen in both when instantaneously cycling between weapons to fight the different enemy types, mixed with movement and the loop itself. Enriched with personality.

A more concept-driven shooter, but it's a concept that's well-realized. It's simple-, charming aesthetics, fast TTK and forgivable hitboxes make it easy to get a grasp of, yet chaotic in high numbers.

Who would've thought that a game gotten from a bargain-bin over a decade ago would still be this enjoyable today. It's basic design doesn't give you much, but what it has is thrilling. Old but gold.

It's janky, claustrophobic and voices are more often distorted than clear - but I'd be hard impressed if this perspective could be pulled off better in the realm of this sub-genre. Don't miss!

For a game built around communication, Among Us displays it's prominence by completely lacking voice chat and instead relying on third-part software - all the while still dominating the scene.

Everything from the music to the intuitiveness of ship handling, repairing and loot management, combat on land or out on the sea - helps to deliver on that piratey feel which is struck so flawlessly.

While suffering from the same issues as the rest in the franchise, the parkour and combat outperform it's many brothers and the city of Paris is highly seductive to this very day, inside and out.

Ironically the most realistic survival game you can get your hands on. Instead of fighting the undead or rivalry, you're fighting for a pair of mittens and tins of sardines. Dreadfully captivating.

Flash's upcoming demise has taken a heavy toll on me, seeing this collection and an ending to the one icon that has celebrated gaming the most is a celebration on it's own and a perfect one at that.

Jam-packed with references, it truly feels like an extended episode of South Park that outside from being a great laugh also more than delivers on gameplay. I only wish it was a little more difficult.