While the content is thin, the core gameplay loop of The Headliners is hilariously set up and polished brightly to where the missteps don’t blemish the full picture.

Bakeru isn’t a bad game per se, it’s just painfully unaware that a platformer of this caliber can be short and sweet without having to try everything in the wheelhouse to garner its popcorn moments.

Despite its flaws, Warm Monkey is an ever-addicting, adrenaline-kicking, lightning fast arcade run of avoiding cars, praying for rain, and beating the heat.

The Bear embraces the “less is more” ethos that helps the indie landscape punch above its weight, and delivers on a story set to stir your emotions with a short but sweet travel through the stars.

Beyond Citadel provides some of the snappiest and satisfying gunplay I’ve played in years surrounded by a lack of cohesiveness, stability, proper decision-making, and questionable artistic choices.

Butcher's Creek's seedy undergrounds, tight combat and tension-filled ambience never overstays its welcome, though it could use some more elbow grease to buff out some of the more problematic areas.

While We Wait Here does a lot within its short runtime, providing a satisfactory experience with all the genres it runs through while suffering from some shoddy voice acting and a soft ending.

The sights, sounds, and subjects of late 21st century Antarctica are worth stumbling through, but fighting the game's floaty, half baked physics never felt satisfying enough to fully enjoy it.

Mouthwashing's mastery of psychological horror, first-rate pacing, and adroit level of writing left me drained, disgusted, and dismal.  I cannot imagine any other emotion that Wrong Organ wanted.

The foundations of what's provided by Ravenswatch did show promise: but the worlds feel empty, there’s little objective variety, the bosses are hit and miss, and the rewards don't feel worth the runs.