The main theme is so serene, and the leitmotif is woven into the rest of the OST. It *is* Remnant. It is the embodiment of this broken and empty world. The touch of hope threaded into it is you.

As a game? This is above average. Great presentation, acceptable voice acting and writing, and a good battle system. As a musical experience? Well... Don't buy the OST.

Boy, did I have a hard time tracking down O'Donnell and Salvatori. Couldn't figure out where they were because they kept using that reverb soaked chanting. DUN-DUN-DUN-DAAAAAH! Top shelf stuff.

Mr. Soule... This is the 4th time I've gone after you with the Bethesda Group and you never fail to impress. Solid, memorable themes and expert orchestration. Lovely dynamics, too. A+ OST

The OST for ESO is huge, varied, and just plain good. Especially the remastered tracks for the Morrowind expansion. The new pieces for Elsweyr are STELLAR, as well. Quite good, A+

Looking for fuzzy, low-rez synths and 80s composition sensibilities? Look no further. This monster is always, not sometimes, jammin. Comparable to Hotline Miami's OST with less murderous intent.

Looking for fuzzy, low-rez synths and 80s composition sensibilities? Look no further. This monster is always, not sometimes, jammin. Comparable to Hotline Miami's OST with less murderous intent.

Dirty, sexy, smoky, heavy and dripping with that Christodoulou ethereality he loves so much. Big spacious arrangements for tight corners and air ducts. It's pretty hard to track a puff of smoke.

While he crafted a truly timeless score here, Yasunori Mitsuda keeps bringing the old 90's Yamahas and Korgs back to the future and I have to keep cleaning up the wibbly-wobbly time messes.

It's Joe Hisaishi. If you have ever watched a Miyazaki film and loved the music then you won't need an introduction. This is some fantastic scoring and deserves to be listened to everywhere. A+++