Evoland drops the player into the era of classic 8-bit action-adventure titles, quickly progressing through the graphical and gameplay evolution of the genre. Short, but interesting.

While not strictly metafictional, The Plan is unique. And short, and free. And very definitely metaphorical.

Crows Crows Crows teamed up with Rick and Morty. So it's surreal. And violent. And definitely metafictional. *May or may not include actual accounting.

Takes the ever-pervasive death mechanic and turns in into a method of puzzle-solving. Clever, cute, and fun.

A silly little game about loading screens. It's free!

Wow. I don't remember Duck Hunt being so weird and violent.

The purpose of the game is to break the game. Or play nice. But seriously, the purpose of the game is to break the game and listen to the narrator weep.

A handcrafted metafictional experience, "Sorry, James" requires the player, security engineer James, to log in for his parent corporation and hack... a love story?

"Why did I make this? This horrible hike up this impossible mountain. I could have made something you would have liked. ... I created this game for a certain kind of person. To hurt them."

Aside from employing numerous immersive metafictional elements, the game itself becomes a character in the world of OneShot. The characters are aware of your presence - and respond to you personally.