At least, that's probably the sort of nomenclature you'd reap from public servers after applying the skills picked up from Team Dynamic marksman Keven "AZK" Larivière for Counter-Strike: Global Offensive's one-hit wonder AWP sniper rifle. As part of Valve's Pro Tip video series, Larivière spills the bullets on the best uses of a sniper's superior oversight, when each of the two zoom levels come most in handy, and how shooting the legs off a careless opponent equates to a high-caliber "tsk-tsk."
The real secret of a successful AWPer, however, probably lies with mastering quickswitch tics in a cacophony of deployment noises, as Larivière's lightspeed weapon swapping both defies and defines efficiency. Its mesmerizing effect probably lulls unaware victims into an easy kill like a rubber-armed spider.
An excitable post on the Counter-Strike blog announces that Counter-Strike: Global Offensive will be free to everyone from today through until Sunday to celebrate the climax of the Electronic Sports World Cup.
"This weekend? CS:GO is free. Download it. Play it. Love it. It’s free. Who knows, we might even put it on sale if you want to keep playing after this weekend," say Valve. They've recently updated their spectator tools with GOTV, an in-game service that should let you check out the pro action happening in Paris this weekend. If you're suitably inspired, you can start climbing the ranks and taking on CS regulars.
If you've never played Counter-Strike before, you won't have to worry too much about running into crack sharpshooters right away. "Ranked players will only meet Free Weekend players skilled enough to climb into their skill group." In the meantime, Valve have put out another Pro Tip video to give you a head start while the client downloads.
The GO TV client for Counter-Strike: Global Offensive will launch before the Electronic Sports World Cup finals kick off on November 1. That's according to a tweet from the official CS:GO twitter feed spotted by PCGamesN. "Everyone will have a chance to watch the show," say Valve. They've posted a screenshot of GO TV in action, which includes some tactical squiggles over a map, suggesting that casters will have the terrible power to draw anything they like live on the internet.
The ESWC is set to conclude next week during the Paris Games Week. Find out more about the tournament on the ESWC site, and grab the full schedule here.
Valve have sat down with Area 51's Semphis and a video camera to talk through some pro strategies for improving your odds in Counter-Strike: Global Offensive. Semphis offers detailed advice about how to fire the AK-47 at different ranges, and shows some of his favourite grenade arcs. Advice like "aim above the third strut to get a smoke grenade to the Library" is exactly the sort of precise instruction that'll come in handy the next time you find yourself rushing around that corner on de_inferno.
This is the first in a series of Pro Tip videos that Valve plan to film as they travel around visiting teams. Valve seem to be warming to the idea of producing films. They announced that they're working on a Dota 2 e-sports documentary earlier in the year. It'd be great to see some Dota 2 tips videos from Valve as well, but who knows what they'll do next.
Valve updated Counter-Strike: Global Offensive today with two additional maps and a refit of the Classic Competitive matchmaking system. Vertigo, a classic Defusal map, returns with a Source facelift to its multi-leveled mayhem and shadowy camping nest corners, while Monastery chills things out with an Arms Race among the snowy promenades of a windswept temple.
Classic Competitive matchmaking now involves queuing up until 10 player matches are found before starting a game. Group queuing and matchmaking with friends are also possible through a "Play with Friends" option. Head over to Global Offensive's website for a short FAQ on the new matchmaking.
Epic Games frontman Cliff Bleszinski conducted a crowdsourced interview with Reddit over the weekend in the popular "Ask Me Anything" subreddit. A number of noteworthy responses cropped up regarding Bleszinski's thoughts on revisiting older IPs, modding's explosive popularity, and (though very definitely not announcing this) an open-world reboot of Unreal, among other answers. Check out a few choice quotes below:
On the potential for a Jazz Jackrabbit reboot:
"Not any time soon. We're (fortunate) slaves to our success here at Epic with great franchises like Gears of War and Infinity Blade. It seems like a risky bet: Could we see a 2D platform game return and really move that many units, or would it just be a cult hit?
"We make games as a labor of love, but we also try to weigh the choice of what we build based upon a solid understanding of the business. How could Jazz exist and flourish in this market? I don't know, honestly. One idea that George Broussard and I discussed years ago was to bring back Jazz as an FPS, Jumping Flash style. But yeah, we'll do that in our 'spare' time."
When are we getting a return to the PC FPS glory that was Unreal?
"It seems as if you're asking about two entirely different games. The first Unreal was more of a single player exploratory experience whereas Unreal Tournament was a multiplayer focused game with a 'ladder' for the single player. Both have their strengths and weaknesses.
"I was quoted recently on a Fortnite panel about the first Unreal and what a reboot might look like. Having really grown into a big Bethesda fan lately (Skyrim rocked my world), I couldn't help but wonder what a reboot of Unreal would be like if it was more 'SciFi-Rim.' Sure, there would be shooting involved, but exploration would almost be more important. Get back to that sense of wonder that the first game had. (Caves and castles and crashed ships are basically your dungeon instances, whereas the 'overworld' is less intense.) Put it on a high-end PC, and prepare yourself for amazing visuals never before seen in real time.
"As far as a new UT, it's hard to say. Shooters and their sequels are a tricky beast. Often you wind up upsetting your core whenever you make a sequel because sometimes you change things the users didn't want changed, or the users are so very in love with their memory of the original game that there's nothing you can do to live up to the first game. This happened with Counter-Strike: Source, Quake 2, Unreal Tournament 2003, and heck, even Halo 2. All that said, I do personally believe that Unreal Tournament 3 suffered a bit from an identity crisis in regards to whether or not it was a PC or console game.
"So if, when? I don't know, honestly. We're understaffed right now for all of the projects we've got going on, so I can't say if or when it may happen. I do love that IP, and I do hope to return to Na Pali some day.
"P.S.: The delta between the current crop of consoles and a high end PC is incredibly obvious now. Looking at Hawken at PAX versus the other console games and this difference is startling. FYI, Fortnite is a PC-first game."
If there's one current trend (DLC, pre-order exclusives, etc.) you could change in the game industry, what would it be and why?
"I'd make sure there's still a place for survival-horror games to exist and floursh. There have been a few that have come back (Amnesia comes to mind), but by and large the genre has almost vanished. Fatal Frame 2 and Silent Hill 2 are two of my favorite games of all time.
"I believe that one of the main factors for this is the blockbuster-hit driven nature of the business that we have in a disc-based market. You're either Call of Duty, Skyrim, or Gears, or it seems like you're a 'campaign rental' or a used game. When we get to a digitally delivered world, I'd wager that there will be room for, say, a 20 dollar short and fun and scary experience to emerge."
What do you think of DayZ, and as a successful game designer, do you consider the success of games like DayZ, Minecraft, and Kerbal Space Program changing the way you think about gamers and how to design for them?
"I haven't had a chance to play DayZ myself, but I've seen the viral videos. That mod is a prime example of my theory stating, 'Bugs notwithstanding, there's a direct correlation between how cool your game is and how many interesting YouTube videos it can yield.' I loved the 'Never trust anyone in DayZ, especially if they have a helicopter' video. Pure gold.
"So, put the survival and social aspects aside for a second and step back and consider that we're in a world where a mod like that can blow up thanks to the connected nature of the world in which we live. A handful of guys can now have a great idea for the next big thing and put it out and it can explode seemingly overnight! We had seen this before with mods like Counter-Strike, but it's only become more and more frequent lately.
"My wife and I were very hooked on Minecraft for months. It's brilliant, and I have a lot of respect for Notch and the crew at Mojang, and I find it thrilling that unique games like the aforementioned can flourish now."
You have unlimited funds and processing power. What film/novel/comic book would you make into a game?
I’ve determined that Counter-Strike: Global Offensive is from another dimension. It’s a game that doesn’t need to exist. PC gamers (thousands of them, according to SteamGraph) are perfectly served by Counter-Strike: Source and CS 1.6, content with the decade-something of tuning and attention those games have received.
But here’s GO: full of doppelganger Desert Eagles and de_dust déjà vu, quantum-leaping from some parallel timeline whose game industry briefly intersected with ours. Playing it is like running into a college crush at the supermarket. You immediately notice differences. Oh, you’re married? Your hair looks different. But that experience of reconnecting is pleasant—they’re mostly still the person you admired during geology.
In other words, GO’s familiarity helps and hurts. Minor deviations from the CS you might’ve known or loved are easy to identify. The MP5 is now the MP7, but it lacks the same clicky report and underdoggy “this is all I can afford, please don’t kill me” personality. The TMP is replaced by the MP9. Ragdoll physics don’t persist after death, curiously. You can’t attach a suppressor to the M4 for some reason.
I’m not particularly bothered by this stuff; I don’t need the MP5 reproduced precisely as it existed in 2004 or 2000 to live a fulfilling life. What does bug me are some small but significant changes to firing feedback. When you shoot someone in GO, they don’t wince. There’s a sneeze of blood, and audio that conveys that you’re hitting them if you’re within a certain range. But they don't do this, and I don’t understand the decision to omit a flinch animation on character models.
Especially at long range, it takes a little more effort and squinting than it should to tell if I’m hitting someone or not. And counterintuitively, bullet tracers, new in this version of CS, are an unreliable source of feedback. They seem to trail the path of your actual bullet by a few microseconds. With rifles and SMGs, my eyes would wander away from my enemy and crosshairs--what I should be watching--and try to interpret where my bullets were falling based on the slightly-delayed, streaky particle effects. The small upside to tracers is that they mitigate camping a bit.
de_dust2.0 The changes made to existing maps are clever and careful, though. Cracked glass is more opaque, making it modestly more difficult to go on a sniping rampage in areas like cs_office’s main hall. Adding a stairway to the bottom of de_dust makes the route more viable for Terrorists while retaining that area’s purpose of a bottleneck; moving the B bombsite closer to the center of the map discourages CTs from hiding deep in their spawn point.
Considering these smart adjustments to classic maps, it’s puzzling that GO’s “new” mode and the new maps bundled with it are so gosh-darn mediocre. Half of GO’s 16 total maps are new, but they’re all locked to the Arms Race (a rebrand of the famous community-created mod GunGame) and Demolition (GunGame sans insta-respawn, plus bomb defusal) modes.
After 50 hours logged, I’ve stopped playing these modes completely. In the shadow of Valve’s talent for mode design (Scavenge in Left 4 Dead 2, Payload in Team Fortress 2), Arms Race and Demolition are safe, unimaginative, and most of us have played their predecessor. I would’ve loved to see VIP scenarios revisited. It presents a ton of design headaches (if your VIP isn’t good, everyone hates them forever), but it’s an experience that’s absent from modern FPSes.
But yeah, the new maps. Aesthetically, they’re likeable. de_bank mirrors the indulgence of fighting around Burger Town in Modern Warfare. de_lake and de_safehouse let you duel inside a multi-storied cottage and on its surrounding lawn. But tactically, they’re trivial compared to their parent maps. Most of them are compact (de_shorttrain is literally an amputated de_train) and designed to support instant-action, meat-grinder gameplay that reminds me more of Call of Duty.
What I’m lamenting, I guess, is that Valve and Hidden Path missed an opportunity to add a new classic map to the lineup--something that could’ve joined the legendary rotation of Office, Italy, Dust, Dust2, Aztec, Inferno, Nuke and Train. They could’ve tidied-up lesser-known but beloved community maps like cs_estate or cs_crackhouse. Instead, the eight we get feel more like paintball arenas--too fast, relatively fun, but frivolous. They lack the personality, purpose, or tactical complexity of their predecessors.
Pure Even with these questionable adjustments and shrug-inspiring new maps, GO produces quintessential Counter-Strike moments. Being the spear-tip of a rush with a P90. Being the last person on your team and feeling the glare of your teammates as you try to win the round. The feeling of each kill you make increasing the safety of your teammates. Knife fighting for honor. Accidentally blinding your team with a misguided flashbang and getting everyone killed. Building a rivalry with an AWPer over the course of a match. All of that is preserved.
GO is a $15 ticket to reconnect with those sensations; it retains CS’ spirit as a competitive game driven by careful tactics, cooperation, and individual heroics alike. It's still a game about positioning, timing, and, say, thinking critically about how much footstep noise you're generating. GO preserves CS' purity in that regard--it remains one of the only modern shooters without unlockable content, ironsights, unlockables, or an emphasis on things like secondary firing modes.
Atop that, there are some touches that rejuvenate the game we’ve been playing for 12 years. The new scoreboard is terrific. There’s both a server browser and a party system, if you prefer that. There’s a slider for scaling the UI. New players can practice against bots offline. And although a few of the weapon models are unambitious (the Nova and sawed-off shotguns look like drug store toys; the AWP and the Scout resemble one another a little too closely), I love that there’s multiple sets of character models for both teams--cs_office and cs_italy’s Terrorists and Counter-Terrorists look and sound completely different.
I expect you’ll like most of the new weapons, too: the PP-Bizon is a cheap, 64-shot SMG. The MAG-7 shotgun is slow-firing (and slow-reloading, as it’s magazine-fed) but absolutely deadly. I like that heavy machine guns are no longer total novelties, and are viable in a few situations. The Molotov and incendiary grenade fold into Counter-Strike’s core concept (iterating on tactics between rounds) beautifully because they’re throwable walls of fire that can deaden the momentum of successful enemy tactics.
In summary: go, go, go. I’m hopeful that the competitive community will fill in the map and mode gaps left by Valve and Hidden Path. Zombie Mod is a good start.
The Counter-Strike: Global Offensive cinematic is just under four minutes long. It's easy to forget how much time goes into making these short teaser videos, so Valve have released a behind-the-scenes montage showing mo-cap actors performing military manoeuvres on a mat in a warehouse, a full orchestra recording the backing track and tiny details being tweaked in the Source Filmmaker. The video editing tools Valve released recently really are the same as the ones they use in-house. I can't wait to see some of the community entries for this year's Saxxy Awards.