To celebrate Doom's 30th birthday we had a discussion about the (understandably) vaunted FPS's influence, and what games would look like without it. It seems particularly interesting today in light of the recent resurgence of Doom-style shooters, often known as "boomer shooters" because of their deliberately retro style and singular focus on shootin' stuff and bein' cool, much like Doom. And then the obvious solution was to just ask the devs making these games about what they think of Doom and its impact on their work.

I reached out to developers who've worked on Turbo Overkill, Prodeus, Forgive Me Father (and Forgive Me Father 2) and almost the whole stable working at New Blood Interactive to ask them some annoyingly specific questions about Doom in the hope of getting the sort of idiosyncratic answers you get from interesting devs - and they delivered! In fact, they delivered in such quantity and quality that I've elected to just present their answers to you, rather than try to weave them together as if we were all sitting together at dinner exchanging bon mots, both for clarity and to include as much as possible in their own words. It's a fascinating and entertaining collection of thoughts.

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Gaze down the sights of today's Advent Calendar window and you'll find time is a tricksy, malleable concept that's all slow-motion power slides and extraordinary grenade explosions. Just mind the gibs on the floor there. Wouldn't want to stain your boots.

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The first mod I ever downloaded was for Skyrim. It replaced NPCs with Shrek. The second was a texture pack for Dark Souls: Remastered. I believe that these two examples form a representative sample of what mods are: quality of life improvements, and Shrek. Doom’s modding community, known by its file package WAD, is the Ur modding community. Thanks to John Carmack’s lightning-fast engine, creating levels and content for Doom has been accessible for 30 years. WAD devs have gone on to become fully-fledged game designers, and some WADs have been released commercially. The breadth and depth of this community formed the bedrock of game developers. And yet even with this pedigree, MyHouse.WAD is a miracle.

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Ultrawide monitors often come at a premium, but right now you can pick up a 34-inch gaming monitor for just $199 - just in time for the winter holidays where you'll have a chance to snuggle up and play some video games!

That's a phenomenally good price for a 3440x1440 LG model with a 100Hz refresh rate and FreeSync/G-Sync Compatible support for gaming. The monitor is even based around an IPS panel that covers 99% of the sRGB gamut with wide viewing angles and good colour accuracy, making it a good choice for content creation too.

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TeamGroup makes some of the best value RAM and SSDs on the market, and today we're looking at the latter - the MP34, a PCIe 3.0 SSD available in a massive 4TB size for just $151.99 at Newegg - down from a usual price of $199.99. This is an outstanding value for a high-speed NVMe drive that is perfect for huge game and media collections.

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"I was looking up our Wikipedia page to see what happened this year," says Nightdive Studios' CEO Stephen Kick as we sit down to chat. That might seem like an odd thing to say about your own company's activities. But when you look at what Nightdive have done in the last twelve months, it's less surprising. In March, Nightdive announced they were being acquired by Atari in a deal worth $10 million. In May, they released their long-anticipated remake of System Shock, in development for eight years. July brought Rise Of The Triad: Ludicrous Edition, while August saw the release of Quake 2 Remastered, and a remaster of Turok 3 arrived at the end of November. Nightdive are currently working on an overhaul of Star Wars: Dark Forces, due out in 2024.

In short, it's been a busy year for the remastering maestros. In the wider context of 2023, which has been simultaneously a banner games and a deeply worrying year for the people making them, I wanted to know how Nightdive view the last twelve months, and what the audience response to these projects means for the studio's future.

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This week, the Electronic Wireless Show podcast remembers the recently deceased E3 games show. Unfortunately, all that we can really recall is the occasional watch party, and maybe Keanu Reeves was there at one point? Was mostly just trailers, let’s be honest. Thus we also consider the events that replace it (with a side-chat on this year’s Game Awards), and how we’d design our own glittering showcase o' games.

We also share what we’ve been playing this week, make a single non-PC game recommendation (that also represents the strangest coincidence in EWS history), and take another look at the Lenovo Legion Go. Last time I talk about the Lenovo Legion Go for a while, promise.

You can listen above, or on on Spotify, iTunes, Stitcher, or Pocket Casts. You can find the RSS feed here, and you can discuss the episode on our Discord channel, which has a dedicated room for podcast chat.

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Video game openings have always been a source of fascination for me. As a player, you're excited by the prospect of the game to come - the sights you'll see, the challenges you'll face - and first impressions can make or break your entire perception of what a game is versus the one you had stored in your head before switching it on. For video game creators, however, a new beginning is often racked with questions. What, exactly, do you choose to show players first? How will you introduce them to something they've never seen before? And if that game is successful, how do you keep reinventing that first impression across what could be several decades?

In revisiting every mainline Doom game to celebrate its 30th anniversary this month, it's clear that even id's iconic shooter has wrestled with how to answer these question, and the ways it's tried to reinvent itself over the years paints a captivating portrait of a series trying to move with the times. Nowhere is this more apparent than in its opening levels. Played in close succession, crushing 30 years into not even quite three hours, what emerges isn't just the evolution of one of the all-time great PC games, but also a potted history of the FPS. So join me as we chart Doom's rise, fall and rebirth through the lens of its first stages.

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We're over halfway through this year's RPS Advent Calendar now, and spoilers, but you can't leave now without seeing it through to the end. We've walled up the Treehouse and everything so you can't escape.

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Confession time, readers. Before a couple of weeks ago, I had never played the original Doom. As a child, my family didn't have much money and I didn't get my first laptop until I was 16. Thus, I missed out on a lot of what are now considered PC staples. With dread, I'm often met with the accursed exclamation, "You've not played insert game> before?" followed by a good dose of judgment. But what do you do when you need to play through a backlog of games all while keeping up-to-date with new releases for work? With games now stretching out at 100+ hours apiece, where is the time for old classics like Doom?

For me, approaching Doom was cathartic. Playing a game that's older than myself was certainly an experience, but I was shocked at how well it holds up.

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