After fourteen months in early access, Dead Cells officially launched today. We declared the roguelikelike platformer our favourite game of 2017 even in its early access state, and our Brendan’s Dead Cells review yesterday will tell you it’s now even sharper. A good video game. But if you’ve not been persuaded by our baby-and-a-half of squawking, instead waiting for the full launch, today’s your lucky day. Developers Motion Twin aren’t done-done with it, mind, already working on new free content.
After 30-odd years of pillaging fantasy realms I'm pretty sick of video game loot, but I do love poring over the vicious trinkets I've harvested from the tissues of Dead Cells, Motion Twin's superb, handsome blend of Spelunky and Metroidvania. There they dangle in the jail where you begin each run: a galaxy of smoky coloured icons, sealed in jars that are chained to the ceiling. Bounce into them - one of my personal rituals, before I venture into the dungeon beyond - and the jars chime together ever so gently in a way that makes my skin crawl. I'm not sure the resemblance to a mad scientist's anatomy collection is deliberate, but it's compelling all the same. How better to capture the morbidity of escaping to a world of make-believe only to shake it down for swords and tat? You can almost smell the formalin.
As the name suggests, Dead Cells is rather on the macabre side. An action-platformer with permadeath, randomised rewards and procedurally generated stages, it takes place on an island overrun by undead creatures and casts you as the worst critter of the lot - a parasitic snotball that survives by reanimating the bodies of beheaded criminals. Die in your efforts to escape, and the parasite squidges back through the island's plumbing to the prison, where another corpse is always, somehow, waiting. Fortunately, once plugged into a torso the character is a formidable martial artist and a delight to control - able to perform brisk three-hit combos, double-jump, block or parry, slither around ledges, kick down doors to stun nearby foes and slam earthwards mid-jump to pulverise anything beneath.
The game's swish animations and skin-bursting effects are its immediate draw - Klei's Mark of the Ninja with a big dollop of Diablo 3 and Mortal Kombat. Besides looking tremendous, it succeeds in being thoroughly readable for all the quantity of bodies, gibs and damage numerals on show, helped no end by sound design that excels at conveying nuances like the difference between a normal and a critical hit. Also captivating: the level art, which combines the sunset palette of a Mike Mignola comic with the filigreed touches of vintage Castlevania. One stage is a hellish clocktower, cogs spinning inside walls and fragments of masonry drifting against a burning cloudscape. Another is a mildewed Siren-esque village on stilts above a river of gore, lanterns gleaming from windows in the backdrop.
Dead Cells gets into your nervous system like a wonderful toxin. If it wasn t so fast-paced, you could almost feel the electro-chemical effects pulsing through your body, from hand to eye to screen to brain, as your panicked flurry of knife strikes eviscerates another sewer worm. The game began as a roguevania , and it was strong even in its early days. But the final version has seen every edge of this Castlevania homage sharpened to the point of needing a big cork on top. The verbs hack and slash have rarely been put to better use.
Dead Cells made it into our list of the best metroidvania games alongside the likes of Cave Story + and Hollow Knight even though it was still in Early Access, and has only improved since then. To celebrate its impending release from the dungeon of lengthy public betas, it's got a cool new animated trailer that sums up its core loop of killing, dying, and trying again with some new gear.
When Shaun first played it last year, here's how he summed up the unusual hook of Dead Cells: "A very excellent and important touch is that you play as a man with no head—a ripe roleplaying opportunity. This headless fellow must collect cells, for some reason, and is doomed to repeatedly do so."
Then the bus EXPLODED. Hello, this is the RPS podcast, the Electronic Wireless Show, and we are here to talk about the best game openings and intros. Whether they are cold opens or slow burns, we love a good first impression. (more…)
It's Indie Mega Week at the Humble Store right now, which - as you may have gleaned from the name - is a big celebration of some of the best indie games around, with the range seeing discounts of up to 90 per cent for the time being.
There are pages of stuff on offer in the Indie Mega Week sale range, ranging from smaller and more obscure titles to some of the biggest indie games released in recent years, and some soundtracks and DLC packs are even thrown in for good measure.
Some of the most notable games on offer include 11-bit Studios' recent suffer-sim Frostpunk, which is down to 21.24 / $25.49, current Twitch favourite House Flipper for 13.16 / $16.99, the unrelentingly addictive Dead Cells for 17.59 / $19.99, and the closet thing we'll get to a Left 4 Dead 3 anytime soon, Warhammer: Vermintide 2 for 15.40 / $20.09.
It's been a little over a year since Dead Cells, "the old school Castlevania gone roguelike" as Shaun described it, debuted on Steam Early Access. It's come a long way since then, with a new biome and monsters, daily challenges and abilities, and a new level and boss, and today developer Motion Twin announced that it will finally leave its pre-release state behind and go into full release on August 7.
"We’re super stoked to see people play Dead Cells 1.0," the devs said. "However, the journey doesn’t end there as we’re still working on Dead Cells to bring you new content, as promised before, and are dedicated to improve mod support."
There's also a little note that while the release date is definitive, it is not valid "in case of fire, flood, or zombie invasion." Talk about hedging your bets.
Shaun took Dead Cells for a spin shortly after it hit Early Access last year, and even at that stage he found it impressive. "While there was little in Dead Cells that surprised me, there was a lot that compelled me to keep playing it," he wrote. "It’s as moreish and punishing as the sub-genre demands, but the small evidences of polish and inspiration are what sets it apart from the rest of the pack."
The standard digital edition of Dead Cells goes for $25/£21/€25, on Steam, GOG, and the Humble Store, and there's also be a boxed edition available, with a concept art book and soundtrack, for preorder for $35 or your regional equivalent.