As you can see today we have another extensive topic :) Let’s just jump straight into it :)



One of the early design challenges during the development of Soulblight was creating a context for all the action the player would have to take in order express his characters. To solve that we’ve decided to add a survival aspect to our game. We’ve done it by allowing the character to be a subject of various conditions. To avoid confusion and allow the player to easily compare buffs he receives we’ve created a special state called synergy. What it does is it represents the character’s overall well being (both physical and psychic) and greatly increases damage and resistance. To systemize the mechanics even further we’ve also divided the conditions into 4 categories:

• Positive Conditions - Simple buffs meant to make you stronger by temporarily increasing the synergy. Example: Rage
  
• Negative Conditions -Simple debuffs that won’t kill you but make you weaker by decreasing your synergy. Example: Hunger
  
• Injuries - Serious wounds. With every one of these you get closer and closer to death. You can sustain up to 4 Injuries at the same time. Example: Bleeding wound
  
• Taints - The personality traits you acquire during your journey besides giving you a passive synergy buff also unlock a new mechanics. Example: Greed

Now the fun part starts when the different conditions start to intertwine. Let’s look at hunger example:



The hunger builds up with the time you play. It starts as a small harmless debuf but can build up to enormous proportion. That’s why It is important to eat regularly especially when you have a concussion injury (it will speed up the healing process). Saving candies for later might be a good idea but their nutritional value isn’t too high. This means that a piece of candy will nullify the hunger just for a short time. It is good thing to have one of these when hunger pins you down before the boss fight. When you run out of food and you’re very hungry you might also consider eating some bad berries. They will give you a food poisoning but sometimes it is better to suffer through it then allow for the hunger to build up even more. If you bump into this dilemma often it might be worth going with Glutton taint. One of it’s secondary mechanics is food poisoning immunity.

As you can see each mechanics condition is pretty simple. Put them tougher though and a deep gameplay full of interesting choices emerges :)

Cya Around,
Kuba

P.S Don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

As you can see today we have another extensive topic :) Let’s just jump straight into it :)



One of the early design challenges during the development of Soulblight was creating a context for all the action the player would have to take in order express his characters. To solve that we’ve decided to add a survival aspect to our game. We’ve done it by allowing the character to be a subject of various conditions. To avoid confusion and allow the player to easily compare buffs he receives we’ve created a special state called synergy. What it does is it represents the character’s overall well being (both physical and psychic) and greatly increases damage and resistance. To systemize the mechanics even further we’ve also divided the conditions into 4 categories:

• Positive Conditions - Simple buffs meant to make you stronger by temporarily increasing the synergy. Example: Rage
  
• Negative Conditions -Simple debuffs that won’t kill you but make you weaker by decreasing your synergy. Example: Hunger
  
• Injuries - Serious wounds. With every one of these you get closer and closer to death. You can sustain up to 4 Injuries at the same time. Example: Bleeding wound
  
• Taints - The personality traits you acquire during your journey besides giving you a passive synergy buff also unlock a new mechanics. Example: Greed

Now the fun part starts when the different conditions start to intertwine. Let’s look at hunger example:



The hunger builds up with the time you play. It starts as a small harmless debuf but can build up to enormous proportion. That’s why It is important to eat regularly especially when you have a concussion injury (it will speed up the healing process). Saving candies for later might be a good idea but their nutritional value isn’t too high. This means that a piece of candy will nullify the hunger just for a short time. It is good thing to have one of these when hunger pins you down before the boss fight. When you run out of food and you’re very hungry you might also consider eating some bad berries. They will give you a food poisoning but sometimes it is better to suffer through it then allow for the hunger to build up even more. If you bump into this dilemma often it might be worth going with Glutton taint. One of it’s secondary mechanics is food poisoning immunity.

As you can see each mechanics condition is pretty simple. Put them tougher though and a deep gameplay full of interesting choices emerges :)

Cya Around,
Kuba

P.S Don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

Top-down perspective has multiple advantages. It allows to represent battlefield precisely, players can clearly see obstacles arrangement and distance from enemies. This view emphasizes tactical oriented combat and supports sneaking mechanics.

Despite all that, top-down is rarely used in video games. The reason is a difficulty in presenting the in-game world. There are many objects that don’t look presentable in top-down. Their geometry doesn’t allow to give us much chance to properly display them. In front view a simple wall is like a canvas on which we literally can put an intriguing painting on, but in top-down - it comes out as a line. To make things even more difficult there is also an issue with a lack of depth.

From the very beginning we were dedicated to solving those problems. We didn’t want to give up on all the benefits of top-down just because it was hard. We subconsciously started to design assets with interesting appearance in our perspective. Bridges rather than gates. Pits of pipes in place of columns. Flowery shrubs instead of walls. All of this led us to the unique art style of our game.

There still was a problem with sense of depth thought. We solved it with parallaxing effect you’ve all seen on backgrounds in platform games. Assets are constructed from multiple layers which are slightly displaced depending of the camera position. Combined together they create an illusion of convexity like on the gif below

Hope you enjoyed our update! If you have any questions feel free to ask them in a comment section below :)

Cya Around,
Kuba

P.S Don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

Top-down perspective has multiple advantages. It allows to represent battlefield precisely, players can clearly see obstacles arrangement and distance from enemies. This view emphasizes tactical oriented combat and supports sneaking mechanics.

Despite all that, top-down is rarely used in video games. The reason is a difficulty in presenting the in-game world. There are many objects that don’t look presentable in top-down. Their geometry doesn’t allow to give us much chance to properly display them. In front view a simple wall is like a canvas on which we literally can put an intriguing painting on, but in top-down - it comes out as a line. To make things even more difficult there is also an issue with a lack of depth.

From the very beginning we were dedicated to solving those problems. We didn’t want to give up on all the benefits of top-down just because it was hard. We subconsciously started to design assets with interesting appearance in our perspective. Bridges rather than gates. Pits of pipes in place of columns. Flowery shrubs instead of walls. All of this led us to the unique art style of our game.

There still was a problem with sense of depth thought. We solved it with parallaxing effect you’ve all seen on backgrounds in platform games. Assets are constructed from multiple layers which are slightly displaced depending of the camera position. Combined together they create an illusion of convexity like on the gif below

Hope you enjoyed our update! If you have any questions feel free to ask them in a comment section below :)

Cya Around,
Kuba

P.S Don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

What we’re often asked is:

“Why did you choose pure top-down perspective instead of for example an isometric view?”

Answer to this question is quite complex :) But here's a short take on the thought process behind our decision:

Creating a game in which you can express states of character psyche requires designing many different interactions and mechanic through which you can do it. To be able to do everything we want in isometric view we basically would have to create everything in 3D. Unfortunately this takes much more time. The level of gameplay depth we strived for would be very hard to achieve in 3D by the small team like ours. We knew it would most likely mean that we have to either simplify the game or compromise the quality of our art.

“If not isometric, then how about side-view”

The problem here was a combat mechanic we’ve chosen for Soulblight. We didn’t want for our game to be about button mashing. What we wanted is for the player to always think one step ahead while fighting. Because battlefield positioning was supposed to be a big part of tactics we felt that “Platformer” view limited a bit too much what we could do.

And so we’ve decided to go with a top-down view. It is the best way to present to player situation on the battlefield. On top of that top-down perspective works well with sneaking mechanic that we wanted to include in the game. This didn’t mean there were no challenges ahead. On a contrary there are reasons why this perspective isn’t a popular choice among the developers. We had a few ideas how to tackle those problems though. What were they and how we solved them? Well... this is a topic for another update :)

Cya Around,
Kuba

P.S Don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

What we’re often asked is:

“Why did you choose pure top-down perspective instead of for example an isometric view?”

Answer to this question is quite complex :) But here's a short take on the thought process behind our decision:

Creating a game in which you can express states of character psyche requires designing many different interactions and mechanic through which you can do it. To be able to do everything we want in isometric view we basically would have to create everything in 3D. Unfortunately this takes much more time. The level of gameplay depth we strived for would be very hard to achieve in 3D by the small team like ours. We knew it would most likely mean that we have to either simplify the game or compromise the quality of our art.

“If not isometric, then how about side-view”

The problem here was a combat mechanic we’ve chosen for Soulblight. We didn’t want for our game to be about button mashing. What we wanted is for the player to always think one step ahead while fighting. Because battlefield positioning was supposed to be a big part of tactics we felt that “Platformer” view limited a bit too much what we could do.

And so we’ve decided to go with a top-down view. It is the best way to present to player situation on the battlefield. On top of that top-down perspective works well with sneaking mechanic that we wanted to include in the game. This didn’t mean there were no challenges ahead. On a contrary there are reasons why this perspective isn’t a popular choice among the developers. We had a few ideas how to tackle those problems though. What were they and how we solved them? Well... this is a topic for another update :)

Cya Around,
Kuba

P.S Don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

After an update on combat it’s time for the one about sneaking. We design stealth in Soulblight to be complementary to fighting. This means that when properly used in combination with fighting it will give you a huge advantage.

Let’s start with how exactly Stealth mode works. By holding a button you enter the sneaking mode. What it does is it lowers your speed of movement making your steps silent and at the same time it enables you to see the enemies cones of vision. Now all you need to do is get behind your enemy and snap its neck.

The challenge starts when you bump into squeaking terrain like old wooden footbridge - here every step will make a noise. To mitigate that you will have to move even slower with gentle use of the analog stick.

To upgrade your sneaking capabilities you can use special equipment that increases your speed or allows you to ignore the loud terrain. There are also the Chrono Inhibitors capable of bending the time itself slowing it down for a moment when you most need it.

That would be all for today - hope you like it. If you have any questions feel free to ask them in the comments section and don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

Cya Around,
Kuba

After an update on combat it’s time for the one about sneaking. We design stealth in Soulblight to be complementary to fighting. This means that when properly used in combination with fighting it will give you a huge advantage.

Let’s start with how exactly Stealth mode works. By holding a button you enter the sneaking mode. What it does is it lowers your speed of movement making your steps silent and at the same time it enables you to see the enemies cones of vision. Now all you need to do is get behind your enemy and snap its neck.

The challenge starts when you bump into squeaking terrain like old wooden footbridge - here every step will make a noise. To mitigate that you will have to move even slower with gentle use of the analog stick.

To upgrade your sneaking capabilities you can use special equipment that increases your speed or allows you to ignore the loud terrain. There are also the Chrono Inhibitors capable of bending the time itself slowing it down for a moment when you most need it.

That would be all for today - hope you like it. If you have any questions feel free to ask them in the comments section and don't forget to visit our kickstarter page: https://www.kickstarter.com/projects/1752350052/soulblight

Cya Around,
Kuba

http://www.pcgamer.com/dd-inspired-roguelike-soulblight-is-all-about-role-playing/

I especially like how elegant they've described our Tainting Mechanics :)

"...In a nutshell, taints are like stat buffs nested in short stories and play styles rather than skill trees..."

Here's the link to the Kickstarter campaign itself in case you missed it:
https://www.kickstarter.com/projects/1752350052/soulblight/description

Cya around :)
Kuba

http://www.pcgamer.com/dd-inspired-roguelike-soulblight-is-all-about-role-playing/

I especially like how elegant they've described our Tainting Mechanics :)

"...In a nutshell, taints are like stat buffs nested in short stories and play styles rather than skill trees..."

Here's the link to the Kickstarter campaign itself in case you missed it:
https://www.kickstarter.com/projects/1752350052/soulblight/description

Cya around :)
Kuba