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.You won’t last more than twenty minutes playing this game! (Literally. The game is that long.)

Another day on Line B for Juan Tellechea.

In Mosquiturros, you step into the boots of a precariously employed fumigator who is sent to deal with a mosquiturro invasion on Line B.

This is a short, experimental experience (15–20 minutes), focused on atmosphere, humor, and absurdity rather than precision or balanced combat. You must make your way through the mosquiturros while interacting with peculiar NPCs on Line B of the Buenos Aires subway.

The game features a short narrative introduction, simple combat mechanics, minimal progression, and a horribly programmed final boss fight.

Features? Uh… yeah, sure, let’s see what we can do:

• Humble, independent, homemade, no-budget.

• The worst combat system of the last 50 years.

• Step into the shoes of the worst-paid fumigator in all of Buenos Aires.

• Varied drawings, with different styles.

• Multiple pop culture references packed into less than 20 minutes.

• Dialogues and interactions with iconic (and not-so-iconic) figures.

• Animations.

• Does it have a tutorial? Yes… but also no. You know how this goes.

• More linear than the subway line itself.

• Inspired by a particularly itchy summer.

• Short experience (15–20 minutes).

• 2D side-scrolling action gameplay.

• Absurd and surreal humor.

• Play with keyboard and mouse, keyboard only, or controller.

• NPC interactions and bizarre dialogues.

• Boss fight and post-credits scenes.

• Original visual style inspired by the Buenos Aires subway.

• Languages: Spanish and English

• Gratarola

Electronic game displayed on a screen. Play in moderation.

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Mosquiturros contains mild cartoon violence, crude language, drug and alcohol references, and surreal depictions of disturbing or uncomfortable situations. Some characters and dialogues may include vulgar expressions. The game also contains references to substance use and scenes that some players may find strange or unsettling, presented in a fictional and absurd context.