Eurogamer


The boxed PC special edition of acclaimed 2010 indie platformer Super Meat Boy lands on UK shelves on 26th August, courtesy of publisher Lace Mamba Global.


You'll have two separate versions to choose from: the Ultra Edition (RRP: £19.99) or the Ultra Rare Edition (RRP: £24.99).


The Ultra Edition includes the following content:

  • 40 page comic/sketch book
  • Poster
  • Digital soundtrack
  • Secret bonus content
  • Over 350 levels
  • Retro Warp Zones
  • 16 unlockable characters
  • Play as Alien Hominid
  • Full level editor


The Ultra Rare Edition throws in a Super Meat Boy T-shirt as well.


If you're still on the fence regarding Team Meat's fiendish creation, maybe our Super Meat Boy review will encourage you to do the right thing and open your wallet.

Video:

Eurogamer


The two-man team behind ruthless indie jumper Super Meat Boy has begun its next title, and it sounds like a far cry from the conventional platforming of its break-out hit.


Team Meat co-founders Edmund McMillen and Tommy Refenes confirmed to Eurogamer that work is underway on an "ambitious", "fun", "more experimental" project, though were coy on more precise details.


"I think it's safe to say that Meat Boy was a very straightforward game. We didn't really reach outside the box in terms of design," explained McMillen. "I think with the new game we definitely get a bit more experimental with the design.


"I think it's going to be more ambitious design-wise and it's going to be more of a challenge for us. It's a bigger project. It's going to be fun and that's exactly why we're into it. It's going to be pretty fresh."


Earlier this year the pair confirmed they were approved 3DS developers, though it seems like the platform is not currently foremost in its plans.


Though a 3DS port of Super Meat Boy was considered, that's been ditched in favour of the new game. Indeed, they currently don't even have a dev kit for the system.


"We said we're approved as 3DS developers," said McMillen. "We don't have dev kits though – not many people do. At least that's what we heard. Who knows, maybe they're lying to us.


"We've asked about when we could get one and they said there's stock coming, but we probably shouldn't even talk about this.


"We were originally kind of into porting Meat Boy to it, but the game we're working on now is very exciting and it probably won't work on the 3DS. I don't know if it will or not, or if it would be a good idea for it.


"We're going to approach the next game in the same way we did Meat Boy. We're just going to make a game and if it works on whatever system it works on then good, but we're not designing this game with a specific system in mind."


Team Meat isn't quite done with Super Meat Boy though. The pair confirmed a Mac version is still in the works.


"Later, later," replied Refenes when asked when it might be ready for release. "I'm doing my absolute best. It's something that's bugging the s*** out of me, that I want to get finished.


"It's a lot of mental effort getting back into working on a game that I worked on for 18 months straight. The difficulty is not in the work, the difficulty is in the motivation and the desire to open up the code again and work on it when I'd rather work on new stuff. I'm doing it, it's just taking a while."


Team Meat's sublime debut picked up a near perfect 9/10 when it launched on PC and Xbox Live Arcade last year. Take a look at our Super Meat Boy review for more.

Eurogamer


Steam users can now nab a level editor for sadistic platformer Super Meat Boy.


The free update allows players to engineer their own versions of the game's death trap levels.


There's also support for adding custom music, titles and more than 20 characters.


A post on Team Meat's blog reveals a final bug-fixing update next week will complete work on the game.


"After that we will be closing the book on the PC version, porting SMB to Mac and swiftly moving on to game #2 (because we can't seem to stay happy without working on something constantly)," Team Meat's Edmund McMillien explained.


McMillien previously told Eurogamer the two-man team's follow up will have nothing to do with their eponymous fleshy hero. "There will be another game but it won't be Meat Boy. It'll be totally new."


Hoping for a reprieve in the future? Bad news. Team Meat's blog post confirms this is the end. Full stop. "It's time to hand the reigns to the SMB community and retire."


"There won't ever be a Super Meat Boy 2."


Eurogamer Editor Tom Bramwell basted the game with a golden 9/10 upon its Xbox Live Arcade release last year.

Eurogamer


PC game Super Meat Boy Ultra Edition will launch in the UK as a boxed title between July and September this year.


Brighton publisher Lace Mamba Global is doing the honours.


"Super Meat Boy is an absolute crazy phenomenon on the internet," boss Jason Codd said.


"The game has sold far more than 400,000 copies already online, and there is a special boxed edition available in the US, so we expect there to be a huge demand for a similar retail edition in the territories we're serving."


The US Ultra Edition contains a 40-page booklet including never-before-seen art, behind-the-scenes info and an extended version of Team Meat's comics; the soundtrack and additional audio samples; and a mini-poster.


The rock hard retro platformer launched late last year on PC and Xbox Live Arcade. Eurogamer's Super Meat Boy review jumped onto a 9/10.

Eurogamer


Ruthless indie platformer Super Meat Boy gets a thick, juicy slab of new PC content this week, developer Team Meat has announced.


The Super Meat World add-on, which unlocks once you've collected 20 bandages in the game, offers eight new chapters incorporating over 140 new stages.


It's designed as a free level portal via which you'll be able to check out new stages made by Team Meat, guest developers and, soon, other users.


The PC-only level editor which will facilitate that "is currently being rigged to Steam, and will soon be released as a public beta," according to a post on the developer's blog.


"Super Meat World is a work in progress. More features will be added as time passes," the post clarified.


To celebrate the update, the game is currently available from Steam with 50 per cent off the standard asking price.


Super Meat Boy launched late last year on PC and Xbox Live Arcade, scoring a near perfect 9/10 from Eurogamer's Tom Bramwell.

Mar 23, 2011
Eurogamer


Hard games are enjoying a revival right now. But while Demon's Souls may be notorious for offering a gruelling RPG experience, the most punitive titles are often to be found within the platform genre. And it's indie developers who seem keenest to add liberal dollops of pain to your gaming pleasure.


Super Meat Boy practically makes it the player's business to die. Then die again. Then stop and think for a minute, only to die harder.


Meanwhile, VVVVVV's levels are littered with shiny trinkets which are nigh-impossible to obtain. To some these present a challenge, a big, obnoxious sign saying "No, you can't" which begs to be knocked down. To others trying to collect them is a futile task, generating only additional frustration which is best avoided.


In fact, some of these games are so difficult that playing them could be considered an exercise in masochism. Or could it? This is an awkward question to ask, since players won't always agree on which games are "hard" and which are "easy".


In other words, discussing difficulty is difficult. The creator of Super Meat Boy, Edmund McMillen, prefers to see Super Meat Boy as a challenge.


"I wouldn't call it masochistic, because masochism usually means punishment," he says.


"I wouldn't say the game is punishing, because it's kind of my goal to make it not as punishing as old games were. There was a lot of penalty in old games which caused frustration and discouragement.


"Those were things I tried to avoid with the design of Super Meat Boy. It doesn't go out of its way to hurt the player, or to get the player to want to hurt himself.


"I think it's more that people want to push their limits. I wouldn't necessarily say push their limits of punishment or torture, but I would definitely say that it gets people to want to push the limits of their own personal skill. And with that comes dying a lot."


When mainstream blockbusters are put through testing and players get stuck, the temptation for the designer is to rip out whatever is interrupting the flow of play. But there must be balance. The problem might not be an inherent flaw in the game. Maybe the tester is still learning.


Developers must then decide why something is hard to achieve. It could be that the mechanic is unrefined. It could be that the objective wasn't clear. It could just be that the tester is rubbish at jumping over pits.


The issue of players getting stuck doesn't seem to bother the indie crowd as much. "Most independent developers do make games pretty difficult, because they want their games to be challenging," says McMillen.


"There's something to be said for a game which can challenge you and make you feel good about it."


In these terms, a game is not masochistic when it presents a challenge accompanied by a reward. The result is a purging process which makes the player feel accomplished when they unlock the coveted "You died an awful lot" achievement.

Video: Difficult. But not impossible.


As with so many similar titles, the sense of satisfaction which comes with completing even one level in Super Meat Boy is payback for hours spent fine-tuning your muscle memory.


But what about those games which are so hard they can't be finished? "I will say this: you can beat Super Meat Boy. You can't beat Canabalt," observes McMillen.


Canabalt, Adam Saltsman's one-button game about leaping from rooftop to rooftop, does in fact have a killscreen built-in. But, Saltsman says, you'd have to run "like, a hundred million miles" to see it.


Surely you'd have to be a masochist to take on that kind of challenge. Setting yourself a gruelling, repetitive and impossible task is definitely masochistic, as is spending so long attempting to complete the task you end up feeling bad.


A masochistic gamer, then, must be someone who is defined by failure. Who cannot win, who knows they cannot win, yet carries on regardless and, most importantly, enjoys failing.









But the argument doesn't hold up. Constant loss is not why most people play Canabalt. It can't be completed in the traditional sense, but it still offers rewards in the form of a high scores list.


In a way the achievement comes from pushing your limits, just as it does when playing Super Meat Boy. Though Canabalt is as simple a video game can get in terms of mechanics, Saltsman argues that the spectrum the titles sit on is complex.


"It's just not a single axis, is the thing... I feel there's this completely invented idea that there is a challenge axis and the challenge axis has masochistic, hardcore games on one end and it has accessible games on the other end.

"I actually think there are two axes. There's an axis of accessibility and there's an axis of challenge. And inaccessible games will affect the challenge axis. Like, a game that's hard to physically interact with... Is going to increase the challenge of the game, but I think that's just kind of a crappy challenge.


"Whereas something like Super Meat Boy, it's just move and jump. That's how you interact with the game. So I feel that Meat Boy, despite its high challenge level, is highly accessible, in the same way Canabalt is fairly challenging game."


If you find talk of "axes of interaction" hard to follow, try out this exercise. Go back and read the above paragraphs again and again, until you understand perfectly what Saltsman means.


Done? Did you give up after a few tries, or press on and draw yourself a diagram? This should give you some indication of the kind of person you are.


If you pressed on, the question remains as to whether you're a masochist or just a determined learner. The answer depends on how arduous you found the process.


Difficulty in games usually comes in two forms and elicits two responses. Firstly there's: "I don't know what to do!"


Secondly: "I know exactly what to do, but I can't physically do it!"


Platformers like Super Meat Boy and Canabalt generate the latter response. You know how to avoid the spinning blades or sudden drops; it's just a matter of practicing your timing to perfection.


But the former kind of difficulty breeds an altogether more trying type of masochism. It's not another platformer which comes to mind here, but a game called Dwarf Fortress.


For those who aren't familiar, Dwarf Fortress is a management game which puts the player in charge of a band of seven dwarves, out to establish a new colony. The simulation is immeasurably detailed. Goblins besiege your settlement, your dwarves go mad from lack of alcohol and wildlife is a constant threat.


The whole thing is presented in ASCII. The indecipherable menu system alone probably causes many players to give up minutes into their first game.


"I don't consider Dwarf Fortress to be strictly "masochistic", in the way I'd describe a platformer," says its creator, Tarn Adams.


"But they are similar in that they include elements of user torture. In the case of DF, it's not a good thing, but rather an interface flaw. In the case of, say, a hard platformer, it's a fine thing for people who like it.


"I think it is the user interface, more than the content, that would get somebody to call Dwarf Fortress a masochistic game... Because it troubles you at every turn, even as you try to do easy things."


Adams doesn't believe everyone should copy his model. "I don't think that's a good goal for [designers]. I like games with depth, but depth doesn't imply inaccessibility. In the end, though, developers have to prioritise their time, and we've all got different things we hope to get out of the process."


Like Canabalt, Dwarf Fortress is designed so that there is no endgame. It just continues until the player gets fed up and quits playing, or their fortress is ruined. So does this lack of completion make it masochistic?


"Nah," says Adams. "There are plenty of simulation-style games, such as Life, that don't have an ending, but which you wouldn't label masochistic by themselves. You can set impossible goals for yourself in many games, but then it's less the game being masochistic by design and more the player being a masochist.









"The more the game induces or blatantly railroads the player down difficult paths, the more masochistic the game becomes, I think. Provided it crosses a certain threshold of addiction and replayability."


According to Adams, setting difficult goals doesn't automatically make a game masochistic.


"There's more to it than that. Take I Wanna Be The Guy, for example. There's an extreme, unavoidable, repetitive element to the failures. A game that induces a player to try something over and over again, while giving just a little bit of progress in return, is a good example of a masochistic game.


"Dwarf Fortress lashes you repeatedly with the interface while you struggle to extract pleasure despite all the pain, without the same kind of repetitive element."


Adams says that the satisfaction to be had while playing Dwarf Fortress comes "despite the torments", rather than overcoming repetitive failures. "Perhaps in this sense the repetitive, linear game can be said to be properly masochistic, whereas Dwarf Fortress is just torturing you while you are trying to have a good time."


It is true that in Dwarf Fortress you can set your own goals - deciding what to mine, what to build and what to trade with outsiders - but the only possible future for your fortress is an often frightening, more often amusing, but always tragic one.


It may then be fair to say, then, that the game attracts a certain type of player. Masochists. Madmen and madwomen. What other way is there to describe a person whose idea of a good time is to erect an underground fort via the use of a torturous GUI, only to see it crumble in the face of any one of tmany potential catastrophes? It is fitting that one of the possible downfalls of a dwarven outpost is that the inhabitants go berserk.


When you suggest this to the playerbase, the response is a jubilant scream, a terrifying rally of bloodied, grinning faces laughing into their pus-filled rags while holding aloft a banner made of dismembered torsos. It's adorned with the community motto: "Losing is fun!"


"Given that it's the dwarves who are suffering when you fail, perhaps it's more sadistic than masochistic," Adams laughs. "I wouldn't see it that way though, since the demise of a fortress can be enjoyable in many ways.


"I'm not sure it's masochistic, undertaking a process in which you know something you work hard on over time is going to fall apart. The game is easy enough once you learn it that this might not be an expectation anyway.


"For me, a fortress loss can bounce between being hilarious, being bittersweet and causing panic. And it can have a longer term feel to it, like an embrace of fate or entropy. As the game's development progresses it should also feel like becoming part of history or leaving a legacy."

Video: Meat your maker.


"It'll be necessary to encourage losing in full, rather than reloading saves, to allow the player to experience the full breadth of the game."


In conclusion, then. When a game incorporates excessive or extreme loss into the core gameplay, and not only remains enjoyable but becomes more enjoyable as a result, it becomes masochistic.


Developers have begun to realise this and are now creating game features which subtly reward death. It's why, with Super Meat Boy, you get a video replay when you finally complete a level, showing hundreds of your death-splatters and failed attempts.


This is a reward for overcoming the odds. It's also a means of making you associate all those bloodstains and failures with a sense of victory.


Maybe there are no such things as masochist games, just masochistic gamers. Regardless of mechanics, Meat Boy and Captain Viridian are undeniably masochistic characters. Despite thousands of deaths they each sport a constant grin, crazed and joyous, enthusiastic and unsettling.


Look closely. It's a grin you might wear yourself.

Eurogamer


The studio behind Super Meat Boy has revealed that it's planning to follow up its ace indie platformer with a 3DS title.


After re-affirming that the WiiWare version of Super Meat Boy had been scrapped during a presentation at the Game Developer's Conference in San Francisco today, co-CEO Tommy Refenes announced that Team Meat has a 3DS dev kit and plans to use it.


On what? He wasn't saying, but a handheld version of Super Meat Boy wasn't ruled out.


"We do have a 3DS dev kit. We will be working on something on the 3DS in the future. We don't know if it's going to be Meat Boy," he explained.


"If it feels right to do 3DS Meat Boy, we'll do 3DS Meat Boy. If it doesn't, we'll do something else, and we'll try and make it super-awesome."


The rock hard jumper launched on PC and Xbox Live Arcade late last year to glowing reviews.


"Super Meat Boy starts out as just another indie game that revels in driving you crazy," wrote Eurogamer's Tom Bramwell during his 9/10 write-up, "but you end up crazy in love."

Eurogamer


Team Meat, the indie studio behind hit platformer Super Meat Boy, has launched a bitter attack on Microsoft for not following through on marketing promises it made for the game's Xbox Live Arcade launch.


Speaking at the Game Developer's Conference in San Francisco today, co-CEO Tommy Refenes explained that, as part of the platform's Game Feast promotion last October, Super Meat Boy had been promised the release schedule to itself for the week.


However, as it turned out, Double Fine's Costume Quest was added to their launch week at the last minute.


"We were just like 'what the f***? Everyone else gets a free week except for us?'," recalled co-founder Tommy Refenes.


When Refenes turned on his 360 on launch day, things got worse. Team Meat had been told the game would get top billing in the Spotlight feed on the Xbox 360 dashboard, but there was no sign of any promotion for the title whatsoever.


In a state of panic, he immediately fired off an email to the studio's producer at Microsoft.


"I was like 'What's the deal? Are you guys pulling out? Where's our stuff?'," he explained.


"It finally went up half way through our launch day. It was the number four spot; it wasn't number one. The 'spooktacular sale', which was a whole bunch of other games that already came out – that was the number one slot.


"An ad for a Mazda 3 was the number two slot – because you all go on Xbox to figure out what car you want, right?


"We were number four and we stayed number four the entire week," he continued.


Microsoft then apparently told Team Meat that the better the game performed, the more promotion it would receive. However, despite outselling other Game Feast titles Comic Jumper and Hydrophobia by a significant margin, and racking up great reviews, no further marketing support came.


"We just kind of got pushed to the side, and that's basically how the Xbox Live launch went. The only reason the game sold well was because of how we promoted it. The help from Microsoft was there in a very limited capacity," Refenes insisted.


"It's not supposed to hurt your feelings because it's business, but it totally f***ing hurt my feelings. Me and Ed just killed ourselves trying to get this game done and now we're just pushed to the side.


"It was a f****** mindf***," added the other half of Team Meat, Edmund McMillen.


"It was really confusing. At that point I think we were so f***** up in our heads from development, it almost felt like 'are these people out to get us? What's happening here? Did we do something wrong? Are they trying to screw us because we did something wrong?'"


Later on in the presentation, McMillen tempered the attack a little, insisting that "working with the creative side of Microsoft was great".


"Everybody that we could talk to were great; the people who we couldn't talk to were the problem. So everyone who we worked with was wonderful. Everyone who was making decisions, not so much."


Thankfully for Team Meat, there was a happy ending. The Steam launch went much more smoothly, with PC sales easily outstripping those on Xbox 360. Refenes revealed that the game is now closing in on 400,000 sales across all platforms.

Eurogamer


New content is available to download for rock hard platformer Super Meat Boy.


Two new chapters, Expert Remix and Cramps, are ready to download from Xbox Live Arcade.


The Expert Remix level pack "remixes and raises the difficulty of the top 20 best levels in the game" (picked by fans and Team Meat's Edmund McMillen).


Cramps, Super Meat Boy's first user-generated level pack, is "a very well designed chapter that should be easy enough for those of you just starting out but still quite enjoyable for the masochists out there".


Both chapters are part of "The Internets", an XBLA-exclusive chapter that players can only access if they've completed 40 levels from the original game or collected 15 bandages. Best get to work.


Tom reviewed indie darling Super Meat Boy last year, awarding it a super 9/10.

Video:

Eurogamer


Three tracks from hit indie platformer Super Meat Boy's soundtrack are heading to Rock Band Network, composer Danny Baranowsky has confirmed.


As reported by Joystiq, extended versions The Battle of Lil' Slugger and Can o' Salt, and a retro remix of Betus Blues.


Befitting the relentlessly unforgiving game from which they've sprung, it looks like the tracks will offer a similarly sturdy challenge to seasoned Rock Banders.


"I wanted to have some stuff in there for the people who delight in 100-percenting expert Dragonforce," threatened Baranowsky – who also wrote the music for iPhone indie hit Canabalt.


No release date has been confirmed for the tracks yet but Baranowsky promised they'll be available "soon".

In other Meat Boy news, a new level pack is due for the Xbox 360 version of the game soon, while a PC level editor hits any day now.

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