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In response to the fan outcry over the disappointing ending to Mass Effect 3, indie developer Mode 7 has changed the ending for strategy game Frozen Synapse to conform to community suggestions. Now it has a pony in it. And a dinosaur. And a message.
"This is the ending to a computer game," declares Frozen Synapse's new ending cut scene. "We don't care if you like it."
The new sequence was created in reaction to the overwhelming negative response developer BioWare has been met with since the release of Mass Effect 3, the final chapter in the saga of Commander Shepard versus the giant metal space squids. Distraught fans unhappy with the way the game's creators decided to conclude the story they were writing have made so much noise that BioWare co-founder Dr. Ray Muzyka addressed the issue personally, informing the community that the Mass Effect team was working on "game content initiatives that will help answer the questions, providing more clarity for those seeking further closure to their journey.
While this appears to be a win for Mass Effect fans, the issue continues to be hotly debated in the gaming community at large. Some argue that demanding a story be changed to better satisfy players' concept of what an ending should be is a blow against artistic vision and integrity. Others see this as an evolutionary stepping stone for video games, leading to a future where players don't just interact with the environments and enemies but with the story itself.
"We can't expect the outcome of our stories to conform to our own preconceptions" continues Frozen Synapse's new ending. While this new ending will only be around for a week or so its message and the accompanying explanation from of Mode 7's Paul Taylor should resonate for quite some time.
"This is not a criticism of Bioware or anything they have said / done. It is an experiment: I wanted to know how this felt. Honestly, it felt like vandalising my own work, which was interesting."
All the important games are changing their endings these days, you know. If you want a high profile, that’s the way to go – and as Mass Effect 3 teaches us, preferably after initially concluding your narrative with a last-minute bodgejob riddled with continuity errors, then subsequently bowing to fan ouctry. Frozen Synapse developers Mode 7 Games did no such thing, but have sensibly realised that the route to true success entails screwing around with their creative vision willy-nilly to suit whatever their community demands, and as such a new, happier (and far sillier) ending to their splendid turn-based strategy game will go live later today.
“I don’t mean this to be critical of Bioware even slightly,” Mode 7′s Paul Taylor tells me. “It’s just an experiment. I was so bowled over and fascinated just by the fact that such a change would even be considered, so I thought I’d see how it felt to do it.” (more…)
Onlive and the IGF are spooning for a fortnight. The sensual lovers are celebrating the Indie Gaming New Year by giving you access to 30 minute demos of 16 IGF finalists. The alphabetically sexy list of games is: Atom Zombie Smasher, Be Good, Botanicula, Dear Esther, Dustforce, English Country Tune, Frozen Synapse, FTL, Lume, Nitronic Rush, Once Upon a Spacetime, POP, SpaceChem, To the Moon, Toren, and WAY. (more…)
They said it would never end. And then, on Saturday, it did. We’ve been posting our series of chats with the many splendid finalists in this year’s Independent Games Festival over the last couple of months, and, with the exception of English Country Tune (dev was worried about sounding boring), Mirage (dev didn’t reply) and Fez (dev wouldn’t confirm the possibility of a PC version) we managed to get mini-interviews with all the PC/Mac indie developers in the running for a gong.
In case you missed a few, didn’t understand what the hell it was all about or just like looking at neatly-ordered lists, here’s the complete series for your relaxed perusal. It’s a fascinating and diverse bunch of games in the finals this year, and if nothing else, it’s a rare chance to see what 18 different developers would say to the monsters in Doom if only they could talk to them.
The year is 1999 and the crazy chaps at Epic Games have just came up with the concept of mutators, little mods that you can use to tweak game types. But just as they’re about to implement it, a cheap-looking wibbly effect appears in front of Cliffy A (Cliffy B is a clone) and a mysterious figure steals his PC! Mark Rein enters the room, asks what smells all wibbly and allows a distraught A to tell him what he’s crying about. “Is that all? We have backups.” But he kills A for showing weakness. And thus the Unreal Tournament series’ mutators survived. But what of that mysterious time-traveller? I have figured out who it is: step forward Mode7′s Ian Hardingham. J’accuse! (more…)
In 2010, we ran a series of cheerful chats with (almost) all of the lovely indie developers whose PC games had been nominated as finalists in that year’s Independent Games Festival. In 2011, we forgot. In 2012, we haven’t forgotten. We’re the best! So, here’s the first: Ian Hardingham and Paul Taylor from Mode 7 Games, whose high-speed turn-based strategy game Frozen Synapse is in the running for both Excellence In Design and the Seamus McNally Grand Prize. Read on for what went right and wrong with their game, how they feel about their IGF rivals, what comes next and their answer to the most important question of all.>