The future aka 4K gaming is made up of very, very small pixels. After spending the past two weeks checking out games on Samsung's U28D590D 4K monitor, I'm still going to call 4K gaming the near future rather than the present. Yes, you can play games at 3840x2160 pixels right now. Yes, 4K monitors are becoming more affordable. But are they worth it? After spending a couple weeks using one, I can comfortably say: no, not yet. Even for a high-end graphics card (or two), 4K is too demanding for max settings and high framerates. If you're willing to play at 30 frames per second, though, 4K is a different story.
If you want to skip straight to the 4K gameplay section, click here to jump to page 2.
The Samsung U28D590D and the basics of 4K The Samsung U28D590D is a 28-inch, 3840x2160 monitor that has an MSRP of $700, though it's only $570 on Amazon as of this writing. The monitor has a 60Hz refresh rate, unlike some earlier 4K monitors, though you'll have to use DisplayPort for 60Hz. The current HDMI spec only supports 4K at 30Hz.
I gave a general overview of the U28D590D and the demands of 4K gaming in a segment of The PC Gamer Show, which you can watch here:
The monitor looks great and I never noticed any issues with refresh rate or response time, but I didn't perform in-depth testing to determine the actual response time (never trust the too-good-to-be-true listed response time. TFT Central offers a good primer on what those specs mean). Because it uses a faster, cheaper TN panel, response time comes at a cost: inferior viewing angles and color accuracy compared to IPS displays. The monitor stand is also disappointingly limited--it has no height adjustment, rotation, or VESA mount support.
Unfortunately, if you're still running Windows 7, 4K is a terrible experience, no matter what 4K monitor you're using. The OS isn't designed to scale to such a high resolution, and everything will be impossibly tiny unless you crank up DPI scaling to 125% or 150%. But that scaling is for text it doesn't properly resize other UI elements or affect some applications like Steam. Chrome doesn't scale its text properly, either. Windows 8 is much better about properly scaling, and requires no setup to scale text, UI elements like Windows Explorer, and applications to 4K resolution. Text in Steam and Chrome is noticeably fuzzier than system text, but everything is usable and legible without constantly squishing your face up against the monitor.
The Samsung's $570 may be cheap for a 4K monitor, but it's still expensive for a monitor, in general. What that money buys is an extremely pixel-dense display, and games really do look amazing on it. My standard monitor is a 27-inch, 2560x1440 display, which comes out to a pixel pitch rating of 108.79 PPI. That's way higher than, say, a 24-inch 1080p monitor (95.78 PPI) or a 50-inch 1080p TV (44.06 PPI).
At 3840x2160, the 28-inch Samsung U28D590D has a 157.35 PPI. As a result, games running at native resolution look sharp, even without anti-aliasing enabled. The pixel density really does make a difference. Remember, a 1920x1080 monitor creates an image out of 2,073,600 pixels. A 4K monitor displays 8,294,400 pixels. As a result, a graphics card has to push out four times as many pixels. Not even two Nvidia Titans, or a newer Titan Black, can handle refreshing eight million pixels 60 times per second.
On the next page: my gaming experiences with Metro: Last Light, Tomb Raider, and other games, with some gameplay footage captured with Nvidia Shadowplay (at the max capture resolution of 1440p).
Gaming at 4K The first game I tested at 4K was the most graphically intensive game I could think of: Metro: Last Light. With settings cranked up to Ultra, Last Light had trouble cracking 20 frames per second. Mostly, it ran in the teens, and even lowering a few settings barely helped. The world isn't ready for Metro: Last Light at 4K. Luckily, most of the other games I tested ran better.
For the games listed below, I'm going to give a rating based on playability at 30 fps and 60 fps. While I did tweak some specific settings like antialiasing, depth of field, and tessellation, I didn't turn game settings down to medium or low just to see if they'd perform well. I'd rather play a game at high settings, with better textures, lighting, and particle effects, than sacrifice those graphics options for pure resolution.
Bioshock Infinite runs on a heavily customized Unreal Engine 3, but it's not a particularly demanding game I had no problem running it at 60 fps on an AMD 7870 at 1440p when it was released. At 4K on a Titan Black, with all settings on Ultra, it was playable, but the framerate fluctuated considerably. It only occasionally reached 60 frames per second, and mostly hovered in the low 40s. Not bad! Usually. I found that some particle effects and rapid animations like the carnival games in the plaza near the beginning of the game--sent the framerate plummeting down into the teens.
By switching Bioshock Infinite's settings down to "Very High," I was able to run it at a reliable 30+ fps. I also ran the Infinite benchmark utility on its highest setting: DX11 with Depth of Field enabled. It averaged an overall framerate of 37.01 fps.
Consistent 60 fps at 4K? No. Consistent 30 fps at 4K? Yes.
When I played Tomb Raider on my (overclocked) AMD 7870 last year, I was shocked by how well-optimized it was. I ran the game at max settings, with TressFX enabled, and kept a solid 60 fps. It didn't fare as well at 4K. At first, I ran the game at Ultra on a Titan Black, with only TressFX disabled. Depth of Field was turned to high, and tessellation was enabled. On those settings, the game typically ran at 22-24 fps and peaked around 30 fps. That framerate, combined with the game's handheld-style shaky camera, made cutscenes uncomfortably twitchy to watch. In smaller enclosed spaces, the game ran better when I took Lara into an underground area, it actually ran at 55-60 fps.
Tweaking individual settings in Tomb Raider also makes a big difference. By disabling tessellation and turning down depth of field and SSAO to normal, the framerate hung steady in the mid-30 fps range, even in cutscenes and open environments. I didn't get to any of the game's dramatic action setpieces, but a little settings tuning should be enough to keep the game running over 30 fps at all times.
Consistent 60 fps at 4K? No. Consistent 30 fps at 4K? Yes.
United Front Games' Sleeping Dogs has a gorgeous open world, but it relies on the rain-soaked neon of Hong Kong for its looks, not tessellation like Tomb Raider or the lighting and physics of Metro: Last Light. With all of Sleeping Dogs' settings cranked to Ultra (except anti-aliasing) and its high resolution textures installed, the game managed to run at an almost-but-not-quite solid 60 fps during gameplay. It sometimes dipped into the 50s, but still played extremely smoothly.
During cutscenes, the framerate dropped into the 40-50 fps range, but never dipped anywhere near 30 fps.When I ran the Sleeping Dogs benchmark utility (with AA enabled), it returned an average framerate of 56.5 fps, a maximum of 67.1 fps and a minimum of 39.2 fps. Not bad, Sleeping Dogs. Not bad. And you still look pretty good, too.
Consistent 60 fps at 4K? Very, very close. Consistent 30 fps at 4K? Yes. Easily.
Counter-Strike: Global Offensive
Surprise! A game running on the Source Engine runs putters along at 4K resolution and 60 frames per second just fine. On the Large Pixel Collider's three Titan setup, CS:GO blazed past 60 fps with max settings and showed no signs of dipping down below that threshold. Even on a weaker computer, Source engine games should be able to run at 60 fps no problem, especially with tweaking to settings like AA.
Consistent 60 fps at 4K? Yes. Consistent 30 fps at 4K? Double yes.
Total War: Rome 2
The last game I tried, Creative Assembly's Total War: Rome 2, ran better than I expected. The Total War games are notoriously system intensive on both the CPU and GPU, but even on Ultra settings, the game ran well at 4K. At least, "well" by Total War standards. On the battlefield, zoomed out, the game consistently ran at more than 30 fps. Zoomed in, the framerate slowed to around 24 fps when there were dozens or hundreds of units on screen at once. But that feels normal for Total War, so the game didn't feel sluggish.
In fact, on a Titan Black, Total War: Rome 2 runs better at 4K than it did for me at launch on my AMD 7870 at 1440p. Creative Assembly has patched the game numerous times over the past year to fix bugs and increase performance, but overall Rome 2 ran better than I expected. Still nowhere near 60 fps, but that's hardly a surprise for a game rendering thousands of units at once.
Consistent 60 fps at 4K? No, but that's no surprise. Consistent 30 fps at 4K? No, but closer than expected. Wrapping up The games above are just a small sample of how PC gaming fares at 4K resolution. Obviously performance will differ between systems not everyone has a Titan Black to play on, but a pair of overclocked SLI'd cards could handle these games even better, and even manage to keep framerates hovering around 60 fps. From my testing, though, I don't think 2014 is the year to invest in a 4K monitor. Even 30 fps at 4K is a struggle for some games, but it's doable with the right tweaking.
If you're accustomed to playing games at 30 frames per second already, chances are you don't have a graphics card capable of handling 4K. Buy a new GPU in 2014 or 2015, though, and 4K at 30 fps will be within your reach
For 60 fps, you'll need at least two Nvidia 780 TIs in SLI or an AMD R9 295X2, and neither of those cards will guarantee 60 fps in every game. Total cost for those cards? Between $1400 and $1500. Throw the cost of the 4K monitor in there, and, well...Unless you want to spend a whole lot of money, the 4K future is still a year or two away.
When most of Irrational Games was laid off earlier this year many assumed it was the last we'd see of BioShock, at least until 2K Games mustered the courage to have one developed by a secondary studio ala BioShock 2. Nonetheless, it would appear something BioShock related is about to happen, because 2K Games posted this teaser image (above) on its official Twitter account earlier today, along with the text: "Oooo, what COULD this mean?!".
What's a scantily clad woman with an apple got to do with BioShock? Well, in dark lettering at the bottom of that image is a reference to Poseidon Plaza, which is a prominent location in the original BioShock. The reference seems to indicate that we might see a repackaging of the original game in the not-too-distant future. Whether that repackaging is relevant to PC owners is another question.
After all, it's unlikely the teaser is related to a brand new BioShock game. BioShock Infinite only released last year and if there was a fourth BioShock game, surely it wouldn't return to Rapture? Surely? In the meantime all we can do is speculate.
We've now been living and breathing the Steam Summer Sale for a week, losing sleep for every flash sale, antsy with anticipation every time the new deals tick over. We're feverish from the savings, but it would be madness to stop saving now. Today's deals fuel our appetite for strategy, shooting, and launching valiant little green men into space on absurdly oversized rockets.
Don t forget to check out GOG s summer deals, too.
Reminder: if a game isn't a daily deal or a flash sale, it could pop up later in the sale for an even lower price. If you want to be safe, wait until June 30 to pick up a sale-long deal. 5 - The Banner Saga 50% off: $12.49 / 9.49 - Steam store page One of the biggest artistic achievements in gaming this year. We love The Banner Saga s hand-drawn characters and how they animate on the battlefield, but we especially enjoy the way its detailed, Nordic landscapes parallax as your caravan of warriors and survivors march on. The Austin Wintory score is a cherry on the top. 4 - Kerbal Space Program 40% off: $16.19 / 11.99 - Steam store page We ve murdered a lot of aliens in games, but only in KSP have we stranded little green guys in planetary orbit due to our grossly incompetent management of a budding space program. The Early Access rocket physics simulator is one of the best games still under development, and already has a large community of engineers sharing stories of harrowing space missions, ship designs, and mods. KSP has even made its way into classrooms.
Read Ian s five-part Kerbal Space Program chronicle to see how he learned rocket-building basics and launched a mission to the M n. 3 - Counter-Strike: Global Offensive 50% off: $7.49 / 5.99 - Steam store page The best competitive FPS on PC owes a lot to its skill-based matchmaking format. At any skill level, five-on-five Counter-Strike narrows the range of tactical choices available to you and the time you have to make them, creating a wonderfully concentrated competitive mode. Otherwise, CS:GO is mainly a vehicle for microtransactions: beware the allure of $400 virtual knives. 2 - Tomb Raider 75% off: $4.99 / 3.74 - Steam store page Flash sale: Buy it before 8 p.m. EST Lara Croft returns in a gorgeous action game heavily inspired by Naughty Dog's Uncharted series. This younger, rebooted Lara doesn't have her predecessor's confidence or predilection for interesting puzzles the only tombs in this game are disappointingly short and simple but the shooting is by far the best in the series. Exploring Tomb Raider's island and crafting survival gear is also fun, as Lara is a nimble climber and each area is packed with interesting treasures to hunt down. For a challenge, forgo the assault rifle and grenade launcher for Lara's incredibly satisfying (and silent!) bow. 1 - BioShock Triple Pack 83% off: $10.19 / 6.79 - Steam store page If you haven t explored the ruins of Rapture, you re in for a treat. BioShock s world is a revelation, an under-the-sea society that s crumbled under its own weight, and exploring what remains of it and shooting its crazy inhabitants in the face with fireballs is a delight. BioShock 2 goes even further, changing your perspective and adding a surprising amount of depth with its own story. Irrational s swansong, BioShock Infinite, may still be polarizing, but Columbia is just as beautiful and terrifying as Rapture, and well worth exploring. All three are included here in a bundle that s too cheap to pass up.
Other great deals today Remember that games not categorized as Daily Deals or Flash Sales may be reduced further later in the sale.
When Irrational Games closed earlier this year many assumed it would mark the end of the BioShock series. While critically adored, 2013 s BioShock Infinite did not attract the astronomical sales figures video game publishers expect nowadays. But according to Take-Two CEO Strauss Zelnick, a future for the series has not been ruled out. In fact, during an address at the Cowen and Company analyst conference last week, attended by Gamespot, he explicitly stated that the future of the series lay in the hands of 2K Marin. "We haven't given any colour on how you should think about yet except we do believe it's beloved. We think it's important certainly something that we're focused on; something 2K Marin will be responsible for shepherding going forward. I think there's a lot of upside in that franchise," Zelnick continued. "It hasn't necessarily been realised yet. And the question for the future, assuming we decide to answer the question, would be 'How do you stay true to that creatively?'; 'How do you do something exciting?'; and 'How do you do expand the market?'. That would be the natural drill. We're starting from a good point on it. And certainly it's been a great piece of business for us; it's been a profitable piece of business." Zelnick also commented on Take-Two s strongest performing IPs: Red Dead Redemption, Grand Theft Auto and Borderlands. While there s still no news on whether Rockstar will release PC editions of Red Dead Redemption or Grand Theft Auto 5, Zelnick did say that both were permanent franchises: evidence enough that a Red Dead Redemption sequel will appear one of these days. He also took an opportunity to engage in one of the video game world s favourite pastimes: sledging Duke Nukem Forever. Noting that Take-Two s success rate is unusually high due to their careful approach to nurturing IPs, Zelnick admitted that Duke Nukem Forever was a mistake. "We have a really high hit ratio. It's probably not realistic to believe it could be much higher than it is, he said. We've had precious few flops. And at least, of the few I can think of - and I can think of a few, sadly - at least one of them was just a misguided decision on my part, which was Duke Nukem.
What if Elizabeth tore open a rift, but instead of yanking out a crate of guns or a Gatling-wielding automaton, she withdraws a square-shaped chunk of grass before chucking it at your face with a "Booker, catch!"? I'd sputter in confusion, but that probably also means BioShock Infinite's heroine found her way to the Minecraft-ed version of the floating city of Columbia. Constructed by architect group TheVoxelBox of the Planet Minecraft fansite, the city boasts superb detail and personality worthy of the game's best custom creations.
It's clear Columbia's builders focused on capturing each hovering platform's neoclassical feel right down to the giant propellers keeping everything in the sky and a bright palette reminiscent of Infinite's rich coloring. What's missing, sadly, is Elizabeth's towering, angel-shaped prison and a bunch of uncomfortably nationalist posters. Still, I can just imagine enjoying a freedom dog in the market district, a blocky Lutece urging me on from some shadowy corner: "Bring us the cube, and wipe away the debt."
Here's some more screenshots of Columbia in Minecraft from TheVoxelBox. Be sure to spot the Vox Populi airship looming above and the cheery storefront with the always-welcome "PIE" sign. The actual map file and schematic are also free to download and use.
BioShock Infinite had some great original songs and arrangements. You can buy the original game s soundtrack, but there s some new music in the recently released Burial at Sea DLC that you couldn't easily listen to, until recently. Irrational Games posted three full, original songs from Burial at Sea to its official website, along with some commentary from the game s Music Director, Jim Bonney. Bonney describes the first song, Little Sisters Song, as an idealistic musical conversation between Mama Tenenbaum and the little sisters. I was thinking about ways to create depth in daily life in Rapture, and thought that the Little Sisters Home could use a little propaganda music, he said. A song that would ease the minds of the citizens that little girls being taken from their families was really just another example of living the Objectivist s Dream!
The Pie Song, which is in the style of a 50s folk protest song, was produced by Marc Lacuesta and performed by Korby Lenker.
And the final song is Old Man Winter Jingle, which promotes the Old Man Winter Plasmid. The announcer you hear in the end is actually Irrational Games Senior Sound Designer Jeff Seamster.
For more behind the scenes stories on original music in Bioshock Infinite, check out Irrational Games official blog.
Every Monday, keen screen-grabber Ben Griffin brings you a sumptuous 4K resolution gallery to celebrate PC gaming's prettiest places.
Few would deny that Bioshock Infinite's floating city of Columbia is a gorgeous place to shoot spliced-up weirdos. The first sight of Columbia's main square is impossible to forget. It's a blaze of glorious colour, enriched with hundreds of incidental details, all contributing a little to the story behind Infinite's hovering dystopia. There are many more moments to match it, so we've captured a few here in glorious 4k resolution to celebrate Infinite's terrific art design. Enjoy.
A lot happens in the opening moments of Burial at Sea: Episode 2. You'll meander through a Disneyfied version of Paris, one that's a garlic garland short of full stereotype; be threatened by Atlas back in the post-Episode 1 version of Rapture; and discuss pseudo-quantum science with an incorporeal Booker. As a concentrated dollop of Bioshock lore, it's alienating but also strangely liberating. Halfway through Infinite, we started to jump the infini-sharks, now the game is willing its players to give in and enjoy the view.
This time, you're playing as Elizabeth. Only, for reasons directly tied to the opening whirlwind of plot, it's an Elizabeth that's no longer omniscient, or able to open tears. What she can do is bonk splicers on the back of the head with a Sky-Hook a trick that comes in useful as you work through more remnants of Fontaine's department store/sunken prison.
Significantly more fragile than Booker, Elizabeth has no shield and a limited set of weapons. Stealth is the focus for the first time in the series, and the new weapons and plasmids have been designed for that purpose. The most useful of these is Peeping Tom, which doubles up as both X-ray vision and invisibility, but you'll also find tranquiliser darts and a selection of lethal weapons that provide options when sneaking fails.
As a set of systems, the stealth is simplified and exaggerated, but nonetheless entertaining to play with. The near-sighted splicers suggest that Ryan's objectivism failed to attract any opticians, so vision is less a factor in discovery than noise. As Elizabeth crouch-walks through the levels, she won't raise any alarms on regular surfaces, but shattered glass and water puddles produce an almost comedic cacophony that alerts anyone in the vicinity.
Although it's not the most elegant introduction of stealth, it works because of the pacing and smooth escalation of difficulty. Episode 2 is much slower than Episode 1's frantic resource scavenging, and that more deliberate pace gels well with the series' emphasis on fully exploring its environments. More than that, though, with the focus no longer on all-out combat, I found those moments when I was forced to go loud pulling out the shotgun to blast my way out of danger a refreshing change, rather than an increasingly stale necessity.
It turns out that deranged magical junkies aren't the smartest of pursuers, so escape from their immediate vision and they'll quickly lose track of your location. In the more open areas this can be as simple as leaping towards a ceiling hook, at which point you can land in a crouch behind the nearest splicer to deliver an unseen melee attack from behind. Here, it feels like an incredibly basic version of Arkham's gargoyle sections, but the satisfying and speedy swooping across rooms still nicely punctuates the periods of caution.
With no Booker to aid, Elizabeth no longer spends her time tossing ammo and coins. There are still locks to be picked though, and that means a mini-game. As with the other new systems, it's a pretty basic interaction. The pick automatically moves back and forth a series of tumblers, requiring you to make a selection. These can't be failed, but certain tumblers are colour-coded. Hit a red one, and an alarm goes off, drawing any nearby splicers. Pick a blue one, and you're given a noisemaker dart useful for distracting groups of enemies, or the unkillable Big Daddy that roams an early hub area.
Thorough exploration rewards with plasmid upgrades that drastically improve your abilities. Maxing out the Peeping Tom, I was able to turn invisible at no cost to Eve as long as I remained immobile. In some respects it feels overpowered, to the point that I rarely felt threatened across the just-under-four hours of my normal difficulty playthrough. In the new 1998 mode, which only allows for non-lethal takedowns, being able to easily slip away feels like a more integral ability.
As a whole, Episode 2 feels like the most cohesive Bioshock Infinite campaign. It's certainly more so than Episode 1, which had a hard divide separating its combat and story. But even the main game's action-oriented combat was often at odds with its attempts to present a living world. Here, Elizabeth is always in danger, and always the outsider creeping unseen through a world she isn't part of. In this, the character and combat are completely in sync.
It also helps that Elizabeth is perhaps the most likeable protagonist of the series. As haunted and flawed as any other Bioshock lead, she carries that burden with a sorrow that makes her all the more sympathetic. Over the years, the Bioshocks have utilised elements of horror, mystery, science-fiction and detective noir. In Episode 2, at a character level, it also makes for an effective tragedy.
It's let down by an overarching plot that feels inconsequential, despite this episode being significantly more substantial than the first. At times it tips into self-indulgence specifically with a ham-fisted retconning of the Vox Populi's most controversial story beat. Throughout, this final expansion plays around in plot holes that never needed filling, which makes for an unsatisfying resolution.
As Irrational's final work, Episode 2 is a fitting epitaph; both in its ability to offer a fresh perspective on the series, and in the way it obsesses over past triumphs.
I'm not going to sugar-coat this for you: last night's BAFTA Game Awards didn't end with the PC hunched under an unbearable weight of face gold. The platform struggled against heavy hitting console match-three games, like The Last of Us, and Grand Theft Auto 5. Even so, there were awards for indie gems Papers, Please and Gone Home, and multi-platform titles like Bioshock Infinite. In addition, the reclusive Rockstar heads showed up in person to accept their BAFTA fellowship. You can find that video, and a full list of winners, below.
Also, before the big list, be sure to check out the BAFTA Steam sale that's running until later today. There are some particularly great deals in there, like the excellent XCOM: Enemy Within for a ridiculously low 5/$7.50.
BAFTA FELLOWSHIP - Winner: Rockstar Games
BEST GAME - Winner: The Last of Us - Assassin's Creed 4: Black Flag - Grand Theft Auto 5 - Papers, Please - Super Mario 3D World - Tearaway
ACTION AND ADVENTURE - Winner: The Last of Us - Assassin's Creed 4: Black Flag - BADLAND - Grand Theft Auto 5 - LEGO Marvel Super Heroes - Tomb Raider
STRATEGY AND SIMULATION - Winner: Papers, Please - Civilization 5: Brave New World - Democracy 3 - Forza Motorsport 5 - Surgeon Simulator 2013 - XCOM: Enemy Within
MULTIPLAYER - Winner: Grand Theft Auto 5 - Battlefield 4 - Dota 2 - Super Mario 3D World - The Last of Us - World of Tanks
SPORTS - Winner: Fifa 14 - F1 2013 - Football Manager 2014 - Forza Motorsport 5 - Grid 2 - NBA 2K14
FAMILY - Winner: Tearaway - Animal Crossing: New Leaf - Brothers: A Tale of Two Sons - Rayman Legends - Skylanders SWAP Force - Super Mario 3D World
STORY - Winner: The Last of Us - Brothers: A Tale of Two Sons - Gone Home - Grand Theft Auto 5 - Ni no Kuni: Wrath of the White Witch - The Stanley Parable
GAME DESIGN - Winner: Grand Theft Auto 5 - Assassin's Creed 4: Black Flag - Papers, Please - Tearaway - The Last of Us - Tomb Raider
DEBUT GAME - Gone Home - BADLAND - Castles in the Sky - Gunpoint - Remember Me - The Stanley Parable
ARTISTIC ACHIEVEMENT - Winner: Tearaway - Beyond: Two Souls - BioShock Infinite - DEVICE 6 - Ni no Kuni: Wrath of the White Witch - The Last of Us
GAME INNOVATION - Winner: Brothers: A Tale of Two Sons - Grand Theft Auto 5 - Papers, Please - Tearaway - The Stanley Parable - Year Walk
AUDIO ACHIEVEMENT - Winner: The Last of Us - Battlefield 4 - BioShock Infinite - DEVICE 6 - Grand Theft Auto 5 - Tomb Raider
ORIGINAL MUSIC - Winner: Bioshock Infinite - Assassin's Creed 4: Black Flag - Beyond: Two Souls - Super Mario 3D World - Tearaway - The Last of Us
MOBILE AND HANDHELD - Winner: Tearaway - BADLAND - DEVICE 6 - Plants vs. Zombies 2 - Ridiculous Fishing - The Room Two
BRITISH GAME - Winner: Grand Theft Auto 5 - Tearaway - The Room Two - LEGO Marvel Super Heroes - Gunpoint - DmC Devil May Cry
PERFORMER - Winner: Ashley Johnson (Ellie - The Last of Us) - Courtnee Draper (Elizabeth - BioShock Infinite) - Ellen Page (Jodie - Beyond: Two Souls) - Kevan Brighting (The Narrator - The Stanley Parable) - Steven Ogg (Trevor Phillips - Grand Theft Auto 5) - Troy Baker (Joel - The Last of Us)
BAFTA ONES TO WATCH AWARD - Winner: Size Does Matter - Project Heera: Diamond Heist - The Unknown