Rock, Paper, Shotgun - contact@rockpapershotgun.com (Adam Smith)

When I last spoke to Mike Bithell, we were in the caf at the National Media Museum in Bradford. He had just delivered a talk about his upcoming Virtual Robin Hood game, Volume, but we found time to discuss Thomas Was Alone as well. Bithell said – and I agree – “I thought I was writing a competent story with an amazing platform game. It turned out it was the other way around!” Presumably, the previously Playstation-only prequel episode, now available on Windows and Mac (Linux build soon), elevates plot over platforming. A cursory examination reveals a possible interpretation of the Icarus myth, with an AI in place of daddy Daedalus and a jetpack in place of waxy wings.

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Rock, Paper, Shotgun - contact@rockpapershotgun.com (Adam Smith)

Mike Bithell’s stealth game, Volume, looks like a very different prospect to Thomas Was Alone, even if there might be some similarities in the audio department. A retelling of the Robin Hood story, Volume takes place in a Britain laced with political dissent, rebellion and fancy volumetric display devices. Upon discovering such a device, Robert Locksley sets out to livestream heists and infiltrations, teaching the poor to steal from the rich rather than doing the job himself. I sat down with Mr Bithell at the Bradford Animation Festival to talk about the game, politics, ethics, Mini Coopers and Russell Brand.>

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Rock, Paper, Shotgun - contact@rockpapershotgun.com (Cara Ellison)

“Has this game just come out?” maker of Thomas Was Alone Mike Bithell asks of Pretentious Game 3. “Because I’ve been getting emails all day, ‘They’re taking the piss out of you hurr hurr hurr’.”

Bari of Keybol games has just released the final part of a trilogy of games about a square, and labelled them all emphatically pretentious. Pretentious Game 3 is a game starring a cute little platforming square, just like in Thomas Was Alone. One of the enquiring, slightly jibing tweets to Mike Bithell about it was mine this morning, wondering if Bari was having a little joke at Mike’s expense. It turns out that there was just some sort of trend in games with a square in them last year, and between them, Bari and Mike had created some sort of New Square Wave of 2012, where they both were making games simultaneously about mobile squares with delusions of grandeur. I spoke to them both to find out exactly how pretentious they both are. (more…)

Rock, Paper, Shotgun - contact@rockpapershotgun.com (Nathan Grayson)

I wish people took me seriously every time *I* put on a chicken mask.

You know, I never really thought about it before, but I think Proteus and Hotline Miami are videogame inverses. One’s about languidly strolling around a neon-bubblegum dreamscape paradise while the other’s about blink-and-you’ll-be-on-the-receiving-end-of-it murder in an entirely different kind of neon-bubblegum dreamscape “paradise”. They are one anther’s bizarro twin, eternally opposed but forever intertwined. Also, they’re in the latest Humble Indie Bundle together, which is neat. And neater still? Probably the fact that they’re joined by Little Inferno, Awesomenauts, Capsized, Thomas Was Alone, and Dear Esther. Yeah, eight is pretty great. Or something.

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