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Play as the human Young, exploring Young's dream world: HOTELS, OUTER SPACE, VAST PLAINS AND BEACHES are among the many locations in the world: discover the workings of Young's mind as you explore these areas and more in Anodyne, a top-down adventure created by http://www.twitter.com/seagaia2 and http://www.twitter.com/jonathankittaka .
Release Date: Mar 22, 2013
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50% off sale autumn sale - android version 80% off

November 27th, 2013



android version 80% off: https://play.google.com/store/apps/details?id=air.Anodyne.mobile

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"Simultaneously, the game creates a sensation of lost, but not abandonment. In this, you are in a mysterious world, unfamiliar and bizarre, yet the eerily nostalgic design instills the necessary knowledge to proceed in your adventure."
The Ambivalest

"Sean Hogan and Jonathan Kittaka have made magic with this game, creating a world that I could be afraid to enter but never want to leave...The locations are vibrant and detailed, going to all manner of different places...[the music] can take the visual mood and shift it into territory that pixel art shouldn't be able to inhabit...I know we're only in February, but this has Game of the Year written all over it."
Mash Those Buttons - 4.7/5

"Anodyne can be as funny and charming as Link’s Awakening on occasion, but the overall tone is one of unease, with a subtle malevolence – the ‘something seems a bit off here’ factor – reminiscent of the indie horror Lone Survivor. Meaning is elusive, but themes and motifs soon begin to take form, in a game that feels increasingly personal the more you burrow into it."
PC Gamer - 84/100

Steam Greenlight

9/4: Available in Japanese !日本語版発売!

A japanese translation of Anodyne will be available on September 4th!

About the Game

Play as the human Young, exploring Young's dream world: HOTELS, OUTER SPACE, VAST PLAINS AND BEACHES are among the many locations in the world: discover the workings of Young's mind as you explore these areas and more in Anodyne, a top-down adventure created by http://www.twitter.com/seagaia2 and http://www.twitter.com/jonathankittaka .

They are working on Even The Ocean http://www.twitter.com/eventheocean , a new adventure platforming / hybrid walk-&-press slice-of-life adventure/daydream platforming game. It will also be released on Steam.

PC System Requirements

    • OS:Windows XP
    • Processor:1.5 GHz, single core
    • Memory:1 GB RAM
    • Graphics:Any
    • Hard Drive:100 MB HD space
    • Sound:Any
    • Additional:This is not a GPU-intensive game.
    • OS:Windows XP or better
    • Processor:(2.0 GHz, single core) or better
    • Memory:2 GB RAM
    • Graphics:Any
    • Hard Drive:100 MB HD space
    • Sound:Any
    • Additional:This is not a GPU-intensive game.

Mac System Requirements

    • OS:10.6 or Newer
    • Processor:Intel 1.5 Ghz, single core
    • Memory:1 GB RAM
    • Graphics:Any
    • Hard Drive:150 MB HD space
    • Sound:Any
    • Additional:This is not a GPU-intensive game.
    • OS:10.6 or Newer
    • Processor:(Intel 2.0 GHz, single core) or better
    • Memory:2 GB RAM
    • Graphics:Any
    • Hard Drive:150 MB HD space
    • Sound:Any
    • Additional:This is not a GPU-intensive game.

Linux System Requirements

    • Processor:1.5 GHz, single core
    • Memory:1 GB RAM
    • Graphics:Any
    • Hard Drive:100 MB HD space
    • Sound:Any
    • Additional: Requires Adobe AIR 2.6 to be installed (installer scripts included)
    • Additional: Steam Cloud unavailable on Linux
Helpful customer reviews
41 of 58 people (71%) found this review helpful
32 products in account
2 reviews
12.2 hrs on record
Can I give a thumbs-sideways?

The word "anodyne" in a literary sense can mean "soothing" or "blandly agreeable," and I can certainly give the game the bland part.

For the better part of three hours playing the game I did not know if I could stomach finishing it. I'm getting ahead of myself.

It's a Legend of Zelda-like with a ton of strange thematic choices, poor writing, too much dialogue and tonal shifts that will give a player whiplash. What few inventive game mechanics it employs are spread throughout an atrociously long and dull climb to nowhere. You might pass through seven screens just to get to the next place: no enemies, no obstacles to speak of, just a march. As if the designers (credited indie devs Sean Hogan Jonathan Kittaka) couldn't be bothered, having come up with the overall map of an area, to fill it in with things. This becomes very apparent when retracing your steps. You will find a checkpoint at the beginning of an area, putting you on guard for the trials ahead. Then those trials never manifest and seven screens later there's another checkpoint.

To what end? Was my adversary through that place boredom? Will checkpoints at the beginning and end of a stretch really help me combat that adversary?

The few basic enemies you encounter are all laughably simplistic. Many pose no threat at all. Some cannot even harm you. This led me to think perhaps they were more of a rhetorical device than a game object, really. The only rhetorical question that sprang to mind was "why am I still playing this?" Then later I encountered fire-breathing lions and they shot my dandy theory to hell.

But I do know the answer to that rhetorical question, as the game is a little more than a poorly-written, bland, easy Zelda clone.

First, even though the various mechanics are spread out way too far, the few that the game offers are very neat. Even with all the crummy verbosity, the game does not tutorialize, rather giving you the tools and letting you figure things out. A good bit of design. The nugget of a good game. I would never have thought that piles of dust could have so many uses, but there you go.

Second, there is at least one boss in the game that requires a neat bit of fooling and approaches a reasonable challenge. Shame that I can only honestly say that about one of perhaps eight or so bosses, but that one is very good and fun.

Third, there are a few counter-intuitive design choices that I won't spoil that I do admire as choices. It is this last point that keeps my thumb pointing up with all I've said about the game to this point. What I will say is that it's a shame you only get the full, mechanically complete game after playing through the whole thing.

Heck I guess that's a second way it reminds me of Fez. The first was the music and sound effects. Which I didn't mention. Okay.

The music is fine if you're into chiptunes and oscilloscopes. Tones, mostly sine waves. Some triangle. There are several good tones.

Which is more than I can say about the jokes. Those are all tonedeaf. And just grating given everything else that happens. I want to say that, as a rule, you don't get to make crappy puns about bicycles with names in the same game where you murder a man and jump into his corpse-portal to go commit an abortion on a tentacle monster. Which is part of what I mean when I say the game is tonally all over the place. Anything vaguely interesting as a narrative point just gets dropped somewhere; crushed away by screen after screen of nothing happening.

Things I didn't like:
bad jokes
boring, longwinded dialogue
useless screens
lack of difficulty

Things I did like:
inventive mechanics
post-game elements
certain specific challenges
cute enemy names
no navi

Buy it on sale. At the time of this writing it is half-off the ten dollar list price, which still feels like a bit much for what you're getting. Do not pay ten dollars for this game, at any rate.
Posted: December 29th, 2013
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19 of 29 people (66%) found this review helpful
593 products in account
12 reviews
14.2 hrs on record
A throwback to the old topdown legend of zelda games. Because of a relatively short story length, the repetative nature of the combat and puzzles does not become frustrating. I personally wad not a fan of some of the bossfights and the discrepancy of difficulty between most of the early bosses being a cakewalk but a couple, including the final boss, being annoyingly difficult for no adequite reason. there are only 6 achievements and three of those come from the main story, while the other three are from the additional achieveable content and gameplay. Overall i would give this game an 8/10, it was well written and ended as soon as it needed to to not overstay its welcome.
Posted: December 10th, 2013
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51 of 90 people (57%) found this review helpful
670 products in account
88 reviews
5.1 hrs on record
The Legend of Zelda is without any shred of doubt one of the most important and influential games ever made. Nintendo’s landmark release has inspired hundreds of games and mechanics within them, and you can't take two steps without hearing a developer site it as one of their biggest inspirations when developing their own games. Indie game Anodyne is one such example of a very close replication of LoZ's core gameplay, which isn't necessarily a bad thing in and of itself, but unfortunately fails to bring anything new to a very crowded table that results in but another poor attempt to recapture the magic of a classic.

You take control of Young, a man who wakes up in an unknown realm called the Nexus. You are told that you must protect Briar from the darkness, but first must prove your worth by scouring the land for cards. And, that’s pretty much all you need to know. The story unravels in a nonlinear way, leaving much for you to deduce for yourself and numerous questions without straight answers. Unfortunately this initial air of mystery falls apart after you've progressed further into the game and come to realize the developers have no intention of ever answering or even elaborating on the many threads making up its haphazard plot.

You run into a lot of characters during your travels, but none of them have anything relevant or useful to say. One of my biggest issues I had is that the dialog aspires to far more lofty and philosophical heights than it has any hope of reaching, ending up feeling pointless and pretentious, while at the same time completely throwing off the tone of the game. A lot of heavy subjects are brought up, from antisocial paranoia, to self worth and parental neglect, but they are never expanded upon or even discussed beyond a cursory overview (which comes across as forced and in poor taste).

It’s clear this was a very personal experience for the writer behind the dialog, but putting all of your problems and insecurities into your game is a sure fire way to lose your audience. Adding to the disjointed tone is a bundle of worthless profanity that was unneeded and serves absolutely no purpose. I'm not sure why the developer felt the need to include random four letter words, as it doesn’t jell at all with the rest of the game, and even as someone not typically bothered by profanity felt a tad disgusted when presented with it in this context. The ending is the final nail in the coffin, coming completely out of left field and not giving even a remote sense of resolution. I will be the first person to advocate artistic expression, but the story fails on so many levels it had me wishing it hadn’t been included at all.

From a gameplay perspective Anodyne fairs a bit better, but on the whole still fails to do enough with what it attempts. You spend your time split between exploring an overworld, collecting cards and filling out your map, and then dipping into dungeons which comprise some basic puzzles and the occasional boss fight.

It's a formula that works, but in this case quickly becomes repetitive as you neither gain any new abilities, nor encounter consistently interesting puzzles to solve. So much of the game is comprised of nothing but wandering, that many areas feel like nothing but filler, featuring no purpose but to elongate your adventure and keep you away from the handful of smartly designed dungeons that could have made for a much tighter experience on their own.

The extensive backtracking also contributes to much of your time feeling like a grind, occasionally even breaking the game as paths close and you become forced to retread even more ground taking the long way to wherever you were headed. Simply put, it's poor design that frustrates and belittles the player, dragging the experience on longer than it needed to be and making the enjoyable sections a lot farther apart. It's a shame because at times I really felt Anodyne was onto something, but each time my hopes were shot down as I cursed the many aggravating design decisions the developers made.

Truth be told, there were moments when I actually did enjoy my time with the game. The true problem is, to reiterate, the fact that Anodyne does absolutely nothing we haven’t already seen and not well enough to compensate for its lack of innovation. It has it’s moments, but by and large feels all too familiar, and ultimately had me wondering why I was playing it instead of so many other games. I never felt compelled to continue, and I doubt it will be finished by most.

If Anodyne does anything right, it’s the game’s music and art. The graphics wholly envelope the 16-bit era, with a wonderful pixel style that is both beautiful and varied. Each dungeon has it’s own look, from a noir inspired town, to a neon maze it is constantly evolving and giving you something new to look at. It may not all flow together, but it was the one thing that made me want to search out new dungeons.

The other half of the presentation is the music, which does a great job of selling the somber, lonely tone of the story, even when the dialog can’t. From gentle piano melodies, to a pounding jungle beat, it is just a great set of songs, and some I could actually see myself listening to outside the game. They are that good, and easily the best part of the game.

In the end though Anodyne left me wanting. Wanting for better levels, a better story, a better ending, but mostly, a better game. When I first began, I had little idea what to expect and was actually enjoying myself more than I would have expected. But as time went on, the gameplay never evolved, and the story only strayed farther and farther off course making me want to jump ship before it had completely sunk (which by the end it had definitely done.

By the time the credits had rolled, I was all too happy to be able to wash myself of the experience. I don't say that lightly, and hate to have to be so critical, but I simply cannot advise anyone to play what was one of the most disappointing games I've experienced in a long time.
Posted: November 26th, 2013
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5 of 5 people (100%) found this review helpful
523 products in account
45 reviews
2.9 hrs on record
Great & fun little game picked up in a bundle. Checked out some guides for the game and studied them - You can get a perfect game in under 3 hours (one of the achievements) if played flawlessly and without mistake. Playing for this made the game a whole other challenge and was pretty fast paced fun. I don't recommend try it on the first run like I did as I feel I missed on some of the charm this game offered. None the less, it was a blast!
Posted: March 30th, 2014
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20 of 34 people (59%) found this review helpful
268 products in account
62 reviews
22.7 hrs on record
If I knew the soundtrack was this good, I would've bought it just for that! =D
Pleasantly....conventional battle system. You wouldn't think a game would let you use something for it's intended purpose. lol
Also, if you need help with the keybindings if you play using a keyboard, please check out my guide here:
Posted: November 25th, 2013
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