Experience an amazing adventure in one of the most fascinating universes! Amidst conspiracy and betrayal, try to survive the orchestrated machinations around the Iron Throne.
用户评测: 多半好评 (1,429 篇评测) - 1,429 篇用户评测中有 71% 为好评。
发行日期: 2012年6月7日

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购买 Game of Thrones Special Edition

包含 4 件物品: Game of Thrones, Game of Thrones - Beyond the Wall (Blood Bound) DLC, Game of Thrones - Dog Pack DLC, Game of Thrones - Weapon Pack

购买 Game of Thrones Bundle

包含 2 件物品: A Game of Thrones - Genesis, Game of Thrones

购买 Focus Selection Pack (December 2015)

包含 23 件物品: Another World – 20th Anniversary Edition, Blood Bowl: Chaos Edition, Bound By Flame, Cities XXL, Contrast, Etherium, Faery - Legends of Avalon, Farming Simulator 2013 - Classics, Farming Simulator 2013 - Official Expansion (Titanium), Farming Simulator 2013 Titanium Edition, Final Exam, Game of Thrones, Mars: War Logs, Of Orcs And Men, Pix the Cat, Pro Cycling Manager 2015, R.A.W. Realms of Ancient War, Runaway, A Road Adventure, Runaway, The Dream of The Turtle, Runaway: A Twist of Fate, Space Run, Styx: Master of Shadows, Yesterday

 

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关于这款游戏

一款出色的角色扮演游戏,两个史诗级主线任务

在这中世纪幻想文学里最为完整而迷人的世界之一中,体验一段惊奇的冒险。权力的游戏这款出色的角色扮演游戏,将把玩家置入一场惊人阴谋的核心之中,复仇,忠诚及荣誉将引导你的命运。

操控两个不同的英雄,跨越两条主线任务,引导你至维斯特洛大陆虚构地区的心脏。在阴谋与背叛的夹缝之中,试着从围绕铁王座精心准备的诡计中生存下来。

提升你的角色,学习强大的技能,加入充满战术性及观赏性的战斗。磨砺你的外交能力,口才有时比暴力更受青睐。但比任何都更为重要的是,小心...你所有的行为都可能对冒险经历产生严重的后果!

游戏特色:

  • 两个基于乔治 R.R. 马丁所著“冰与火之歌”世界的原创故事
  • 具有观赏性及战术性的战斗
  • 许多次要任务可供完成
  • 探索小说故事里的虚构地区,与代表性人物进行互动

系统需求

    • OS: WINDOWS XP SP3/WINDOWS VISTA SP2/WINDOWS 7
    • Processor: AMD/INTEL DUAL-CORE 2.2 GHZ
    • Memory: 2048 MB
    • Graphics: 256 MB 100% DIRECTX 9 AND SHADERS 3.0 COMPATIBLE. ATI RADEON HD 2600 XT/NVIDIA GEFORCE 7900 GTX OR HIGHER
    • DirectX®: 9
    • Hard Drive: 7 GB
    • Sound: DIRECTX 9 COMPATIBLE
    • Internet: INTERNET CONNECTION REQUIRED THE GAME ACTIVATION
有价值的用户评测
11 人中有 10 人(91%)觉得这篇评测有价值
有 1 人觉得这篇评测很欢乐
0.9 小时(记录在案的)
发布于:2015年12月24日
要不是这个名字,这个垃圾应该早就多半差评了
这篇评测是否有价值? 欢乐
1 人中有 1 人(100%)觉得这篇评测有价值
有 1 人觉得这篇评测很欢乐
2.3 小时(记录在案的)
发布于:2月5日
只推荐给冰火的死忠粉,虽说是13年的游戏画面不能有太多的期待,但是那只狗!!那只狗!!什么鬼~~~好残念请不要虐狗好吗!!!那居然还是一个玩家可以操控的角色~~操控这么丑的一只汪星人,我的内心几乎是奔溃的~~~还有一个巨大的槽点就是战斗系统,怎么说呢,半回合制即使战斗~~~无力吐槽,上手难,又没有像最终幻想那样明确的分类,玩起来简直蛋疼。还加入了一些即时战斗才有的元素~~~这么混搭真的好吗~~哎,总之失望
这篇评测是否有价值? 欢乐
75 人中有 65 人(87%)觉得这篇评测有价值
有 2 人觉得这篇评测很欢乐
59.9 小时(记录在案的)
发布于:2015年9月13日
I tried hard to enjoy the game, to me this felt more like a $5 game not a $20 game. The game has some good ideas and potential but if felt like once everything started to come together it just ended. Now I have never watched the game of thrones so my review is going to be purely based off of the game play. I got over small things like the camera angle being horrible and your actions not really effecting the outcome of anything. The game is very restrictive and you will follow a certain path no matter how you choose to play your character.

Combat:
The combat is a turn based/real time format. It was very fun and I would recommend watching a youtube video to get an idea of what I mean.

Skills:
The game does a good job of explaining these but you will learn that if you spend your skill points on certain skills you have wasted them. The biggest of these being the one that effects your buying/selling skill. I invested most of my skill points on this skill and then a few hours in I realized there was no way I would ever be able to buy any of the gear so I would never use this skill. (at least not until the end of the game, and at that point you'll start to get so much money you could buy everything twice)

Economy/Gear:
Do not plan on doing anything with buying/selling. You will never have enough money to buy better gear until the very end of the game. At that point it becomes completely rediculas and money is basically being thrown at you. Just plan on looting and wearing that gear.

Why I'm NOT recommending:
The biggest things that made me decide to not recommend the game is that you put all this time into developing your characters skills, finally get enough money to buy some decent equipment, and then the game just ends. I was left going why did I waste all that time planning and training up? I should have just sprinted through the game play and listened to the story. Also once the story ends your done, there is no going back and replaying things your just finished.

Conclusion:
If you just want a story this might be your game. Do not spend to much time planning out your skill tree's or traits or anything else about your character because in the end you will never get to use your thought out plan. Play this game to just hear the story and nothing more. I personally didn't find the story all that amazing but that does not mean you wont. If you buy this game set the difficulty to easy and just sit back and enjoy the story.

Thank you for reading my post, I hope this helps you to decide if this game is worth it for you. Either way enjoy your gaming.


这篇评测是否有价值? 欢乐
46 人中有 39 人(85%)觉得这篇评测有价值
有 3 人觉得这篇评测很欢乐
12.2 小时(记录在案的)
发布于:2015年8月16日
I'm a huge fan of the Song of Ice and Fire series. I've watched the TV Show, and I'm currently reading the books; and I find this game completely amazing. Despite of the inadequate graphical designing, the game is still decent and worth playing. The extremely rich story is what's keeping me into it. I highly recommend this to every Song of Ice and Fire's fan, as it's really delightful and amazing to be able to walk around Castle Black and/or Westeros freely.
这篇评测是否有价值? 欢乐
26 人中有 22 人(85%)觉得这篇评测有价值
有 2 人觉得这篇评测很欢乐
20.5 小时(记录在案的)
发布于:2015年9月9日
You’ve got to hand it to Cyanide, the French developers certainly know how to secure a popular license. First they wrangled the rights to make a series of Blood Bowl titles, even after the notoriously protective Games Workshop launched a lawsuit over Chaos League; and then they somehow wound up with Game of Thrones.

Placing such a huge property in the hands of a relatively small developer comes with its attendant problems. A lack of budget afflicts this third-person RPG like a creeping malady, working its way into almost every aspect of presentation and eating away at the positive work being done elsewhere. But while a larger developer with big-money backing might have ramped up the spectacle, their natural inclination towards more conservative storytelling may have resulted in a more straightforward tale than the one presented here.

Game of Thrones has several problems as a game, but its major strength is a story that largely succeeds in interweaving with George RR Martin’s established narrative while not overstepping its boundaries or drifting into awkward fan-fiction territory. Its plot runs parallel to the events in the first book of the series and HBO’s opening TV season, so it’s fairly important that you’ve read or watched at least one of those. If not, the endless scheming and counter-scheming of powerful medieval-fantasy Houses could be a touch on the confusing side.

Cyanide’s Game of Thrones introduces two new characters who pursue goals that are ‘off camera’ for the books and series (though a few established faces; Queen Cersei, Lord Varys and Jeor Mormont do show up). Both of these newcomers fought for the Lannisters in Robert’s Rebellion against King Aerys II and both now find themselves in circumstances quite different from feudal military service. Mors Westford is a grizzled old crow of the Night’s Watch, while Alester Sarywck is returning to his birthplace in Riverspring as a Red Priest.

These two are an unusual pair for a videogame; older, morally compromised men with a rigid honour code (Mors) and a new-found religious enthusiasm bordering on the fanatical (Alester). For a little over half the game you alternate between playing as Mors or Alester, before the pair meet up for the concluding chapters of the tale. This interchange is handled well and works as a structural device in-keeping with Martin’s ‘point of view’ chapters in his books.

In another unusual step for the videogame narrative, these two ‘heroes’ have very different aims and ambitions. As do the two main antagonists, whose mendacious plotting and back-stabbing is for contrasting ends. Again, this is just as it should be for a series which prides itself on ethical grey areas and the pragmatic demands of power.Unfortunately, this robust story rope is frayed to near breaking point by some abysmal voice acting and uninspired level design.

Our two protagonists are not really to blame, nor are the HBO guest voices; but the supporting cast bring a collection of performances ranging from flat to borderline unlistenable. That includes an ill-advised, in-jokey appearance by George RR Martin himself.

Weak deliveries, misplaced emphasis and terrible, wandering accents are just some of the delights the cast of Game of Thrones has in store for you. If it weren’t for the halfway decent talents of the main pair and Varys’ splendid cameo appearances, I’d have recommended simply muting the voices altogether. It doesn’t help any of the actors that the lines appear bereft of any kind of post-production Foley treatment. These are the sounds which add convincing background effects when a character is, say, stood in a snowstorm versus inside an echoing castle hall. Here, no matter what the circumstances, everyone sounds like they’re inside a cozy sound studio.
This poor voice acting undersells some reasonable dialogue and gives the story a cheap, unconvincing feel that it doesn’t really deserve.

The cramped level design works for areas like Castle Black or the Sarywck seat of Riverspring, but fans of the series will probably have a hard time believing that the city of Kings Landing outside the Red Keep consists of about five merchants and roughly the same number of streets. None of these iconic places are really done justice by the developer’s less than impressive use of the Unreal Engine 3. For a series with so many worthy sights to offer, far too much time is spent in boring, dank underground tunnels.

When not wandering around narrow streets, playing voice-acting Russian roulette, or warging into Mors’ dog for some scent-chasing pseudo stealth sections, your time will be spent in combat with the various Wildlings, sell-swords and Knights who populate the realm.
The combat system owes a fair bit to older PC-centric RPGs where pausing the action and issuing orders was the norm. Here, time just slows to a crawl rather than pausing outright, but the process of assessing your situation and queuing up relevant skills remains just the same. Mors’ and Alester’s skills are class-dependant (you choose one of three classes for each character at the start) but every path can deal out useful debuffs along the lines of ‘immobilised’, ‘stunned’ and, best of all, ‘on fire’. Each armour type also has a weakness to a certain type of weapon, so it’s worth paying attention to that when fashioning your tactical plan. Finally, a limited number of flasks can be filled with various concoctions to aid your characters or hinder your foes.

It’s a sturdy system, offering just enough tactical fluidity and challenge to force you into thinking your way through each encounter. The actual animations which play out with each skill are fairly wonky and awkward, but the intent is there and the combat succeeds in finding an interesting compromise between real-time and turn-based approaches. It’s not quite revolutionary or deep enough to remain interesting for all 25 hours of the campaign, as you hack through rank after rank of increasingly familiar men-at-arms, but new abilities (obtained through levelling up your characters) keep things fresh for longer than might be expected.

There are no dramatic branches to the storyline (at least until the finale), but choices you make throughout the chapters do tend to be reflected in dialogue or little set-pieces later on. Help a chap out of jail, and his gang might lend their support to you. Imprison some rioters in your dungeons and they’ll still be there later on. My only gripe with the narrative pacing is that it all begins to go wrong slightly towards the end, when Mors and Alester can suddenly fast-travel between locations in the North and South. This feels especially silly when you’re presented with a couple of side-quests many miles away from your supposedly urgent, time-sensitive mission and are able to complete them as if nothing is amiss.

PC users should be warned that the game offers only the sparsest of graphics options, so delving into the config files to whip the Unreal Engine 3 into a shape of your liking is pretty much mandatory. Like everything else about this game, you have to put up with an unpalatable surface to get the best out of it.

There’s no denying that Game of Thrones will test your tolerance. There are so many negative idiosyncrasies and cost-cutting measures in place that you’ll probably start to wonder when the game will just fall part entirely. But it never actually does. In fact, it stays on course to deliver a compelling parallel narrative to the opening book and HBO series, with characters as morally ambiguous and events just as horrific as any from Martin’s pages. Overall 7/10.
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